This week on Sinica, Kaiser chats with Rebecca Kuang (who writes under the name R.F. Kuang), the author of the best-selling historical fantasy novel Babel. Set in the 1830s in England, the novel’s Chinese-born protagonist sets out to prevent a war with China over the opium trade. It’s a novel about the industrial revolution, labor activism, revolution, and — surprisingly — language, etymology, and translation.

2:28 – On Rebecca's own connections to China and her anxieties about losing the Chinese language

8:27 – What historical insights Rebecca hoped her readers would take away from Babel

14:37 – Parallels between the U.K. of the early 19th century and the U.S. of the early 21st

20:26 – Refections on revolution and revolutionaries

25:48 – Silver working: the magic system in Babel and its relation to language

30:37 – Issues with translation theory presented in the book

38:04 – How Rebecca’s background in debate influenced her writing style

45:03 – Rebecca's forthcoming novel Yellowface

A transcript of this podcast will be available soon at TheChinaProject.com.

Recommendations:

Rebecca: The film Banshees of Inisherin and other works by its director, Martin McDonagh, including the dark comedy In Bruges (2008).

Kaiser: The new novel by Cormac McCarthy The Passenger, and a review of it by James Wood in The New Yorker.

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Author Rebecca Kuang on her novel Babel, or on the Necessity of Violence: An Arcane History of the Oxford Translators Revolution 52:20 Share

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Author Rebecca Kuang on her novel Babel, or on the Necessity of Violence: An Arcane History of the Oxford Translators Revolution