Thomas aims to claim space for Black women in art, moving them from supportive roles to leading characters. She disrupts historical tropes and challenges traditional notions of beauty by showcasing Black women in powerful, unapologetic, and celebratory ways.
Thomas reinterprets classic compositions like Manet's 'Luncheon in the Grass' by replacing the original subjects with Black women, thereby centering Black sensuality and power in her reinterpretations.
The reinterpretation, titled 'Le Dijonais,' was displayed in the window of MoMA for two years and attracted a large demographic of visitors, contributing to the museum's attendance.
Initially, Thomas used these materials because they were more affordable than traditional oil paints. Over time, they became integral to her expressive style, influenced by the 'Sensation Show' at the Brooklyn Museum.
Weems's 'Kitchen Table Series' at the Portland Art Museum resonated deeply with Thomas, showing her a complex and dimensional representation of Black life that she hadn't seen before. This experience made her realize the power of art to express her own identity and experiences.
Thomas's mother was a central muse in her work, often depicted in powerful and celebratory poses. Despite her struggles with addiction and past traumas, she was a strong and supportive figure in Thomas's life and art.
The Beatles' 1964 trip marked a pivotal moment in their career and American culture, introducing Beatlemania to the U.S. Their appearances on 'The Ed Sullivan Show' and concerts in Washington, D.C., and Miami were monumental, solidifying their status as cultural icons.
In Mickalene Thomas' work, Black women are front and center. "We've been supportive characters for far too long," she says. "I would describe my art as radically shifting notions of beauty by claiming space." Her new exhibition of collages, paintings, and photographs is called All About Love. She spoke with Tonya Mosley about how she "draws with scissors," using her mother as a muse, and her reinterpretation of Manet. Also, David Bianculli reviews the new documentary Beatles '64.Learn more about sponsor message choices: podcastchoices.com/adchoices)NPR Privacy Policy)