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StoryBoard 30

Exploring Our Stories. StoryBoard Memphis is a nonprofit multimedia resource for news and feature-le

Episodes

Total: 84

"For many years merely to talk of angels invited scorn. Belief bespoke of craziness, even schiz

“To champion a cause, you have to reboot your fundamental belief in the goodness of people, and that

“We’ve seen Bridge Builders transform young people in countless ways, and the result is a growing co

"We’ve been working with the consultants that helped reimagine Crosstown Concourse. We had some

The introduction to StoryBoard's multi-year project to bring the basement archives and collectio

“At Playhouse, we have the honor of producing a number of shows each season. Some are just fun and e

“For me, the experience was daunting, certainly in the beginning. To be the leader of a production,

“For me, the experience was daunting, certainly in the beginning. To be the leader of a production,

"When you start really thinking about what (Rust Hall) can be... when I look at what our current exh

He said “I want my work to stand the test of time, and be shared.” What reminds me of this is the Ti

"The album is very much about my recovery process. I started writing the songs before, and continued

“Our approach to housing homeless families is very different from other shelters in the city. Doroth

"All the possibilities are right there in front of you and you have no idea what's going to happen n

“After the trial though, that photo makes a difference… And that photo circulates. Just the act of s

“Like the endurance of the metal itself, contemporary Black artists sustain the historic and symboli

Shelley Moore and Mark Fleischer sat down in the Memphis Room at the Memphis Public Library to talk

“It’s a gift from Memphians to Memphis, in the belief that free concerts bring people together and b

“We’re fifty years later now (since the tipping point of the Civil Rights era and the King assassina

Join host Mark Fleischer as he talks with historian and Tennessee History For Kids executive directo

“My characters meet at Ole Miss, when there were very few Black students on the campus, in 1966. In