The film, despite being a corporate intrigue, erotic thriller typically appealing to a different demographic, is now considered a comedic artifact of the 90s, prompting a discussion of its bizarre plot and cultural relevance.
It aimed to address men's anxieties about women in the workplace, the rise of the internet, and shifting social dynamics in the 1990s, using sexual harassment as a plot device.
While the film correctly predicted technologies like email, video calls, and virtual reality, it misjudged how people would use them, focusing on practical applications rather than entertainment and social connection.
His ability to develop unique chemistry with female co-stars and his knack for choosing commercially successful scripts contributed to his high batting average in big-market movies.
After a resurgence in the early 90s with films like 'Ghost' and 'A Few Good Men', 'Disclosure' marked her peak. Subsequent career choices led to a decline, followed by a recent comeback.
The CEO, wanting to retire after a merger, passes over Tom Sanders for a promotion, giving it to Meredith Johnson. A sexual harassment incident and corporate intrigue ensue, revealing Meredith's attempt to frame Tom for her own product line failure.
He believed that flipping the gender roles would force audiences to re-evaluate the concept of sexual harassment, making the story more compelling and thought-provoking.
While seemingly about sexual harassment, the film explores broader themes of corporate culture, the impact of technology, and the changing dynamics of the workplace as women take on more powerful roles.
The film's portrayal of email as ominous, the importance of CD-ROMs, awkward video calls, and the clunky visualization of virtual reality are now comedically dated.
The scene where Tom and Meredith have a drink, filled with sexual tension and suggestive dialogue, is considered the most rewatchable, despite the lack of nudity.
The casual sexual harassment, exemplified by Michael Douglas hitting his assistant's butt with files, and the frank discussions about sex are considered the most indicative of the film's era.
The portrayal of corporate culture, the early conversations about consent, and the prediction of white male angst in response to societal changes are considered the most prescient aspects of the film.
The plot's reliance on CD-ROMs, Donald Sutherland's over-the-top villain portrayal, the awkward full-circle harassment moment, and the overly sentimental ending are considered the most dated elements.
Meredith Johnson's line, "You stick your dick in my mouth and then you get an attack of morality?", is considered the most memorable quote.
David Fincher, with his darker style, or Brian De Palma, known for his erotic thrillers, are suggested as alternative directors who could have elevated the film.
The convenient retrieval of the incriminating tape, the rapid legal proceedings, and the casual interactions between accuser and accused despite serious allegations are highlighted as significant plot weaknesses.
While opinions differ, both Barry Levinson, for his willingness to tackle complex themes, and Demi Moore, for her powerful performance, are considered the winners of the film.
The Ringer’s Bill Simmons, Van Lathan, and Wosny Lambre pour themselves a glass of 1991 Pahlmeyer Chardonnay as they rewatch the spicy 1994 corporate thriller ‘Disclosure,’ starring Michael Douglas, Demi Moore, and Donald Sutherland.
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Producer: Craig Horlbeck
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