Shownotes Transcript
What would it be like if scholars presented their research in sound rather than in print? Better yet, what if we could hear them in the act of their research and analysis, pulling different historical sounds from the archives and rubbing them against one another in an audio editor? In today’s episode, we get to find out what such an innovative scholarly audiobook would sound like–because our guest has created the first one! Jacob Smith)‘s ESC (University of Michigan Press) is a fascinating sonic exploration of postwar radio drama and contemporary sound art, as well as a meditation on how humans have reshaped the ecological fate of the planet. Before we listen to an excerpt of ESC, Mack interviews Jake about how his skills as a former musician came in handy for his work as an audio academic. You can listen to ESC: Sonic Adventure in the Anthropocene)* *in its entirety for free courtesy of the University of Michigan Press. You can also watch Jake’s 90s band The Mysteries of Life perform in the “bad music video”) Jake mentions or on Conan O’Brien).** Jacob Smith is founder and director of the Master of Arts in Sound Arts and Industries, and professor in the Department of Radio/Television/Film at Northwestern University. He is the author of three print-based books on sound: Vocal Tracks: Performance and Sound Media (University of California Press 2008); Spoken Word: Postwar American Phonograph Cultures(University of California Press 2011); and Eco-Sonic Media (University of California Press, 2015). He writes and teaches about the cultural history of media, with a focus on sound and performance. Today’s show was edited by Craig Eley and featured music by Blue Dot Sessions). Our intern is Gina Moravec.
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