Research shows a strong correlation between screen time and spikes in depression, loneliness, and suicide among teens. Social media platforms exploit young people's vulnerability for profit, leading to mental health crises.
The documentary highlights the inescapability of social media for teens, who are aware of its dangers but feel unable to quit due to its role in their social lives. It shows teens grappling with the tension between criticism of the platforms and their dependence on them.
The podcast compares the current social media panic to historical moral panics, such as the satanic panic surrounding Marilyn Manson or the comic book craze of the 1950s, where societal fears about youth culture were amplified.
Studies show a 62% rise in suicide rates among Americans aged 10-24 between 2007 and 2021, with one in three teenage girls considering suicide in 2021. Depression rates have also spiked, with 53% of Americans blaming social media for these trends.
The documentary shows teens like Jack, who uses social media to profit, but also highlights how platforms like TikTok and Instagram monetize teen behavior, creating a cycle of dependency and exploitation.
Proposed solutions include legislation like the Phone Free Schools Act, which limits phone use in schools, and recommendations such as no smartphones before high school and no social media before 16. The focus is on creating legal guardrails and rebuilding community spaces.
The podcast argues that social media has become central to teen identity, with many feeling they cannot build an identity without it. However, it also highlights the pressure to conform to online expectations, which can stifle creativity and individuality.
The documentary portrays a world where teens are increasingly isolated, with social media often replacing real-world connections. It suggests that the lack of community spaces and activities outside of digital platforms contributes to this loneliness.
The podcast emphasizes that social media companies like Meta and TikTok exploit teen vulnerability for profit, creating addictive platforms that harm mental health. It calls for holding these corporations accountable rather than blaming teens.
The podcast references the moral panic surrounding Goethe's 'The Sorrows of Young Werther,' where young men dressed in the protagonist's distinctive clothing were seen as suicide risks, highlighting how societal reactions can sometimes be more harmful than the issue itself.
In her new FX docuseries “Social Studies,” the artist and filmmaker Lauren Greenfield delves into the post-pandemic lives—and phones—of a group of L.A. teens. Screen recordings of the kids’ social-media use reveal how these platforms have reshaped their experience of the world in alarming ways. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss how the show paints a vivid, empathetic portrait of modern adolescence while also tapping into the long tradition of fretting about what the youths of the day are up to. The hosts consider moral panics throughout history, from the 1971 book “Go Ask Alice,” which was first marketed as the true story of a drug-addicted girl’s downfall in a bid to scare kids straight, to the hand-wringing that surrounded trends like rock and roll and the postwar comic-book craze. Anxieties around social-media use, by contrast, are warranted. Mounting research shows how screen time correlates with spikes in depression, loneliness, and suicide among teens. It’s a problem that has come to define all our lives, not just those of the youth. “This whole crust of society—people joining trade unions and other kinds of things, lodges and guilds, having hobbies,” Cunningham says, “that layer of society is shrinking. And parallel to our crusade against the ills of social media is, how do we rebuild that sector of society?”
Read, watch, and listen with the critics:
“Social Studies” (2024)“Into the Phones of Teens),” by Naomi Fry (The New Yorker)“Generation Wealth” (2018)Marilyn Manson“Reviving Ophelia),” by Mary Pipher“Go Ask Alice),” by Beatrice Sparks“Forrest Gump” (1994)“The Rules of Attraction),” by Bret Easton Ellis“Less Than Zero,” by Bret Easton Ellis“The Sorrows of Young Werther),” by Johann Wolfgang von Goethe“Seduction of the Innocent),” by Fredric Wertham“Has Social Media Fuelled a Teen-Suicide Crisis?),” by Andrew Solomon (The New Yorker)“The Anxious Generation),” by Jonathan Haidt“Bowling Alone),” by Robert D. Putnam
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