Chen Yi-wen interprets 'killing youth' as using all of one's youth to fulfill their dreams, thereby eliminating the need to dream anymore. He sees it as a proactive approach to life, where one exhausts their youthful energy to achieve their aspirations, leaving no unfinished dreams.
Chen Yi-wen focuses on observing human behavior and reactions in everyday life, which he then applies to his roles. He believes in understanding the underlying motivations and complexities of characters, rather than just memorizing lines. He often collaborates with directors to ensure his portrayal aligns with the character's true essence.
Chen Yi-wen describes his character in 'A Sun' as a good person who ultimately commits a crime to protect his child. He believes the character's actions, though extreme, stem from a place of love and responsibility, making him a complex figure rather than a straightforward villain.
Chen Yi-wen found the role of the 'wolf teacher' challenging due to its sensitive nature. He hesitated initially, fearing public backlash, but ultimately took on the role after considering the female-led creative team's perspective. He aimed to portray the character's complexity, showing that such individuals can have both normal and darker sides.
Chen Yi-wen sees 'fake' as a process that leads to 'real.' He believes that creating something artificial, like in magic or acting, can evoke genuine emotions and truths. For him, the effort to make something appear real is what ultimately communicates authenticity to the audience.
Chen Yi-wen views his roles as a director and actor as different facets of the same creative process. He doesn't see them as conflicting but rather as complementary. While he enjoys directing, he feels more fulfilled as an actor, where he can explore and portray diverse characters more deeply.
Chen Yi-wen's creative process is deeply rooted in observing human behavior and exploring the complexities of characters. He focuses on the emotional and psychological depth of his roles, often leaving room for interpretation in his storytelling. He believes in creating space for the audience to engage with the narrative on a personal level.
Chen Yi-wen defines freedom as a state of inner peace and contentment. He believes true freedom comes from being able to live calmly and happily, regardless of external circumstances. This perspective contrasts with his rebellious tendencies, as he values stability and tranquility over chaos.
00:00:00 把青春都用光不就沒有夢了嗎! 00:14:00 慘烈的拍片故事 00:30:00 以文哥談演技秘訣 00:38:00 「演了二十年導演」 00:44:00 《陽光普照》裡的爸爸是好人還是壞人 00:52:00 《小美》、《一路順風》等作品中的演出感受 01:00:00 談論人性、角色詮釋與內在動機 01:10:00 關於那個「拼貼藝術區」 01:20:00《她和她的她》裡狼師角色的詮釋與挑戰 01:25:00 討論生活、創作與閱讀的平衡 01:27:00「逆著走」的人生態度與自由
在這場深度對談中,演員、導演、創作者陳以文以獨特的視角分享了他對「假」與「真」的思考。從早期熱愛魔術的經歷談起,他闡述了「弄假成真」的藝術理念,以及在表演和創作中對真實性的追求。
對話中,陳以文坦承自己是個「逆著走」的人,卻也道出了對自由和平靜的嚮往。談及其早期作品《殺掉青春沒有夢》,他反轉了人們對書名的灰暗解讀,闡述了將青春投注於夢想的積極意義。作為一個難以定義的創作者,他在導演與演員的身分間游走,不斷挑戰自我,探索人性的複雜面向。這場對談展現了一個始終保持創作熱情、拒絕被定義框架的藝術家形象。
陳以文2024新書 《陰影下的陽光》 https://joymall.co/3IUZ4)
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【只能喝酒的圖書館】是2020年開始的台灣文化媒體Podcast節目,主持人是Otherwise Library主理人Hank & Ting,每週更新,一邊喝酒一邊聊聊人生中的愛恨嗔痴癲,找尋時代的印記與焦慮,關注人生的迷惘與疑問,自己的缺乏,關於那些有趣的靈魂,生活的高潮迭起,和觀看生命的獨特哲學與情感學習,幫你找到人生平衡感。 如果你喜歡我們的節目,歡迎訂閱! 也歡迎留言給我們加油打氣!
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這裡是只能喝酒的圖書館,一個出租成見,探索未知的地方。 疑惑是生命的本質,帶著未知行走探索這個世界,每個人都是本會走路的書。
【只能喝酒的圖書館】是2020年開始的台灣文化媒體Podcast節目,主持人是Otherwise Library主理人Hank & Ting,每週更新,一邊喝酒一邊聊聊人生中的愛恨嗔痴癲,找尋時代的印記與焦慮,關注人生的迷惘與疑問,自己的缺乏,關於那些有趣的靈魂,生活的高潮迭起,和觀看生命的獨特哲學與情感學習,幫你找到人生平衡感。 如果你喜歡我們的節目,歡迎訂閱! 也歡迎留言給我們加油打氣!
遇見有趣的靈魂Otherwise Library https://walkingbook.tw/)
合作邀約 [email protected]
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