Kalder's interest began when he encountered the Rukh Nama, a book by Turkmen dictator Turkmenbashi, which he found both terrible and fascinating. This led him to explore the idea that dictator books were not just a dead tradition but a living, bizarre phenomenon.
The Rukh Nama was central to Turkmenistan's culture under Turkmenbashi. It was displayed in mosques, on mountains, and even in Russian Orthodox cathedrals. It was a compulsory read, with citizens needing to pass tests on it to obtain driver's licenses.
Kalder found the experience more enjoyable in retrospect than during the process. He described it as a literary endurance test, with much of the material being atrocious. However, the challenge appealed to him in his younger years.
Kalder found Mussolini's War Diary the most readable. It was short, had a narrative arc, and provided a real sense of being in the trenches during World War I, despite not being a great literary work.
Dictators often used their books as tools of compulsion, requiring citizens to read and study them. In Turkmenistan, the Rukh Nama was mandatory for passing driver's tests, and in the Soviet Union, there were compulsory classes in Leninism.
Zabiba and the King was unique because it felt like a portal into Saddam's mind, showing his vulnerability and paranoia. It also contained surreal and gratuitous scenes, such as a digression about having sex with bears, which provided insight into his psyche.
Towards the end of his regime, Saddam felt embattled and paranoid. Writing novels became a way for him to express himself and explore his thoughts on statecraft and religion. He was reportedly still working on his last novel as American tanks closed in.
Saddam's Quran written in his blood was a grotesque propaganda tool that also reflected his search for a historical legacy. It symbolized his religiosity and his desire to leave a lasting impact, despite the regime's instability.
Kalder recommended Mussolini's War Diary as a relatively short and readable entry point for those curious about dictator literature. He advised against reading most other dictator books, which he described as arduous and consequential.
Almost every dictator, at one time or another, has put pen to paper. Some have wrestled with ideas, with philosophy. Many have merely vented - spewing their diatribes onto the page. Others have made forays into fiction, poetry and drama… with varying degrees of success.
Noiser writer Duncan Barrett spoke to a man who’s made it his mission to wade through all kinds of dictators’ writings. Daniel Kalder is author of The Infernal Library, also published as Dictator Literature: A History of Bad Books by Terrible People.
Scroll down the Real Dictators feed for episodes on the dictators mentioned in this conversation. The stories of Jorge Rafael Videla and Benito Mussolini will be coming later this year.
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