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Talk Easy with Sam Fragoso

Talk Easy with Sam Fragoso is a weekly series of intimate conversations with artists, activists, and

Episodes

Total: 455

Today, for your holiday week, we’re returning to one of our favorite 2024 conversations with actor J

Jesse Eisenberg’s latest project, A Real Pain, is perhaps his most personal to date. He joins us tod

Since the turn of the century, actor Josh Brolin has had quite a run. From No Country for Old Men an

It’s been a week. To help us through it, we’ve enlisted The New York Times political reporter Astead

On the heels of his latest book The Message, author Ta-Nehisi Coates joins Sam for a conversation in

Anna Kendrick (Pitch Perfect, Up in the Air) has been a fixture in Hollywood for the past fifteen ye

For the past decade, Jason Reynolds has become an inspiring voice in the literary world. He’s a New

Today, culture critic Wesley Morris (The New York Times) returns to Talk Easy for a conversation abo

Since his directorial debut in 2006, Jason Reitman has made the kind of films they say Hollywood doe

Director Francis Ford Coppola doesn’t just want to make movies. He wants to change them. This was tr

Joaquin Phoenix is one of the greatest actors of his generation. For three decades, he’s moved seaml

For actor Myha’la, the role of a lifetime arrived less than a year out of college. “Lightning struck

For the past couple decades, actor Ken Leung has played scene-stealing characters in films like Rush

To commemorate his 30th birthday, Abbi Jacobson interviews Sam! They talk about Sam's early days in

To start, Sam sits with another week in American life, before returning to our timely conversation w

This week, our guest is trailblazing filmmaker Lee Daniels. At the top, we discuss his fifteen-year

Since 1989 (Sex, Lies, and Videotape), filmmaker Steven Soderbergh has been a pioneering voice in Am

We’re so back at the movies… with head of content at The Ringer and co-host of The Big Picture, Sean

What’s the difference between an interview and a first date? For the past decade, Amelia Dimoldenber

Vinson Cunningham has been a staff writer at The New Yorker for the past eight years, covering theat