Classical music can be intimidating to newcomers and frequent concertgoers alike. Attention to Detai
Big announcement! Next week, we will be doing our own classical music version of the NFL Draft here
Today we are joined by Sasha Scolnik-Brower to break down Saint-Saens' "Organ" symphony, the next st
Our first in a series of episodes examining lesser-known symphonic gems, today we explore Nielsen's
Today we're joined by Josh Joyce to rank our top ten endings of symphonies. Sometimes you feel like
Today we close our Ten Days of Mahler project with the first movement of Mahler's unfinished Tenth S
Today we're joined by conductor Sasha Scolnik-Brower to break down Mahler's heartfelt and tragic Nin
We continue breaking down the second part of Mahler's Eighth Symphony, based on Goethe's Faust. Find
Today we start our two-part review of Mahler's Symphony No. 8, often called "Symphony of a Thousand"
Today we're joined by Richard Friedman, Professor of Law at the University of Michigan Law School an
Today we're joined by Ben Manis, Assistant Conductor of the Houston Grand Opera, to break down Mahle
Hannah is back to help break down Mahler's tragic Sixth Symphony, a massive and complicated piece th
We're joined today by Alex Amsel, Assistant Conductor of the Fort Worth Symphony and a friend of the
We continue on with the second half of Mahler's massive Third Symphony, movements 2-6. Enjoy! www.at
We continue today with the massive Third Symphony of Mahler, starting with the enormous first moveme
The second part of our review of Mahler's Second Symphony, on this episode we review the titanic las
Today we're on to the Second Symphony of Mahler, starting by breaking down the first four movements
We embark on our Ten Mahler Symphonies in Ten Days project by starting with Mahler's First Symphony,
Due to the coronavirus apocalypse, we imagine many of our listeners have a little extra time on thei
On today's episode, we explore the concept of gesture in music. We ask what a musical gesture actual
On our third minisode, we examine our Mapping technique in the context of the lyrics of Bob Dylan. W