Controversial best-selling author and screenwriter Bret Easton Ellis delivers a weekly glimpse into
Film Producer Dana Brunetti and Bret Easton Ellis discuss the demise of the movie theater experience
Walter Hill and Bret Easton Ellis discuss The Assignment, identity politics, Sam Peckinpah and direc
Andrew McCarthy and Bret Easton Ellis discuss making Less Than Zero, Leonardo DiCaprio, the ending o
Musician Sam Outlaw and Bret Easton Ellis discuss the moral superiority movement, leaving an adverti
Mick Garris and Bret Easton Ellis discuss adapting the works of Stephen King, the pessimism of horro
Laura Jane Grace and Bret Easton Ellis discuss the artistic benefits of being bullied, Caitlyn Jenne
Film critic Owen Gleiberman and Bret Easton Ellis discuss fanboy culture, Carrie, Jonathan Demme and
Anne Heche and Bret Easton Ellis discuss the career effects of being in a high-profile gay relations
Mark Duplass and Bret Easton Ellis discuss Blue Jay, the struggles of working within the studio syst
Paul Schrader and Bret Easton Ellis discuss American Gigolo, Dog Eat Dog, screenwriting as oral trad
Larry Clark and Bret Easton Ellis discuss making Bully, photographing Tulsa, controversy as a gatewa
Moby and Bret Easton Ellis discuss writing memoir, John Cheever, the success of Play and Bob Seger.
Peter Bogdanovich and Bret Easton Ellis discuss The Last Picture Show, turning down The Godfather, S
Alex Gibney and Bret Easton Ellis discuss Zero Days, the dangers of secrecy, The Jinx and the manipu
Karyn Kusama and Bret Easton Ellis discuss The Invitation, Warren Beatty, Sundance ideology and bein
Illeana Douglas and Bret Easton Ellis discuss Easy Rider, the eroticism of watching movies, rejectin
Duncan Sheik and Bret Easton Ellis discuss American Psycho: The Musical, Broadway's resistance to ch
Film Producer/Director Bob Yari and Bret Easton Ellis discuss Papa: Hemingway in Cuba, the tension b
John Carpenter and Bret Easton Ellis discuss #OscarsSoWhite, The Revenant, writing music and the fun
Quentin Tarantino and Bret Easton Ellis discuss The Hateful Eight, Jean-Luc Godard, Pauline Kael and