They met in San Francisco for a professional meeting regarding a script called Pontiac Moon, where Ted had to approve Mary for a role.
Initially, she thought he was a slick Hollywood type, similar to his character Sam Malone from Cheers, but later found him to be quite different.
They remained friends and co-parented their children, maintaining a respectful and loving relationship, which included Malcolm's approval of Ted Danson.
She played a lawyer representing the company that fires Tom Hanks' character due to his AIDS diagnosis. The role was significant as she had a close friend dying of AIDS, making the film's themes deeply personal.
Her relationship with music started after surgery in 2007, which altered her brain's relationship with melody, leading to an obsessive preoccupation with music. This newfound passion eventually led to a publishing deal with Universal and a successful career in songwriting.
She met Audrey Hepburn, who was a fan of her work in Tender is the Night. Hepburn was incredibly kind and spent 20 minutes talking with Mary and her mother about life.
Her father, a freight train conductor, met then-Governor Bill Clinton at a speech. Clinton mentioned Mary, leading to their introduction. Hillary later asked Mary to help raise money for a pediatric AIDS foundation.
The bracelets symbolized their blended family and were given to each member with a vow to treat each other with love and respect, emphasizing the importance of their children in the marriage.
She found the experience amazing and a gift from the business for having survived challenging times. The cast, including Richard Jenkins, held down reality amidst the film's improvisational humor.
Her willingness to look beyond the obvious and literal, accepting the possibility of magic in life, such as her relationship with colors and her ability to communicate with those who have passed away.
It’s Mary Steenburgen week on the podcast! Picking up where they left off in Part One, Ted asks Mary to revisit scenes from her adult life and career, including her encounters with Audrey Hepburn and Princess Diana, her experience starring in films like Melvin and Howard, Philadelphia, and Step Brothers, the uncanny way music came into her life, and perhaps best of all: when she and Ted met and fell in love.
In case you missed it, check out the previous episode for Part One of their conversation here: https://podcasts.apple.com/us/podcast/mary-steenburgen-pt-1/id1745204141?i=1000677575082)
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