Nish typically wakes up at 6 AM, starts his day with breakfast, and then works in his shop. He occasionally takes breaks to hang out at a coffee shop but generally focuses on carving.
Salish art primarily uses shapes like trigons, crescents, and circles, while Northern Alaskan art features U shapes and ovoids. Both styles incorporate flow, but the facial features in Salish art often have northern influences.
Nish has been seriously carving for a little over a year, though he started getting into it less than a year ago.
Nish learned from Jonas Jones and Ray Notoro in Vancouver. He primarily works with Jonas Jones on larger projects.
Nish emphasizes the importance of listening to the cedar, understanding that the wood guides the design. This cultural aspect is crucial in his carving practice.
Initially, Nish was in debt and needed work, which led him to carving. Discovering his great-grandfather, Spud Cooper, was a master carver further solidified his path. Carving has since become a means of self-support and cultural connection.
Nish enjoys the middle stage when the wood transitions from a hunk to a recognizable form, like a face. This is when the cedar reveals its intended design, sparking creativity.
Inspiration comes from Nooksack stories, personal feelings, and nature. Many pieces reflect his emotional state or the environment around him at the time of creation.
Nish advises trying everything until you find what resonates with you. He discovered carving after exploring various paths, eventually landing on something that aligned with his family's heritage.
Nish appreciates both traditional tools like ads and modern tools like chainsaws. Modern tools are efficient, while traditional tools allow for deeper connection to the craft and cultural roots.
Nish believes there are no mistakes, only modifications. Every error can be fixed or transformed into something new, emphasizing the flexibility and creativity in the process.
Not yet. Nish considers himself still an apprentice and is not in a position to teach formally. However, he gives pointers to others interested in carving.
Nish acknowledges the old saying of needing 10,000 hours to become a master but feels he is still an apprentice. He relies on feedback from his mentors before considering himself in a position to teach.
Artists like Nish don't have traditional work benefits such as vacation time, sick leave, or healthcare. If they're not working, they're not earning, making the lifestyle a full-time commitment with no breaks.
Dionisio or “Nish” Romero is a Coast Salish artist, carver, and canoe paddler from the Nooksack Tribe in Bellingham, Washington. After almost 2 years in industry, Nish is a gallery-level carver at just 24 years old. Nish takes after his great grandfather, Spud Cooper, another master carver. Listen in as we discuss the carving life, cultural teachings, and how he follows in his grandfather's footsteps.