Writers preserve stories and silences, especially in families or societies that have experienced displacement or immigration. They help uncover untold stories and rehumanize those who have been dehumanized.
Fiction brings us closer to truth by conveying it through emotions and stories, making it more relatable and impactful than dry factual accounts. It encompasses politics, history, and emotional intelligence, offering a holistic view of life.
Oral traditions, such as folk tales and ballads, often remember what written history conveniently forgets. They reflect deep fears and cultural wisdom, making them crucial for understanding daily life and collective memory.
The novel explores the interconnectedness of characters across continents and generations through a drop of water, emphasizing the global freshwater crisis and its impact on communities, especially in the Middle East.
The Yazidi community is depicted as a vulnerable yet resilient group, heavily reliant on oral traditions for identity and memory. The novel highlights their persecution, including the poisoning of their water sources and the targeting of the elderly, which threatens their collective memory.
Shafak distinguishes between reflective nostalgia (a yearning for connection) and restorative nostalgia (a dangerous attempt to return to the past). She warns against nostalgia being exploited by demagogues for nationalist purposes, advocating for a forward-looking, inclusive approach.
Shafak encourages turning anger and anxiety into constructive actions, such as writing, music, or activism. She emphasizes the importance of connecting with others, nature, and our inner selves to navigate an anxious world.
Elif Shafak’s new novel brings together four stories set in three different centuries: ancient Mesopotamia, 19th century London, a Yazidi village in 2014, and the present day. It connects them through the epic of Gilgamesh, and a single drop of fresh water. Making history come alive is one of Elif’s many talents, and today she shares her thoughts on how novels can fill in the gaps in authorised history. She also talks with Lilah about the importance of the unwritten word — and why she looks to oral traditions to make sense of the past.
**As you know, the show is ending in early January – we’re still collecting your cultural questions. **What’s rolling around in your head? How can we help? Email Lilah at [email protected]) or message her on Instagram @lilahrap).
Links (all FT links get you past the paywall):
– Elif Shafak’s new novel There are Rivers in the Sky, is out now in the US and the UK
– Read the FT’s review of the book here: https://on.ft.com/4gC9cWd)
– Lilah spoke with Elif about her previous novel *The Island of Missing Trees *and the stories we tell ourselves back in 2020. Listen to that interview here)
Read a transcript of this episode on FT.com)
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