Paxton plays folk music, blues, hot jazz, ragtime, and fiddle and banjo tunes that date back to the Civil War era. His new album, 'Things Done Changed,' is his first where all tracks are original compositions, reflecting contemporary themes while rooted in 1920s and 30s music styles.
Paxton plays guitar, fiddle, piano, harmonica, banjo, and the bones. He brought some of these instruments to the studio, but if he had brought all, he would have needed to rent a van.
Paxton waits for inspiration rather than forcing songwriting. He prefers writing music based on inspiration and believes in the process described by Irving Berlin of pushing the pencil along the page.
Paxton aims to get the most out of his instruments, creating a full sound that doesn't require additional instruments. He draws inspiration from country blues musicians who could create a complete musical world with just their voice and instrument.
Paxton's eyesight issues, particularly his peripheral vision problems, made driving and certain labor jobs difficult. This influenced his move to New York City, where not being able to drive wasn't a significant disability.
New York City provided a rich environment for traditional jazz, with many like-minded musicians and a culture that supported his musical interests. It was a place where he could thrive as a visually impaired musician without the need for driving.
The banjo Paxton brought is an 1848 model, known for its bitey sound. He prefers banjos with gut or nylon strings, which he believes produce a better sound and offer more expressive dynamics compared to modern banjos with steel strings.
Paxton learned about his favorite music through various means, including listening to old 78s, attending local swap meets to buy blues CDs, watching documentaries on public television, and using the internet to listen to 30-second samples of artists like Charlie Patton.
The stroke style, also known as claw hammer or frailing, involves stroking the strings with the tops of the fingers rather than picking each string individually. This style produces a punchier sound and is distinct from the picking style commonly used in bluegrass music.
Paxton believes acoustic instruments have more power and emotional impact when played live, as the vibrations from the instrument directly affect the listener. He finds the experience of being in the same room with a musician playing an acoustic instrument to be unparalleled.
We're going to hear from a musician whose music is vibrant, exciting and new — even if it sounds like it could have been found on a scratchy record from the 1920s. His name is Jerron Paxton and he has a new album called Things Done Changed. He brought some of his instruments to the studio when he spoke with Fresh Air's Sam Briger.Learn more about sponsor message choices: podcastchoices.com/adchoices)NPR Privacy Policy)