cover of episode Errollyn Wallen, composer

Errollyn Wallen, composer

2024/8/11
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Desert Island Discs

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Errollyn Wallen
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Lauren Laverne
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Lauren Laverne: 节目介绍了Errollyn Wallen作为世界最受欢迎的现当代作曲家的成就,以及她作品的多样性,包括歌剧、管弦乐、室内乐和声乐作品。她也是第一位获得古典音乐艾弗·诺维洛奖的女性,以及第一位在BBC Proms演出作品的黑人女性。节目还回顾了她的人生经历,包括童年时期父母离异,以及她与钢琴、舞蹈和音乐的深厚渊源。 Errollyn Wallen: 她分享了自己与钢琴的深厚情感,钢琴是她梦想、发现和学习的地方。她谈到自己创作的起点可以是任何地方,有时会有明确的灵感,有时则会随意开始。她选择音乐作品的标准是这些作品曾改变过她的生活。她还讲述了自己父母离异后,由叔叔阿姨抚养长大的经历,以及这段经历对她人生的影响。她坦诚地分享了自己在青春期出现的饮食失调问题,以及17岁时经历的严重抑郁症,甚至自杀未遂。她还谈到了在古典音乐领域发展的早期阶段遇到的阻碍和歧视,以及她如何克服这些困难,坚持自己的音乐创作。她认为自己是一位探索者,创作的起点可以是任何地方,有时会有明确的灵感,有时则会随意开始。她强调音乐创作对她来说是一种身心连接的体验,也是她自由和逃避现实的地方。她还谈到了自己对音乐的热爱,以及她对音乐的理解和看法。她认为音乐是属于所有人的,不应受到任何限制。她还谈到了自己对社会责任的理解,以及她如何通过音乐来表达自己对社会问题的看法。 Lauren Laverne: 节目中,Lauren Laverne引导Errollyn Wallen分享了她童年、家庭、教育以及音乐创作生涯的诸多细节,并就其作品、人生经历以及对音乐行业的看法进行了深入探讨。她还就Errollyn Wallen在BBC Proms重新演绎《耶路撒冷》一事,以及由此引发的争议进行了提问。

Deep Dive

Key Insights

Why did Errollyn Wallen choose Beethoven's Symphony No. 7, 4th Movement, as one of her desert island discs?

Errollyn Wallen chose Beethoven's Symphony No. 7, 4th Movement, because it was a recording she heard as a teenager that changed her life. She would play it repeatedly on a cassette player under her pillow at boarding school, and it had a profound impact on her, despite her peers listening to pop music.

Why did Errollyn Wallen's parents leave her and her siblings in London when they moved to New York?

Errollyn Wallen's parents moved to New York for better opportunities and planned to send for their children later. However, the plan never materialized, and Errollyn and her siblings were raised by their uncle and aunt in London.

Why did Errollyn Wallen's uncle and aunt have a significant impact on her upbringing and musical development?

Errollyn Wallen's uncle and aunt, Arthur and Rini, took on the role of primary caregivers after her parents moved to New York. They instilled a love of music, poetry, and culture in her, provided her with piano lessons, and supported her artistic interests, despite the challenges and tensions in their own relationship.

Why did Errollyn Wallen feel a deep connection to Ella Fitzgerald's performance of 'Bewitched, Bothered and Bewildered'?

Errollyn Wallen considers Ella Fitzgerald a composer and feels that her performance of 'Bewitched, Bothered and Bewildered' is beyond just singing. Fitzgerald's musicianship and the emotional depth of her performance deeply resonate with Errollyn, who sees her as a musical genius.

Why did Errollyn Wallen choose Stravinsky's 'The Firebird' as one of her desert island discs?

Errollyn Wallen chose Stravinsky's 'The Firebird' because it holds a personal memory of an embarrassing moment at the opera house. She and a friend climbed over seats to get to the correct row, and the opening of the piece now reminds her of that experience. She also admires Stravinsky's innovative use of acoustics and space in his compositions.

Why did Errollyn Wallen experience depression during her time at boarding school and what impact did it have on her?

Errollyn Wallen experienced a wave of depression during her time at boarding school, which led her to leave the school and return to her aunt and uncle's home. This decision was detrimental to her well-being, as she had no friends and was isolated, leading to a suicide attempt. She later found solace in dance and music, which helped her overcome her struggles.

Why did Errollyn Wallen choose Bach's 'Double Violin Concerto in D Minor' as one of her desert island discs?

Errollyn Wallen chose Bach's 'Double Violin Concerto in D Minor' because of its beautiful style and the full-fat vibrato played by Isaac Stern and Itzhak Perlman. She also found a personal connection when her own violin concerto was premiered by Michael Stern, the son of Isaac Stern, linking her to the tradition of classical music.

Why did Errollyn Wallen choose Stevie Wonder's 'Signed, Sealed, Delivered (I'm Yours)' as one of her desert island discs?

Errollyn Wallen chose Stevie Wonder's 'Signed, Sealed, Delivered (I'm Yours)' because it changed the quality of her driving experience from Inverness Airport to Strathy Point Lighthouse. She finds the song incredibly sexy and musically genius, and often plays it on loop during her three-and-a-half-hour drive.

Why did Errollyn Wallen choose her own composition 'What's Up Doc' as one of her desert island discs?

Errollyn Wallen chose her own composition 'What's Up Doc' because it was one of the first songs she wrote and recorded. The song brings back memories of working with talented musicians and the joy of songwriting. It represents a significant moment in her musical journey.

Why did Errollyn Wallen choose Benjamin Britten's 'Peter Grimes' as her final desert island disc?

Errollyn Wallen chose Benjamin Britten's 'Peter Grimes' because she considers it a masterpiece in operatic writing. She admires the score's necessity and the way it conveys the story without the need for sets, lighting, or costumes. The opera is a significant influence on her own work, and she aims to achieve a similar level of craftsmanship in her compositions.

Chapters
Errollyn Wallen's deep connection with the piano began at age five. It was a place of dreams and discovery, a tactile instrument that connected her mind and body. A pivotal moment was hearing Beethoven's Symphony No. 7, an experience that deeply impacted her.
  • Early connection with piano at age 5
  • Beethoven's Symphony No. 7 as a life-changing experience
  • Tactile connection between mind and body while playing

Shownotes Transcript

Errollyn Wallen is one of the world’s most performed living composers. Her work, which includes 22 operas, orchestral, chamber and vocal works, was played at the opening ceremony of the Paralympic Games in 2012 and at Queen Elizabeth II’s Golden and Diamond Jubilees. She was the first black woman to have a piece featured in the BBC Proms and the first woman to receive an Ivor Novello award for Classical Music for her body of work.

Errollyn was born in Belize in Central America and was brought up in North London. The passion for music came early to her - as a baby she sang in her cot - and later she enjoyed free music lessons at her local primary school. She fell in love with the piano at five and went on to have formal lessons four years later.

She studied music and dance at Goldsmith’s, University of London and took a Master’s in composition at King’s College London. After working as a session musician, Errollyn formed her own band Ensemble X whose motto is “we don’t break down barriers in music…we don’t see any”. In 1990 she composed a tribute to Nelson Mandela to mark his release from prison.

In 2020 she was awarded a CBE for services to music in The Queen’s New Year’s Honours.

Errollyn lives and works in a lighthouse at Strathy Point in the north of Scotland.

DISC ONE: Beethoven, Symphony No. 7 in A Major, Op. 92, 4th Movement: Allegro Con Brio. Composed by Ludwig van Beethoven and performed by André Previn (piano) with the London Symphony Orchestra DISC TWO: Bewitched, Bothered and Bewildered - Ella Fitzgerald
DISC THREE: L'Oiseau de Feu (The Firebird) (1910 Ballet Score) ('Fairy-tale Ballet In Two Tableaux For Orchestra') Introduction. Composed by Igor Stravinsky and performed by Bergen Philharmonic, conducted by Andrew Litton
DISC FOUR: I Am Sitting In a Room - Alvin Lucier
DISC FIVE: Bach, Concerto for 2 Violins in D Minor BWV 1043 (II movement) Composed by Johann Sebastian Bach and performed by Isaac Stern and Itzhak Perlman (violin) with the New York Philharmonic, conducted by Zubin Mehta
DISC SIX: Signed, Sealed, Delivered (I'm Yours) - Stevie Wonder
DISC SEVEN: What’s Up Doc? - Errollyn Wallen
DISC EIGHT: Peter Grimes, Op. 33, Act III, Scene 7: Mister Swallow! Mister Swallow! (Mrs Sedley) Composed by Benjamin Britten and performed by Bergen Philharmonic Orchestra, Catherine Wyn-Rogers and Susan Bickley (Mezzo-soprano), Neal Davies (bass-baritone), Barnaby Rea (bass) and conducted by Edward Gardner

BOOK CHOICE: A collection of Bach sheet music LUXURY ITEM: Wigmore Hall CASTAWAY'S FAVOURITE: Bach, Concerto for 2 Violins in D Minor BWV 1043 (II movement) Composed by Johann Sebastian Bach and performed by Isaac Stern and Itzhak Perlman (violin) with the New York Philharmonic, conducted by Zubin Mehta

Presenter Lauren Laverne Producer Paula McGinley