Joe and Erik open the show with Wonder Woman and the film's enormous success over the weekend. From there, it's onto our larger topic, writer/director Trey Edward Shults' sophomore film It Comes At Night, which despite its misleading marketing (it's not a monster movie, more a European-flavored horror/survivalist art picture) is a strong effort nonetheless. We also find time at the end of the show to discuss War Machine and some other deflating original releases from Netflix so far this year.
Support this podcast: https://podcasters.spotify.com/pod/show/theplaylist/support)
