Tom Hanks feels blessed to be Conan O'Brien's friend, acknowledging the friendship as a positive and cherished relationship.
Tom Hanks compares making movies to navigating a minefield, where the outcome is uncertain and could either be successful or a failure.
Tom Hanks describes the intense and exhausting experience of working on 'Forrest Gump,' particularly the scene where he sits on the bench, questioning whether anyone would care about the character.
The film 'Here' uses a one-shot technique adapted from a graphic novel, where the camera remains static while time jumps between different ages of the characters, achieved through deepfake technology.
Tom Hanks rarely watches his own movies because he feels he already knows how they end, and he recalls more about the experiences and events surrounding the filming rather than the scenes themselves.
Tom Hanks acknowledges that his career has highs and lows, but over time, the perception of his work changes, with some films gaining new life as cult classics while others fade in relevance.
Tom Hanks describes the relationship as collaborative, where actors and directors work together to bring the script to life, with directors sometimes having a clear vision and other times being more flexible and open to suggestions.
Tom Hanks emphasizes the importance of showing up and being present, regardless of personal circumstances, to bring authenticity and commitment to the role, even if it means going through psychological challenges.
Tom Hanks finds the deepfake technology fascinating and a useful tool for filmmaking, allowing for more efficient and realistic depictions of characters at different ages without the need for extensive makeup and prosthetics.
Tom Hanks suggests that the film 'Here' should be released exclusively in theaters to maximize the impact of its unique cinematic technique, encouraging viewers to experience it on the largest screen possible.
Tom Hanks feels blank about being Conan O’Brien’s friend.
Tom sits down with Conan once more to discuss the minefields of moviemaking, the most intense scenes he’s ever shot, and the process of de-aging to tell a story spanning generations in his latest film Here.
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