The Disney 'Goodwill Tour' was a 1941 trip to Latin America aimed at fostering cultural exchange and goodwill. It had a profound impact on both the Disney artists who participated and the people they met, leading to lifelong friendships and influencing Disney's artistic output. The trip was extensively documented, and its legacy is explored in the book 'Walt Disney and El Grupo in Latin America' by Ted Thomas, JB Kaufman, and Didier Ghez.
Frank Thomas was called the 'Laurence Olivier of animation' by John Canemaker due to his exceptional ability to convey emotion through animation. His performances were unique to each character, showcasing his deep understanding of pantomime and acting. This skill, combined with his partnership with Milt Kahl, made him one of Disney's most influential animators.
The book 'Walt Disney and El Grupo in Latin America' provides a detailed, day-by-day account of Disney's 1941 Goodwill Tour to Latin America. It includes photographs, journals, and letters, offering a comprehensive look at the trip's geopolitical, artistic, and personal impacts. The authors, Ted Thomas, JB Kaufman, and Didier Ghez, pooled their research to create what they describe as the definitive account of the tour.
Attendees of the D23 Ultimate Fan Event may face challenges such as transportation logistics, especially with shuttles between venues like the Honda Center. Long lines, crowded panels, and limited food options are also common issues. Additionally, the event's popularity and high demand for exclusive merchandise and panels can make navigating the expo overwhelming.
Tips for surviving the D23 Ultimate Fan Event include wearing comfortable shoes with good arch support, prioritizing booths with the largest giveaway bags (like Loungefly and Funko), and packing protein-rich snacks to avoid relying on limited food options. Attendees were also advised to plan for transportation challenges and consider alternative parking options near venues like the Honda Center.
The Firehouse 5 plus 2 was a Dixieland jazz band formed by Disney animators, including Frank Thomas, as a creative outlet. Initially starting as jam sessions to relieve the stress of animation work, the band gained significant popularity in the late 1940s and early 1950s, appearing on radio shows and early television. Despite their success, the members ultimately chose to remain animators, using music as a release rather than a full-time career.
This week, Ted Thomas speaks with Mousetalgia about his father, animation legend (and one of the "Nine Old Men") Frank Thomas, and shares some insight into Frank's legacy. Ted also talks about his latest project, "Walt and El Grupo in Latin America," a book he co-authored with JB Kaufman and Didier Ghez about the Disney "goodwill" tour and its impact on its participants. Ted, JB and Didier will be offering a panel about the new book at the D23 Fan Event next week. Speaking of which - Jeff also welcome Kristen Carr back to the show to discuss the D23 Ultimate Fan Event coming up August 9-11, and we discuss what we are looking forward to, what we are nervous about, and some tips for those of you lucky enough to be attending the sold out event. (If you aren't going, we tried to keep the conversation interesting for you, too!) Plus - Kristen reports on San Diego Comic Con, we contemplate the impact of Deadpool - and more.