Critics at Large is a weekly culture podcast from The New Yorker. Every Thursday, the staff writers
For nearly as long as we’ve been waging war, we’ve sought ways to chronicle it. “Warfare,” a new mov
The tension between art and commerce is a tale as old as time, and perhaps the most dramatic clashes
Gossip, an essential human pastime, is full of contradictions. It has the potential to be as destruc
The first episode of “The Joe Rogan Experience,” released in 2009, consisted mostly of its host smok
In 1939, reviewing the beloved M-G-M classic “The Wizard of Oz” for The New Yorker, the critic Russe
For many of us, daily life is defined by a near-constant stream of decisions, from what to buy on Am
“The Pitt,” which recently began streaming on Max, spans a single shift in the life of a doctor at a
“Severance” is an office drama with a twist: the central characters have undergone a procedure to se
The first episode of “Saturday Night Live,” which aired in October of 1975, was a loose, scrappy aff
A few years back, novels classed as “romantasy”—a portmanteau of “romance” and “fantasy”—might have
David Lynch, who died last month at seventy-eight, was a director of images—one whose distinctive se
In 1954, a young David Attenborough made his début as the star of a new nature show called “Zoo Ques
Westward expansion has been mythologized onscreen for more than a century—and its depiction has alwa
The first person is a narrative style as old as storytelling itself—one that, at its best, allows us
This year, high-profile failures abounded. Take, for example, Francis Ford Coppola’s passion project
The American musical is in a state of flux. Today’s Broadway offerings are mostly jukebox musicals a
Artists owe a great debt to ancient Rome. Over the years, it’s provided a backdrop for countless fil
In her new FX docuseries “Social Studies,” the artist and filmmaker Lauren Greenfield delves into th
One of the most fundamental features of art is its ability to meet us during times of distress. In t
Since the comedian Julio Torres came to America from El Salvador, more than a decade ago, his fantas
