Humility and humiliation have an awkward, often unacknowledged intimacy. Humility may be a queenly, cardinal or monkish virtue, while humiliation points to an affective state at the extreme end of shame. Yet a shared etymology links the words to lowliness and, further down, to the earth. As this study suggests, like the terms in question, T. S. Eliot and Samuel Beckett share an imperfect likeness. Between them is a common interest in states of abjection, shame and suffering – and possible responses to such states. Tracing the relation between negative affect, ethics, and aesthetics, Eliot and Beckett's Low Modernism: Humility and Humiliation) (Edinburgh UP, 2021) demonstrates how these two major modernists recuperate the affinity between humility and humiliation – concepts whose definitions have largely been determined by philosophy and theology.
Rick de Villiers is a senior lecturer in the Department of English at the University of the Free State in Bloemfontein, South Africa. He holds a PhD from Durham University in the UK, and he is the author of articles on modernism, South African literature, alternative assessment practices and more. His first book, Eliot and Beckett's Low Modernism: Humility and Humiliation, was published by Edinburgh University Press in 2021.
Morteza Hajizadeh)* is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel).*
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