cover of episode Club raids, influencers: How Putin’s playbook is pushing young Russians toward ultranationalism

Club raids, influencers: How Putin’s playbook is pushing young Russians toward ultranationalism

2024/12/18
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E
Elahe Izadi
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Francesca Ebel
R
Rodion
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Francesca Ebel: 本报告探讨了俄罗斯入侵乌克兰后,普京政府如何利用宣传策略,特别是通过网络影响者和对青年文化的控制,推动俄罗斯年轻人走向极端民族主义和爱国主义。文中以莫斯科一家夜店Mutabor的转变为例,展现了俄罗斯社会在政治压力下发生的深刻变化。许多年轻人被迫选择站队,公开表达爱国主义以获得职业和教育上的好处,而异见则面临严厉的惩罚。 报告还分析了克里姆林宫通过各种手段,如增加青年项目投入、修改历史教科书、在学校增加军事化元素等,来培养年轻一代的极端民族主义和爱国主义。同时,报告也指出,一些年轻人仍然保持独立思考,并未完全被宣传所左右。 Rodion: 作为一名年轻的俄罗斯技术人员,Rodion认为自己有责任留在俄罗斯,为国家发展贡献力量,并对政府的叙事表示认同。 Jean和她的男友:这对年轻情侣在Mutabor夜店表达了对俄罗斯日益收紧的言论环境的担忧,他们感到无法自由表达自我。 叶卡捷琳娜·米祖利娜:这位俄罗斯网络影响者通过在社交媒体上发布爱国内容、鼓励举报等方式,影响俄罗斯青少年对战争和国家的看法,其行为被认为是正常化了告密行为。 玛丽安娜·瑙莫尔瓦:这位年轻的战争宣传员的例子说明,一些年轻人出于机会主义或生存需要,选择支持克里姆林宫的叙事,即使他们对事实和逻辑的理解存在偏差。 Arseny: 并非所有俄罗斯年轻人都会盲目接受极端民族主义,Arseny作为一名24岁的年轻人,他能够辨别出国家强加的爱国主义压力,并保持独立思考,不被其左右。

Deep Dive

Key Insights

Why has the atmosphere in Moscow's nightclubs changed since Russia's invasion of Ukraine?

The invasion led to a clampdown on freedom of expression and cultural spaces, resulting in fewer young people attending and a noticeable shift in the club's identity and spirit. The soul of these places has changed, and they now feel empty and uncertain.

What role do online influencers play in promoting ultranationalism among young Russians?

Influencers like Ekaterina Mizulina encourage young Russians to embrace patriotic behavior, such as singing the national anthem and reporting dissenting voices. Her Telegram channel, with nearly 800,000 subscribers, normalizes denunciations and supports the Kremlin's narrative.

How has the Kremlin influenced education and culture to promote ultranationalism?

The Kremlin has introduced militarized education, including history books blaming the U.S. for the war, drone operation training for students, and 'hero desks' in schools honoring fallen soldiers. These measures aim to instill a militarized, patriotic mindset from a young age.

What percentage of young Russians support the war in Ukraine, according to a recent poll?

A poll in August found that seven in ten Russians aged 18 to 24 support Russia's war in Ukraine. This suggests a significant shift in young people's attitudes toward the conflict and the Kremlin's narrative.

How has the Russian government punished dissent among young people?

Minors engaging in anti-war actions have faced severe criminal charges, and many young creatives have fled the country. The government has also targeted cultural spaces, leading to the closure of clubs and a dilution of Russia's artistic and musical culture.

Who is Shaman, and what role does he play in Russia's wartime culture?

Shaman is a popular ultra-nationalist pop star who represents the new face of wartime Russian culture. His song 'I Am Russian, Yarosky' has become a nationalist anthem, reflecting the shift toward patriotic and militaristic themes in Russian music.

What is the significance of Ekaterina Mizulina's Safe Internet League?

The Safe Internet League, led by Mizulina, advocates for internet censorship and promotes a 'safe' online environment for young Russians. However, her definition of 'safe' often includes censoring LGBT content and anything perceived as anti-Kremlin or pro-Ukraine.

How has the Kremlin's propaganda influenced young Russian journalists like Mariana Naumolva?

Naumolva, a young propagandist, was recruited by state TV to spread the Kremlin's narrative about the war. Despite her lack of journalistic experience, she has become a prominent figure in wartime propaganda, reflecting the Kremlin's efforts to shape young minds.

What does the transformation of Russian culture under Putin's regime look like?

Russian culture has shifted toward ultranationalism, with a focus on patriotic themes, militarization, and Orthodox Christian values. Influencers and state-sanctioned artists dominate, while dissenting voices and liberal creatives have been silenced or exiled.

How does Arseny's perspective reflect the complexity of young Russians' attitudes?

Arseny represents a segment of young Russians who observe the patriotic pressure but choose not to fully embrace it. He believes the state's ideology lacks substance and that young people can recognize and resist the pressure to conform.

Chapters
The reporter revisits a Moscow nightclub, Mutabor, and discovers a shift in its atmosphere and clientele due to Russia's invasion of Ukraine and subsequent restrictions on freedoms. The club, once a hub for young, liberal creatives, now feels emptier and less tolerant, reflecting the changes in Russian society.
  • Shift in Moscow's nightclub scene after the Ukraine invasion
  • Mutabor club's transformation
  • Restrictions on freedom of speech and expression
  • Fear among young people

Shownotes Transcript

When Francesca Ebel, a Russia correspondent for The Post, returned to one of Moscow’s most popular nightclubs after Russia’s invasion of Ukraine began, she noticed differences. The physical structure was there, but there were fewer young artists. Something had changed.

What Ebel noticed that night was just one example of a bigger shift. Her reporting has since found that young Russians are increasingly embracing a culture of ultranationalist patriotism) and Orthodox Christian values. Online influencers and Kremlin-sanctioned artists are changing the narratives on war and identity. An independent poll this year found a majority of Russians ages 18 to 24 support Russia’s war in Ukraine. Conforming can bring rewards and career advancement. Defiance can mean jail – or worse. 

Today on “Post Reports,” Ebel speaks with host Elahe Izadi about her reporting inside Russia on how Putin’s propaganda strategies toward Russian youth are working – and creating a new generation to carry forward the Kremlin’s anti-Western ideology. 

Read more from The Post’s “Russia, Remastered” series:

Today’s show was produced by Elana Gordon, with help from Emma Talkoff. It was mixed by Rennie Svirnovskiy, who also helped with translation. It was edited by Monica Campbell, with help from Maggie Penman. Thanks to David Herszenhorn, Paul Schemm and Jenn Amur. 

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