'Für Elise' is a universally recognized melody that brings people together around the piano. Its ubiquity makes it a perfect choice for the album, as it connects to a shared collective memory and is often played at social gatherings.
Beethoven's music contains polyrhythms, particularly the two-against-three rhythm, which is foundational to the blues. This rhythm, originating from West African music, is present in Beethoven's compositions and forms the basis of many popular music styles, including the blues.
Batiste balanced his public life, including his role as bandleader on 'The Late Show with Stephen Colbert' and Grammy nominations, with the personal struggle of watching his wife, Sulayka Jawad, fight leukemia. Creativity became a source of strength, allowing him to stay connected to her and maintain his public responsibilities.
Thomas describes her art as a radical shift in notions of beauty, centering Black women as leading characters rather than supporting roles. She uses historical tropes and materials like rhinestones to disrupt traditional ideas of beauty and celebrate Black sensuality and power.
Thomas began using rhinestones and sequins because she couldn't afford traditional oil paints while studying at Pratt. These materials were more affordable and accessible, allowing her to express herself creatively despite financial constraints.
The exhibition's location at the Barnes Foundation, just 15 minutes from her hometown, was significant as it marked the first time many of her family members saw her work in person. It was a moment of pride and connection for her family, who had not previously experienced her art on such a scale.
Creativity serves as a powerful antidote and source of connection for Batiste during difficult times. During his wife's illness, he sent her original lullabies, which not only provided comfort but also allowed him to maintain a sense of purpose and emotional connection.
Thomas challenges traditional representations by presenting the Black body in states of rest and power, rather than in stereotypical roles of servitude or entertainment. Her subjects claim space and demand recognition without being performative or sexualized.
Jon Batiste joins us at the piano to play his reimaginings of Beethoven, and more. His new album is called Beethoven Blues.Also, we hear from visual artist Mickalene Thomas. She puts Black women in the front and center of her work. Her latest exhibition, Mickalene Thomas: All About Love, celebrates the women in her life. Book critic Maureen Corrigan shares her picks for the best books of the year.Learn more about sponsor message choices: podcastchoices.com/adchoices)NPR Privacy Policy)