Pacino initially disliked the script and felt it was not good, leading him to consider not participating in the film.
Pacino's mother was firm in her refusal to let him engage in risky behaviors, which protected him from the drug culture prevalent in his neighborhood.
Pacino experienced a sense of nothingness and did not see any bright light or feel a spiritual presence, which made him more contemplative about death.
Pacino described it as a brief period of unconsciousness where he opened his eyes to find paramedics and doctors in his living room, indicating he had flatlined.
Marvin Hamlisch was a composer who helped Pacino prepare for an audition for the role in 'Zorba the Greek' by teaching him how to sing.
Pacino grew up in a tough environment where he and his friends engaged in risky behaviors like jumping from rooftop to rooftop and throwing trash at people, which was part of their rebellious nature.
Pacino had a realization at age 52 while shaving, understanding that his mother's decisions and love were crucial in his life, leading him to appreciate her impact more deeply.
They decided not to rehearse their scenes together, allowing for a more authentic first-time meeting dynamic on screen, which was approved by the director, Michael Mann.
Pacino started acting out scenes from movies he watched at a young age, often performing for his family and neighbors, which helped him develop his acting skills.
Pacino described Michael's transformation as a gradual hardening process, where Michael becomes more opaque and threatening, a change he attributes to instinct and immersion in the role.
Oscar-winning actor Al Pacino talks with Terry Gross about growing up in the South Bronx with a single mother, getting his start in Greenwich Village performing in avant-garde theater, nearly dying of COVID, and his life today. We'll also talk about The Godfather, and why he almost passed on Part II. His new memoir is Sonny Boy.Learn more about sponsor message choices: podcastchoices.com/adchoices)NPR Privacy Policy)