The documentary felt unsatisfying as it only showed where he was, not how he got there, and lacked the child's voice.
He wrote in the mornings and painted in the afternoons, using his writing to inform his painting and vice versa.
To create a more nuanced character and gain compassion for his father, moving beyond seeing him as just a villain.
The film explores generational healing and how families can ensure their children don't carry the same wounds.
Film is more accessible and less elitist than gallery spaces, allowing a broader audience to engage with his work.
The dealer asked him to stop being an activist and focus solely on painting, which he refused to do.
He wants to bridge the gap between his background and the world that engages with his work, making it more inclusive.
It was deeply emotional, reflecting his own mother's fear of losing her sons and the broader issue of police violence.
To challenge historical narratives and reveal hidden truths, forcing viewers to confront the erasure of Black Americans.
He distinguishes between the two, emphasizing that forgiveness can occur without reconciliation, especially if it puts one in harm's way.
When painter, sculptor, and installation artist Titus Kaphar's life was upended by his estranged father, he turned to film. First he decided to tell his story in a documentary, but scrapped the project when it felt unsatisfying. His new feature film, Exhibiting Forgiveness, tells his story and brings his paintings to life. Kaphar talked to Tonya Mosley about his journey to healing. Learn more about sponsor message choices: podcastchoices.com/adchoices)NPR Privacy Policy)