M.R. James' deep knowledge of medieval texts, artifacts, and manuscripts infused his stories with authenticity and depth, making them stand out in the supernatural genre. His academic background allowed him to incorporate real historical details, creating a sense of realism in his tales.
M.R. James was renowned for his medieval manuscript catalogs, where he meticulously described the physical characteristics and contents of manuscripts from various institutions. He was considered one of the top experts in Europe in manuscript studies.
James often drew directly from real medieval artifacts and texts, such as the whistle in 'A Whistle and I'll Come to You, My Lad.' His stories were filled with details that felt authentic because they were based on genuine historical objects and texts, rather than invented medievalisms.
James straddled the line between professionalism and antiquarianism, which created a tension in his work. While he was a consummate professional with formal training, his stories often reflected the anxieties of the antiquarian approach, where scholars might delve too deeply into the past without the constraints of modern academic rigor.
World War I had a profound impact on James, both personally and professionally. His story 'A Warning to the Curious' was originally intended to be set during the war, reflecting the anxieties of the time, including the loss of young men and the idea of duty. James also ghostwrote the British government's commemorative scrolls for war dead, connecting his medievalist work to the contemporary trauma of the war.
The whistle in the story is a real medieval artifact that James found in a decrepit church. It serves as a key plot device, creating a sense of authenticity and horror as the protagonist's actions with the whistle unleash supernatural events. The story also draws on Old English poems like 'The Husband's Message' for its thematic elements.
James' stories captured the tensions between the antiquarian approach, which was more casual and local, and the emerging professionalization of academia, which emphasized specialization and rigor. His work often explored the dangers of both excessive enthusiasm for the past and overly rigid academic detachment.
'A Warning to the Curious' explores the dangers of meddling with the past, particularly through the discovery of an ancient crown that is meant to protect the nation. The story reflects James' anxieties about the consequences of disturbing historical artifacts and the tension between personal curiosity and public duty.
James' stories allowed the public to glimpse the world of medieval studies through the lens of supernatural horror. By incorporating real historical details and academic anxieties, he made the complexities of medieval scholarship accessible and engaging to a wider audience.
The poem in the story, which warns of the dangers of touching a wooden statue, is closely related to the Old English poem 'The Dream of the Rood.' This connection underscores the theme of transformation and the tension between the medieval past and the modern world, as the cathedral undergoes a Gothic revival.
The chilling ghost stories of M.R.James are as much a part of our Christmas television viewing as the King’s speech. But few realise that M.R. James was both a master of supernatural fiction and a distinguished medieval scholar. Dr. Eleanor Janega and Dr. Patrick J. Murphy discuss how M.R.James deep knowledge of medieval texts and artefacts, and his academic career, infused his stories with an authenticity and depth that set them apart from other works in the genre.
Gone Medieval is presented by Dr. Eleanor Janega and edited by Nick Thomson. The producer is Rob Weinberg. The senior producer is Anne-Marie Luff.
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