Alcott wrote Little Women at the urging of her publisher, who promised to publish her father's book if she did. She also hoped it would make money for her family, as they were financially struggling.
Little Women is credited with starting the genre of young adult fiction, particularly for girls. It has influenced countless adaptations and remains a cultural phenomenon.
Alcott grew up in a family committed to social justice and reform, living an eccentric lifestyle. Her parents, especially her father, were educators and activists, which exposed her to intellectual and cultural influences from a young age.
Transcendentalism, a movement emphasizing the innate goodness of humanity and the importance of insight over reason, deeply influenced Alcott's upbringing. Her father, a transcendentalist, lived these ideals, though they often led to financial struggles for the family.
Alcott served as a nurse in Georgetown, where she contracted typhoid fever after six weeks. Her experiences were documented in 'Hospital Sketches,' a work that was both lighthearted and deeply moving, detailing the horrors of war and disease.
Alcott was making more money writing sensation fiction and considered herself unqualified to write about girls. She was persuaded by her publisher, who offered to publish her father's book in exchange for her writing Little Women.
Little Women sold 20,000 copies in its first few weeks and became a cultural sensation, with people from all walks of life discussing it. Alcott was even visited by fans who wanted to meet the author behind the beloved story.
Meg is the oldest, vain, and rule-following; Jo is the tomboy, passionate about writing; Beth is shy, kind, and musically talented; Amy is the youngest, selfish, and artistically inclined.
Work is portrayed as a virtue in Little Women, emphasizing self-improvement and helping others rather than profit. The novel critiques laziness and highlights the importance of labor in personal growth and family sustenance.
The absence of men allows the women to take center stage, focusing on their personal development and relationships. It challenges traditional gender roles and emphasizes female agency within the family.
The Civil War is an absent but present force in the novel, influencing the family's financial struggles and the father's absence. However, the novel avoids directly addressing the causes of the war, such as slavery.
Little Women marked the beginning of modern children's literature, focusing on the individual lives and character development of young girls. It influenced a range of novels that followed, emphasizing the importance of childhood as a distinct life stage.
Little Women has been adapted into numerous films and stage productions, with each generation reimagining the story to reflect contemporary values. Notable adaptations include the 1933 version with Katherine Hepburn and Greta Gerwig's 2019 film.
Readers are drawn to the realistic portrayal of the March sisters, their struggles, and their growth. The novel explores the complexities of womanhood, ambition, and domesticity, making it relatable to a wide audience.
Melvyn Bragg and guests discuss Louisa May Alcott's 1868 novel, credited with starting the new genre of young adult fiction. When Alcott (1832-88) wrote Little Women, she only did so as her publisher refused to publish her father's book otherwise and as she hoped it would make money. It made Alcott's fortune. This coming of age story of Meg, Jo, Beth and Amy March, each overcoming their own moral flaws, has delighted generations of readers and was so popular from the start that Alcott wrote the second part in 1869 and further sequels and spin-offs in the coming years. Her work has inspired countless directors, composers and authors to make many reimagined versions ever since, with the sisters played by film actors such as Katherine Hepburn, Elizabeth Taylor, Winona Ryder, Claire Danes, Kirsten Dunst, Saoirse Ronan and Emma Watson.
With
Bridget Bennett Professor of American Literature and Culture at the University of Leeds
Erin Forbes Senior Lecturer in African American and U.S. Literature at the University of Bristol
And
Tom Wright Reader in Rhetoric and Head of the Department of English Literature at the University of Sussex
Producer: Simon Tillotson
Reading list:
Louisa May Alcott (ed. Madeline B Stern), Behind a Mask: The Unknown Thrillers of Louisa May Alcott (William Morrow & Co, 1997)
Kate Block, Jenny Zhang, Carmen Maria Machado and Jane Smiley, March Sisters: On Life, Death, and Little Women (Library of America, 2019)
Anne Boyd Rioux, Meg, Jo, Beth, Amy: The Story of Little Women and Why It Still Matters (W. W. Norton & Company, 2018)
Azelina Flint, The Matrilineal Heritage of Louisa May Alcott and Christina Rossetti (Routledge, 2021)
Robert Gross, The Transcendentalists and Their World (Farrar, Straus and Giroux, 2022)
John Matteson, Eden’s Outcasts: The Story of Louisa May Alcott and Her Father (W. W. Norton & Company, 2007)
Bethany C. Morrow, So Many Beginnings: A Little Women Remix (St Martin’s Press, 2021)
Anne K. Phillips and Gregory Eiselein (eds.), Critical Insights: Louisa May Alcott (Grey House Publishing Inc, 2016)
Harriet Reisen, Louisa May Alcott: The Woman Behind Little Women (Picador, 2010)
Daniel Shealy (ed.), Little Women at 150 (University of Mississippi Press, 2022)
Elaine Showalter, A Jury of Her Peers: American Women Writers from Anne Bradstreet to Annie Proulx (Virago, 2009)
Simon Sleight and Shirleene Robinson (eds.), Children, Childhood and Youth in the British World (Palgrave, 2016), especially “The ‘Willful’ Girl in the Anglo-World: Sentimental Heroines and Wild Colonial Girls” by Hilary Emmett
Madeleine B. Stern, Louisa May Alcott: A Biography (first published 1950; Northeastern University Press, 1999)
In Our Time is a BBC Studios Audio Production