Herzog sees these extremes as big metaphors and visions that allow for deep exploration of human nature and the soul. He believes that putting characters at an edge is necessary to reveal the darkest recesses of the human psyche.
Herzog claims to be the only clinically sane person in the entire filmmaking profession, citing his ability to make over 80 films without losing his wits or professionalism. He contrasts his sanity with the perceived insanity of Hollywood's red carpet events and performative statements.
At the age of two and a half, Herzog's mother woke him and his brother in the middle of the night to witness the distant city of Rosenheim on fire from bombing. This vivid memory of the vast inferno tracing the end of the world on the night sky sparked his curiosity about the dangerous and spectral world outside his tight valley.
After stabbing his older brother in a fight, Herzog realized the need for self-discipline. He understood that controlling his wild impulses was crucial, leading to a disciplined approach in his life and career.
Herzog believes that excessive introspection and recalling childhood trauma can be unhealthy. He prefers to forget and bury past traumas rather than delve into them through psychoanalysis, which he sees as necessary only in very few cases.
Kinski once fired into a bamboo hut, causing a crew member to have part of his finger shot off. Herzog threatened Kinski, ensuring that no such incidents occurred again during their subsequent collaborations.
Herzog decided not to call the police after being shot, as he believed it would lead to unnecessary complications and disruptions. Instead, he continued filming at a safer location, demonstrating his pragmatic approach to handling dangerous situations.
Herzog is against any war and believes it is terrible and unnecessary. However, he would fight if a neo-Nazi rebellion occurred in Germany, as he would not allow the barbarism of the Nazis to repeat.
Herzog is working on a new book titled 'The Future of Truth,' which will be released next spring in its German original format. He has also completed two films that are yet to be fully released and is involved in translating poetry by a Canadian writer.
Herzog reflects on the curiosity that's fueled his career in the memoir, *Every Man for Himself and God Against All, *now out in paperback. The filmmaker and writer is drawn to extremes: extreme characters, extreme settings, extreme scenarios. But don't mistake him for a mad man like some of his film subjects: "You have to control what is wild in you. You have to be disciplined. And people think I'm the wild guy out there but I'm a disciplined professional," he tells Terry Gross.Film critic Justin Chang reviews Queer.Learn more about sponsor message choices: podcastchoices.com/adchoices)NPR Privacy Policy)