cover of episode 02/16/2025: 28 Days, Policing the Internet, Timothée Chalamet

02/16/2025: 28 Days, Policing the Internet, Timothée Chalamet

2025/2/17
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People
A
Andrew Natsios
B
Bob Dylan
C
Chris Coons
F
Frank-Mihail Lau
J
Josephine Ballon
J
Josephine Ballone
M
Marc Chalamet
P
President Trump
R
Renate Kunast
R
Ryan Reynolds
S
Steven Vladeck
T
Timothée Chalamet
Topics
@Scott Pelley : 我认为特朗普总统对宪法的蔑视程度尚不清楚,但他已经重新解释了第14修正案,并关闭了国会授权的机构。总统声称他有权关闭像美国国际开发署这样的独立机构,但他肯定没有这个权力。现在看来,我们可能正走向某种宪法危机,如果最高法院对政府做出不利裁决,而他们拒绝执行,那么我们将面临宪法危机。 @Andrew Natsios : 我认为总统不能通过行政命令撤销联邦法律,美国国际开发署是一个法定机构。特朗普政府抹黑美国国际开发署,称其为犯罪组织,并称员工为蠕虫。我认为美国国际开发署是世界上最负责任的援助机构,拥有大量的会计师和律师来确保资金不被盗用。共和党人因为害怕而不敢公开发声,马斯克曾表示,他将在初选中花费1亿美元来反对任何在任何事情上反对总统的人。 @Chris Coons : 我认为DOGE是一个未经选举、非官方的小团体,由年轻的科技人员组成,他们正在闯入不同的联邦机构,进入其核心计算机系统,复制和下载大量数据。DOGE如果能访问和控制美国政府的计算机系统,他们就可以更改我们的社会安全信息、医疗保险、医疗补助、退伍军人福利支付和税务申报等重要信息。 @Steven Vladeck : 我认为特朗普总统和埃隆·马斯克声称存在欺诈行为,这实际上是掩盖真相的借口。我们真正看到的是权力的巩固,最终目标似乎是直接从白宫控制联邦政府的每一个机构。制宪者们会非常担心各部门之间的紧张关系已经崩溃。我们需要一个热情的行政部门、国会和法院,因为他们的互相推动才能确保健康的制衡。国会本应严格监督行政部门,但现在已经基本停止了。

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Shownotes Transcript

Correspondent Scott Pelley reports from Washington, D.C., on whether President Trump’s dismantling of the U.S. Agency for International Development (USAID) without Congress’ approval is legal.

In the United States, most of what anyone says, sends or streams online, even if it’s hate-filled or toxic, is protected by the First Amendment as free speech. But as correspondent Sharyn Alfonsi reports, Germany is trying to bring order to the unruly World Wide Web by policing it in a way most Americans could never imagine.

When Timothée Chalamet was offered the chance to play Bob Dylan in a film based on the legendary musician, a lot of people told him not to take it. Chalamet didn’t know much about playing the guitar or harmonica, or about Dylan himself. 60 MINUTES spends a couple of days with the 29-year-old actor to find out how he prepared for over five years to play one of the most enigmatic and revered musicians of our time for his film “A Complete Unknown,” which earned him his second Oscar nomination for best actor. Correspondent Anderson Cooper visits Chalamet’s childhood home and Dylan’s old haunts in New York City and discovers some of the parallels between the two artists.

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