Unlocking the Rhythms of Rosalía
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Back in the fall of 2017, our producer Megan Lubin went for a stroll near her house, popped in earbuds, and heard a song that’s stuck with her ever since: “Si Tú Supieras Compañero” (“If you only knew, my friend”), by the Spanish pop star Rosalía. Since then, Rosalía’s star has continued, especially after the 2018 release of “El Mal Querer,” Rosalía’s genre-blending album of R&B and flamenco. 

On this episode, we dig into Rosalía’s sound to try and figure out what stopped Megan in her tracks back then, and what keeps us coming back. With the help of *New York Times Magazine *writer Marcela Valdes, we break down key elements of the flamenco tradition, like the hard-to-define magic of duende, and count out some of the diabolical rhythms that keep us dancing. 

Songs Discussed

• Rosalía - Si Tú Supieras Compañero

• Rosalía - BAGDAD (Cap.7: Liturgia) 

• Rosalía - PIENSO EN TU MIRÁ (Cap.3: Celos)

Episode Spotify Playlist:

https://open.spotify.com/playlist/4zRce31m3RhCjVwmSSMz2Q)

Read “Rosalía’s Incredible Journey from Flamenco to Megastardom” by Marcela Valdes: https://www.nytimes.com/interactive/2019/10/08/magazine/rosalia-flamenco.html)

Watch Rosalía performing “Me quedo contigo”: https://www.youtube.com/watch?v=32d1bq-kG5c)

More coverage of Rosalía from The FADER magazine: https://www.thefader.com/artist/rosalia)

**A previous version of this episode claimed that Alicia Key's "Fallin'", Aretha Franklin's "I Never Loved a Man", "Marvin Gaye's "Here, My Dear" and Kelly Clarkson's "Breakaway" were all written in 3/4 time. That was in error, and we've edited the episode to reflect that.

CORRECTION

After airing this episode, listeners informed us that many Romani people consider the term “gypsy” to be antiquated, discriminatory and derogatory. We apologize for airing this this word in the episode, and will avoid its usage in all forgoing work. See the NOW foundation’s explanation for further detail: The “G” Word Isn’t for You: How “Gypsy” Erases Romani Women)

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