What is Karl Ove Knausgård’s struggle, exactly? The answer is simple: achieving total freedom in his writing. “It’s a space where I can be free in every sense, where I can say whatever, go wherever I want to. And for me, literature is almost the only place you could think that that is a possibility.”

Knausgård’s literary freedom paves the way for this conversation with Tyler, which starts with a discussion of mimesis and ends with an explanation of why we live in the world of Munch’s The Scream. Along the way there is much more, including what he learned from reading Ingmar Bergman’s workbooks, the worst thing about living in London, how having children increased his productivity, whether he sees himself in a pietistic tradition, thoughts on Bible stories, angels, Knut Hamsun, Elena Ferrante, the best short story (“Tlön, Uqbar, Orbis Tertius”), the best poet (Paul Celan), the best movie (Scenes from a Marriage), and what his punctual arrival says about his attachment to bourgeois values.

Read a full transcript enhanced with helpful links.

Recorded March 15th, 2019 Other ways to connect

Follow us on Twitter and Instagram
Follow Tyler on Twitter
Email us: cowenconvos@mercatus.gmu.edu
Subscribe at our newsletter page to have the latest Conversations with Tyler news sent straight to your inbox.

Karl Ove Knausgård on Literary Freedom 01:00:05 Share

Conversations with Tyler

Shownotes Transcript

Karl Ove Knausgård on Literary Freedom