On his first viewing, he took it as a comedy and was swept away by its giddy energy. The second time, he felt deeply saddened by its melancholic undertones.
The film never feels slow; it keeps moving with a propulsive energy, avoiding predictable plot points and maintaining a sense of unpredictability.
It subverts the idea that someone must elevate themselves socially to achieve happiness. The film shows that the aspirational life of the husband is not his own but his parents', and they are in a dirtier business than Anora's.
It respects its characters, particularly those on the margins, without exploiting their struggles. It shows Anora as smart and valid, navigating her world with agency, even in moments of vulnerability.
Money is the central theme, driving the film's narrative. It explores the layers of service workers and the unseen wealth of the oligarchs, highlighting the interconnectedness of class dynamics.
The scene is both hilarious and tense, showing Anora using her wit and physicality to protect herself while also highlighting her vulnerability. The men, though physically stronger, are also wrestling with their roles and the situation's psychosexual dynamics.
It births a star in Mikey Madison, whose performance is compelling. Additionally, it addresses class and marginalized communities in a way that resonates with current social and political contexts, making it a serious contender.
She wants to see more newcomers on screen, as they bring fresh energy and avoid the monotony of big stars. She finds it exciting and worth the effort to cast relatively unknown actors.
He wants more mess and complication in storytelling, embracing the complexity of life. Films like 'Anora' and 'Bird' by Andrea Arnold exemplify this approach, which he finds beautiful and necessary.
She was inspired by the Metropolitan Museum of Art's employee art show, where she saw many employees, regardless of their day jobs, creating impressive art. This made her realize the importance of making art without overthinking or self-censorship.
Today we’re talking about Anora, the new critical darling about the whirlwind romance between a Brooklyn sex worker and the hell-raising son of a Russian oligarch. The film follows the couple’s chaotic week together, their impulsive marriage, and what happens when the oligarchs hear the news and demand an annulment. It’s directed by Sean Baker, known for *The Florida Project *and Tangerine. It won the Cannes prestigious Palme d'Or award and is tipped as an Oscar winner. Who holds the power in the film? And why do people love it? FT film critic Danny Leigh and deputy news editor India Ross join Lilah to discuss.
We love hearing from you. Lilah is on Instagram @lilahrap), and email at [email protected]. And we’re grateful for reviews on Apple and Spotify!
Links (all FT links get you past the paywall):
– Danny Leigh’s interview with director Sean Baker is here: https://on.ft.com/3YJXqBF)
– His five-star review of Anora is here: https://on.ft.com/40PEFzc)
– Danny recommends Andrea Arnold’s Bird and the documentary Soundtrack to a Coup d'etat. India mentioned the film American Honey
– Here’s Lilah’s piece about the Met’s employee art show: https://on.ft.com/4ewTl9R)
FT subscribers can share your suggestions for Woman of the Year 2024 in the comments here), before November 25. Who has had a big year, in your industry and elsewhere? Who has earned accolades, accomplished remarkable things, made huge strides, produced important work or set records? Who has shaped this year?
Clips copyright Neon and FilmNation Entertainment
Read a transcript of this episode on FT.com) Hosted on Acast. See acast.com/privacy) for more information.