Contributor(s): Alex Massouras (artwork), Alexis Milne (artwork), Nikolas Barnes (play), Rob Oldfield (play), Daniel Koczy (paper) | Following the second issue on fakeness (launched November 2012), CCC’s third issue examines the centrality of the idea of Crisis and attempts to uncover its fluid, ambivalent forms within the contemporary sphere. We are not seeking another theorization or a repetition of the apparent manifold state and the concept of crisis. Instead, we would like to talk about the blind spots within the concept. What is expected and not expected of a crisis? What are the current forms of crisis? Can crisis provide a tool for transformation and social change? In which ways does crisis become a trigger for acting in current circumstances? How does it relate to our understanding of creativity and pulsations towards freedom? How might we rethink the multiple and continuous transformative elements of crisis as moments of clarity? Critical Contemporary Culture is an online journal that envisions an alternative cultural-intellectual public space. In our contemporary moment, the combination of theoretical reflection with engaged cultural practice is as important as ever. We want to have a conversation with artists and students about the status of culture because we believe that we all have common interests and a shared culture.