Deadwyler overprepared because she was joining a cast that had already performed the play on Broadway, and she wanted to honor the legacy of the work by fully immersing herself in the language and themes. She lived with the script daily, referring to it constantly, and treated the preparation as a daily practice.
The conflict revolves around the family's heirloom piano. Boy Willie wants to sell it to buy land his ancestors worked on as slaves, while Bernice insists on keeping it as a spiritual connection to their past and a symbol of their hard-won freedom.
Deadwyler describes the piano as an altar and a spiritual representation of connectivity for the characters. It serves as a conduit for both Bernice and Boy Willie to manifest their desires, though their paths differ: Boy Willie seeks economic and individual power, while Bernice focuses on upward mobility and preserving life force.
The family dynamic was deeply rooted in the Washington family's involvement, with Denzel Washington producing, his son Malcolm directing, and his other son John David starring. This familial connection infused the entire production with a sense of unity and shared purpose.
Deadwyler considers herself a physical actor because she utilizes her entire body, including her eyes and movements, to convey meaning. She believes in speaking through physicality, not just words, and draws from her background as a dancer, where the body is an immediate and expressive language.
Deadwyler transitioned after realizing that her passion for art and performance was not fully expressed in her teaching career. She auditioned for a role and secured it, which led her to commit fully to acting. She did not return to teaching after that experience.
Atlanta was integral to Deadwyler's artistic growth, as it provided a rich environment for theater, dance, and visual arts. She was deeply influenced by the Atlanta theater scene, including mentors like Kenny Leon, and the city's cultural vibrancy shaped her approach to art.
Deadwyler prepared by drawing on her personal history of working with the Southern Christian Leadership Conference and her understanding of the civil rights movement. She also relied on her knowledge of Black Southern womanhood and the historical context of Emmett Till's murder to inform her performance.
The open casket scene was pivotal as it showed Mamie Till's decision to reveal the brutality inflicted on her son to the world, sparking a new era of the civil rights movement. Deadwyler approached the scene by following Mamie's detailed account of her experience, mapping Emmett's body and recalling both fond memories and the unknown violence.
Deadwyler is set to portray Zelma, Otis Redding's wife, in a project likely to release next year. The story focuses on the legacy of Otis Redding and the love between him and Zelma, exploring how she upheld his legacy after his early death.
Danielle Deadwyler stars in the Netflix adaptation of the August Wilson play The Piano Lesson. She spoke with Tonya Mosley about her journey from the Atlanta theater scene to the big screen, her three masters degrees, and playing Mamie Till, mother of Emmett, in the 2022 movie Till. Also, our book critic Maureen Corrigan shares her top 10 books of 2024.) Learn more about sponsor message choices: podcastchoices.com/adchoices)NPR Privacy Policy)