A star primarily relies on their public space influence and professional skills, such as acting or singing, to attract fans who are more interested in their next work or performance. In contrast, an idol sells a persona and personal charm, with fans being deeply interested in their daily lives and personal stories. The distinction lies in the source of their appeal: stars are admired for their professional achievements, while idols are loved for their personal attributes and curated public image.
Idols have a shorter lifecycle because their popularity heavily depends on the loyalty and enthusiasm of their fanbase, which tends to shift interests every one to three years. The intense, often aggressive support from fans can wane as new idols emerge, leading to a rapid decline in the idol's popularity and relevance. This cycle is driven by the fans' desire for novelty and the transient nature of fan loyalty in the idol industry.
Fan communities are highly structured and hierarchical, with specific roles such as 'war sisters' who gather and disseminate information about the idol, 'anti-black groups' that defend the idol against negative comments, and 'finance groups' that manage funds for fan activities. These roles are crucial for maintaining the idol's public image and ensuring the community's cohesion and active participation in supporting the idol.
The discussion references the 'Essence of Prejudice' theory, which explains that fan behavior, including aggressive defense of their idol, stems from a need for internal cohesion and the creation of an external enemy to unify against. This behavior is likened to historical instances of group conflict and discrimination, where internal unity is maintained by opposing an external group.
The movie 'Perfect Blue' is used to illustrate the psychological struggles of an idol transitioning to an actress, highlighting the conflict between the idol's public persona and personal identity. It explores themes of identity, fan expectations, and the psychological impact of fame, serving as a metaphor for the pressures and transformations idols undergo in their careers.
The discussion draws parallels between idol culture and religious practices, noting that both involve the creation of a figure to worship and the establishment of a community around shared beliefs. It mentions that in many religions, the creation of idols is explicitly forbidden, yet idols serve as powerful tools for community building and expressing devotion, similar to how fans rally around their idols in modern culture.
欢迎大家收听空井效应!我们是一档关注精神心理健康的科普访谈类节目,由精神科医生小井担任主播,希望可以收集大家的故事引起对精神心理健康的重视。
本期节目是一期和**《三板斧FM》**的串台节目!在空井这边剪去了一些现场互动和对饭圈发展史、重大新闻事件追溯回忆的部分,更多聚焦在观点碰撞上。如果你好奇完整的交流现场,也欢迎移步隔壁三板斧收听哦!
谢谢您来!!在评论区和我们互动吧。
时间轴:
01:55 什么是偶像?为什么偶像消逝得越来越快
08:24 饭圈的组织架构:反黑、向外攻击是为了提升内部凝聚力
15:08 不要制造“偶像”:宗教中偶像的原意
19:48热搜、打榜:消费主义时代的信仰重构
24:46 凝聚力和攻击性的一体两面性:饭圈文化的反噬
30:45 《未麻的部屋》哪个才是真实的自我?
38:45 追星行为和大东亚家庭观念:饭圈的负能量是一种创伤性重复
40:16 做皮下的那个人:粉丝的描摹与偶像本人的差距
43:18 “我想最小众”追星也讲究剑走偏锋
52:39 说回运动员们:不要迷信营销号的经历编织
本期主播&嘉宾
浩浩:三板斧FM主播,家里有大手办和大电视,路过的孩子都馋哭了
源源:三板斧FM主播,傲人的身高、挑染的头发,是每个青少年梦想成为的样子
小井:空井效应主播,精神病院住院医,一下夜班就被驼去录节目
Rika:总是在上播客的青年律师,在空井作为亲历者嘉宾被采访过,也给了听友群很多专业支持
剪辑&后期 小井+夏虫
配乐:愛の天使 - MISA&古川恵実子&清水美恵
听友群:kongjing_0310