Best Chinese Music of 2023
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Jake Newby of the substack Concrete Avalanche) with an end of year ChinaTalk takeover!

Here's his accompanying year in review post https://jakenewby.substack.com/p/2023-in-review?utm_source=activity_item)

Tracklist:

Intro: 'Lost in China' (excerpt) – Tation 天声) (self-released) This 'postmodernist rock band from Tibet' produced some of their best work to date on the remarkable Illusions of the New Era EP.

‘Wen’s Woozy Wrap’ – Pu Poo Platter) (fRUITYSHOP) Key cut from Brooklyn-formed Chinese funk group’s debut LP.

‘Greedysleeper’ – A Wordless Orange 沉默橙) (Taihe) Young Wuhan group deliver soulful pop-rock on one of the year’s best albums.

‘Watch the Crown’ – BoomHan 包涵) (Seafood Market Records) A sample of the 17-year-old Changsha rap prodigy’s impressive flow, from his debut album Gravediggaz.

‘Umbrella’ (featuring J-Fever) – PO8) (Tildawn Music) Not a Rihanna cover. Chengdu rapper toys with Shanghai jazz sounds.

‘Rap’ – ZhiYu Xia 夏之禹) (Mintone Records) Sichuan-born rapper, dubbed ‘the Jia Zhangke of hip hop’, dissects how he fell in love with the genre.

‘Where’s Tommy?’ – Hualun 花伦) (bié Records) intriguing change of direction from the ambient soundtrack masters.

‘Specter’ – The Fallacy 疯医) (Modern Sky) Brilliant return to form from Henan post-punks enlivened by new recruit Li Zenghui, who also played sax with Black Midi earlier this year

‘Cliff’ – The river, Orchestration, Walkman! 河边走) (self-released) Short sharp burst of bewildering brassy brilliance from one of the best new bands to emerge in 2023.

‘Vanished Instant’ – A Fishy Tale 有话) (Qiii Snacks Records) Another young band with a psychedelic sound; recorded during a trip to a Zhejiang mountain village.

‘East Yunnan Hallucinations’ – Instinkto Industrio 本能事业) (Maybe Mars) Folksy rhythms mix with techno-dystopian lyrics on one of 2023’s most characterful records. 

‘Standing in the Wind’ – Zhaoze 沼泽) (self-released) Guangdong guqin-driven post-rock outfit’s new album is one of their best.

‘Station 2020’ – Wu Zhuoling 吴卓玲) (self-released) The leading lady of alternative Chengdu music serves up an immersive ambient tune.

‘The Little Assassin Who Lives Beside the Sea Becomes and Environmentalist’ – Li Daiguo 李带菓) (Beihesan) The Dali-based artist had a productive year; this beautiful number was among the highlights.

‘Daididau’ (excerpt) – Mamer) (Old Heaven Books) A too-short taste of a 7-minute long improvised piece on traditional Kazakh instrument the sherter from musical genius Mamer.

‘Four Seasons’ – Hugjiltu) (self-released) An emotive folk number from an album featuring ‘collaborations’ with tapes of the Mongolian musician’s late father.

‘Harbour for Bias’ – Louzhang 楼长) (Jyugam) An alt-ambient highlight from a strong year for this offbeat Guangdong electronic label.

‘Snoring in the Valley’ – Howie Lee) (self-released) Quirky electronic music from the renowned producer, quietly slipped out at the start of the year.

‘Solaris’ – Zhang Weiwei 张玮玮) (self-released) Chinese folk grandee swaps his accordion for a synth to interesting effect on his first album in over a decade.

‘I Want An Earth’ – Yu Su) (pinchy&friends) Title track from the celebrated producer’s impressive EP of clever, beguiling electronic sounds.

‘Holes of Time’ – 33EMYBW) (SVBKVLT) A typically idiosyncratic slice of avant club music from one of China’s leading producers.

‘The Forest That Hears’ – Laughing Ears) (self-released) A welcome return from one of the country’s most interesting electronic music artists.

‘W.C.’ (Liars remix) – otay:onii) (No Gold) Acclaimed artist Angus Andrew adds a new dimension to otay:onii’s weirdness after bié Records released her third LP in March.

‘Ἀντὶ θεῶν’ – Ὁπλίτης) (self-released) Incredible one-man-band creating blistering metal tunes examining Chinese social issues. In Greek, obviously.

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