专访提奥多·库伦奇斯｜Teodor Currentzis interview
响声播客
Deep Dive
Why perform standing?
Performing standing is more natural and allows for better movement and interaction with the audience. It also provides more flexibility and angles for the musicians and conductor.
What was your experience of the 2023 China tour?
The 2023 China tour was very successful and received a lot of positive feedback. The audiences were deeply engaged, and the experience was enriching, especially in cities like Beijing and Shanghai, where the community and environment were diverse and vibrant.
How does your Greek heritage influence your artistry and distinguish you from other conductors?
My Greek heritage gives me a unique perspective on European classical music, especially in understanding the ancient roots and philosophical underpinnings. This influences my interpretation and approach to music, making it distinct from other conductors.
What are your thoughts on Sergio Celibidache and his approach to music?
Sergio Celibidache was a profound musician who emphasized the spiritual and physical aspects of music. He believed in creating a deep, immersive experience for the audience, often choosing slower tempos to allow for deeper engagement. His approach resonates with my own philosophy of music.
How do you convey your ideas to musicians?
I convey my ideas through a combination of philosophical discussions and personal examples. I believe in leading by example and encouraging musicians to explore their own emotional and spiritual depths, which helps in creating a more authentic and powerful performance.
What books and poetry do you recommend to young musicians?
I recommend young musicians to read ancient Greek philosophers like Heraclitus, Anaximander, and Anaximenes, as well as modern poets like Ivan Gol, John Keats, and Rainer Maria Rilke. These works provide a rich foundation for understanding the deeper emotional and philosophical aspects of music.
What is the significance of Mahler's Sixth Symphony in your repertoire?
Mahler's Sixth Symphony is significant for its deep emotional and philosophical content. I approach it with a focus on the inner pain and struggle, which I believe is essential for a truly powerful and authentic performance.
What criteria do you use to choose works for recordings?
I choose works for recordings based on their emotional depth and the potential for a unique and profound interpretation. I also consider the historical and cultural context of the pieces, ensuring they resonate with modern audiences.
What can we expect from your record label Theta in 2025?
In 2025, Theta will release a series of exciting new albums, including recordings of Mahler's First and Third Symphonies, Beethoven's Ninth Symphony, and Bruckner's Ninth Symphony. These recordings will showcase the depth and quality of our interpretations.
What was your experience as an actor in the DAU project?
My experience as an actor in the DAU project was intense and transformative. It required me to step out of my comfort zone and explore different aspects of my personality. The project pushed me to be more honest and authentic, which was both challenging and rewarding.
What qualities do you look for in musicians for your orchestra?
I look for musicians with exceptional technical skills, a deep understanding of both ancient and modern music, and a strong spiritual and imaginative capacity. It's crucial that they can connect with the music on a profound level and contribute to a cohesive and powerful performance.
What is your view on historically informed performance styles?
I believe that historically informed performance styles are important for understanding the original context of the music. However, I also think that modern interpretations can bring new and valuable perspectives. The key is to balance authenticity with creativity and emotional depth.
- Conductor's reflections on the 2023 China tour.
- Overwhelmingly positive audience response.
- Observations on the unique cultural and artistic scenes in China.
- The evolving understanding and appreciation of classical music in China.
Shownotes Transcript
This is a Zoom interview between Shanghai and Stuttgart, which took place on Oct. 31, 2024. Non-Mandarin listeners please skip to 00:45.
感谢吴氏策划牵线，近日非常荣幸地采访了指挥家提奥多·库伦奇斯。本期节目是整场全英文的采访内容，相应的中文对谈节目会在稍后几日上线。感谢你们的关注和支持！
00:45 破冰，站立演出不累吗？Why perform standing?
05:26 2023中国巡演感受 China Tour
11:34 希腊基因和艺术见解如何区分库伦齐斯与其他指挥家？Greek root and what distinguishes him from other conductors.
16:21 因音乐见解谈到斯图加特前辈切利比达克 on Celibidache
21:16 如何向音乐家们传递你的思想 how to convey ideas to musicians
27:42 读书、读诗，语言，年轻艺术家 books, poetry, language, and influence on young musicians
36:55 马勒第六交响曲 Mahler's Sixth
39:04 如何选择录制成专辑的作品 Works that ends up in recordings and those don't
43:29 库伦奇斯的唱片公司 Theta 和新的布鲁克纳第九交响曲专辑 Theta, and Bruckner's Ninth.
45:19 2025大量专辑惊喜来袭 what to expect for 2025
50:06 马勒第三交响曲 Mahler's Third
52:59 最近在读什么书？What are you reading?
56:13 作为演员出演DAU的经历 Acting stint in DAU
59:19 如何挑选乐手 criteria for picking musicians
61:27 如何看待“本真风格” on "historically informed performance styles"