Candid conversations with the musicians, journalists, and luthiers who are the fabric of the classic
Herschel Garfein shares that even he, an Grammy award winning composer and librettist, eats bananas
Gyan Riley is a composer, magician’s apprentice, guitarist and the first man to give birth. How does
Threefifty, the group formed by the former members of Threefifty Duo, explain the origin of their na
Dr. Victor Kioulaphides is an award winning composer and concert double bassist who left his country
Israeli guitarist Yuri Liberzon comes on the show to talk about his new album and living in Californ
Ekachai Jearakul won the GFA last year and is currently on a world tour. Before his Carnegie Hall de
Damien Kelly comes from Ireland: a country of pleasant green hills, crisp afternoons, warm tradition
The guitar professors from Mannes College of Music and Princeton University come to Brooklyn on a ra
A Classical Guitar Insider EXCLUSIVE: It’s the first time Michael shares his side of the story about
Hunter College guitar professor Mariano Aguirre sits down and talks about how much he loves teaching
Pablo Sainz Villegas is probably the best performer on the circuit these days. He captures the audie
University of Wisconsin guitar professor, Elina Chekan, moved to the U.S. from Belarus, learned engl
Grammy nominated recording engineer David Bowles takes time out from a three day lecture at NYU abou
USC Professor and founding member of the Grammy winning Los Angeles Guitar Quartet, Scott Tennant, t
July 16, 2015: Ryan’s Daughter 350 E. 85 St. New York, NY 10128 $15 comes with free drink. Party aft
Gizem Gokoglu (not pronounced Gizem Gokoglu), a brilliant young composer from Turkey, explains how s
Juilliard Guitar Professor Tali Roth thinks I’m from Texas. I’m not from Texas everyone. I just stru
With the instrumentation of an early European jazz ensemble, this group of fusion players reference
I hate Apple's recording software, but I love the head of University of Washington's guitar departme
Bay Area guitarist Giacomo Fiore argues that new music is not too new and I ask Chris Roberts from t
