cover of episode Mythbusting Medieval Buildings

Mythbusting Medieval Buildings

2024/11/15
logo of podcast Gone Medieval

Gone Medieval

People
J
James Wright
M
Matt Lewis
Topics
James Wright: 本书总结了作者25年来对历史建筑的思考,结合了考古学理论知识和石匠实践经验,对中世纪建筑的常见神话进行了考证。他认为,作为一名石匠的经验,让他对古代建筑有了更实际的理解,这有助于他更好地解读建筑。通过观察现代建筑工地,可以更好地理解古代建筑的建造方式;通过研究古代文献和图像,可以了解古代建筑工地的运作方式。在谢伍德森林的一座中世纪宫殿遗址中,他发现了关于建筑季节的线索,通过观察石块碎片的层数,可以推断出中世纪建筑的建造时间。在格兰瑟姆的一处房产中,他发现了保存完好的脚手架木材,这让他对中世纪建筑的建造方式有了更深入的了解。 James Wright: 中世纪五角星的含义与现代不同,它在基督教艺术中是一种神圣的象征,代表着力量和保护,也与基督教数字命理学有关。五角星也出现在涂鸦中,人们将其视为一种驱除邪恶的符号;五角星也出现在石匠标记中。中世纪石匠标记并非艺术家签名,而是用于评估工人的生产效率,一些石头上有两个标记,第二个标记可能是工头用来确认石头合格的标记。教堂墙壁上的线性凹槽并非弓箭手磨箭留下的痕迹,而是人们收集石粉用于药用的痕迹。在中世纪,人们相信收集圣建筑物的灰尘具有治疗作用,人们会在圣人的坟墓或圣物上刻画,以祈求祝福或治疗疾病。在欧洲大陆,对教堂墙壁上线性凹槽的解释与英国不同。对教堂墙壁上线性凹槽的解释有多种版本,反映了不同时期的文化和信仰。民间传说可以帮助我们理解创造这些传说的社会,对教堂墙壁上线性凹槽的解释与维多利亚时代的文化有关。 James Wright: 教堂里的“麻风病人窥视孔”并非供麻风病人观看弥撒的,而是多种不同建筑特征的误读,例如支撑脚手架的孔洞、供祭司观察高祭坛的开口以及用于通风的低矮窗户。教堂里的“魔鬼之门”并非供异教徒或魔鬼出入的,而是为了方便宗教游行而设置的,在宗教改革后,由于不再使用而被封堵。这些故事的流传反映了人们对历史的理解和记忆的变迁,以及权威人士对这些故事的重复和传播。

Deep Dive

Key Insights

Why are pentagrams often found in medieval buildings and what did they signify?

Pentagrams in medieval buildings often had multiple meanings. They were sometimes used in sacred geometry, with examples found in Amiens and Salisbury Cathedrals. However, they were more commonly seen as protective symbols, with Christian numerology and the idea of warding away evil, as depicted in the poem Sir Gawain and the Green Knight. Pentagrams were also used in graffiti and stonemasons' marks, with the latter possibly serving as a productivity tracker or a way to mark stones for specific projects.

Why is the interpretation of the pentagram in The Da Vinci Code misleading?

The pentagram in The Da Vinci Code is interpreted as a pagan symbol connected to nature and the feminine. This interpretation is more rooted in late 19th-century mysticism and the neo-pagan movement, rather than medieval Christian usage. In the medieval period, the pentagram was a Christian holy sign, often seen as protective and warding away evil.

What were arrow stones and why was the popular belief about archers sharpening their arrows incorrect?

Arrow stones are linear grooves found on the walls of churches, often misinterpreted as marks left by archers sharpening their arrows. However, this belief is incorrect because medieval archers used blunt tips for practice to avoid damaging the butts and because the stones were too soft to sharpen arrows effectively. These grooves were likely created by people collecting stone powder mixed with holy water or wine to cure fevers, a form of Christian white magic.

Why were leper squints not actually used by lepers?

Lepers squints, or small apertures in church walls, were believed to allow lepers to see the elevation of the host during mass. However, this myth doesn't hold up because lepers were treated in specialized colonies with their own chapels, and the number of lepers was not high enough to necessitate such widespread features. Additionally, many of these apertures do not align with the high altar and are often misinterpreted. They were likely used for ventilation or as hagioscopes for priests to synchronize with the main service.

What is the real purpose of a devil's door in medieval churches?

Devil's doors, or blocked-up doors on the north side of churches, were not used to allow pagans to enter or to let the devil escape during baptisms. Their actual purpose was to facilitate Catholic processions, such as on Palm Sunday and Ascension Day, where the congregation would exit through the north door, circle the church, and re-enter through another door. These doors were often blocked up after the Reformation when such processions were no longer necessary.

Why is it important to understand folklore in the context of medieval buildings?

Folklore is crucial for understanding the myths and interpretations that have evolved around medieval buildings. These stories, often created by later societies, provide insights into the values and beliefs of those communities. For example, the Victorian reinterpretation of arrow stones and devil's doors reflects their focus on military history and conquest. Understanding folklore helps us contextualize and appreciate the cultural significance of these myths, even if they don't align with historical reality.

Chapters
James Wright, a stonemason and historian, discusses the importance of practical experience in understanding medieval buildings. His unique background allows him to provide insights into construction techniques and the evolution of building myths.
  • Practical stonemasonry experience enhances understanding of medieval architecture.
  • Combining theoretical knowledge with hands-on experience provides unique insights.
  • Understanding building trades' interconnectedness is crucial in interpreting historical structures.

Shownotes Transcript

What is a leper squint? Are the marks scratched into the exterior walls of churches from damned souls trying to claw their way in?

Join Matt Lewis as he welcomes back James Wright, a stonemason and historian with a passion for debunking myths about medieval buildings. Together, they explore the real stories behind architectural features like pentagrams, mason's marks, arrow stones and devil's doors. James's unique blend of practical stonemasonry experience and historical research offers fascinating insights into how these myths evolved and what they reveal about the societies that created them. Discover the hidden truths and vibrant histories once obscured by folklore in this insightful episode.

Hear James Wright unravel more medieval building myths in our previous episode here)

Gone Medieval is presented by Matt Lewis and edited by Amy Haddow. The producer is Rob Weinberg. The senior producer is Anne-Marie Luff.

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