cover of episode A. G. Sulzberger on Bias and Objectivity at The New York Times

A. G. Sulzberger on Bias and Objectivity at The New York Times

2023/7/18
logo of podcast On the Media

On the Media

AI Deep Dive AI Chapters Transcript
People
A
A.G. Sulzberger
D
David Remnick
Topics
David Remnick:新闻记者的角色应该是独立追寻真相,并试图用事实、背景和理解来武装公众,而不是为了某种事业、政党、群体、意识形态或特定问题的特定结果而努力。他认为,许多强大的论据都支持相反的观点,即记者应该为了某种事业而努力。 David Remnick:他质疑《纽约时报》是否应该明确支持民主,以及这是否与沃尔特·利普曼的观点相符,沃尔特·利普曼认为记者不应该为任何事业服务,无论这个事业多么好。 David Remnick:他还质疑《纽约时报》是否应该公开承认自己是自由派报纸,以及这是否会影响其客观性。 David Remnick:最后,他讨论了《纽约时报》的成功及其在新闻业中的主导地位所带来的风险,包括其对其他媒体的影响,以及信息不平等的问题。 A.G. Sulzberger:他认为,新闻业的传统观点——独立追寻真相——在当今时代需要重新强调。他以乌克兰战争为例,说明即使是关于‘好人’的报道,也必须坚持事实,即使这会引起争议,甚至来自政府的压力。 A.G. Sulzberger:他认为,《纽约时报》支持民主,但这并不意味着其报道不能批评民主党的政治人物。他认为,这种批评不应被视为‘反民主’。 A.G. Sulzberger:他不同意《纽约时报》应该公开承认自己是自由派报纸的观点,他认为新闻机构的独立性不是指缺乏个人观点或生活经验,而是指将事实置于任何个人议程之上。 A.G. Sulzberger:他认为,公众对媒体的信任度下降,部分原因是前总统特朗普的言论,社交媒体的运作方式以及新闻业自身成为‘回音室’的现象。他还谈到,高质量新闻并非只面向付费订阅用户,其免费内容也覆盖了大量受众,并且新闻业不应该因为制作新闻成本高昂而将新闻免费提供。 A.G. Sulzberger:他以《纽约时报》发表汤姆·科顿的专栏文章事件为例,说明坚持新闻独立原则的同时,也需要重视流程和执行。他还谈到,关于《纽约时报》对跨性别权利报道的批评,其认为报道本身并非反跨性别,而是反映了社会中存在的复杂辩论。 A.G. Sulzberger:最后,他谈到,在高度政治化和两极分化的时代,社会是否受益于每个人都公开宣示其政治立场,他认为,社会需要一些致力于客观报道的独立行为者。

Deep Dive

Chapters
Sulzberger explores the debate over whether journalists should advocate for certain causes or remain independent truth seekers, a role he believes The New York Times upholds.

Shownotes Transcript

Translations:
中文

This episode is brought to you by Progressive. Most of you aren't just listening right now. You're driving, cleaning, and even exercising. But what if you could be saving money by switching to Progressive?

Drivers who save by switching save nearly $750 on average, and auto customers qualify for an average of seven discounts. Multitask right now. Quote today at Progressive.com. Progressive Casualty Insurance Company and Affiliates. National average 12-month savings of $744 by new customers surveyed who saved with Progressive between June 2022 and May 2023. Potential savings will vary. Discounts not available in all states and situations.

So I have something to make small talk about in uncomfortable situations.

Um. Did you know police captured five runaway zebras in Washington yesterday? Well played. Get all your favorite news programs for the best price. Sling lets you do that. Visit sling.com slash news to see your offer. Listener supported. WNYC Studios.

Hey, you're listening to the On The Media Podcast Extra. I'm Michael Loewinger. For the big show this weekend, we're working on a piece about the extraordinary transformation of The New York Times from a struggling newspaper into a digital behemoth. In the meantime, and as kind of background research for you guys, we're airing a fascinating interview about the Gray Lady from our colleagues at The New Yorker Radio Hour. David, take it away.

Five odd years ago, I sat down in this studio with the man who had taken on the most powerful position in the most important news gathering organization in the country, possibly the world. A.G. Sulzberger, not yet 40 at that time, had been named the publisher of the New York Times. He is the sixth of the Ox-Sulzberger family to run the paper, and he was the first to run the paper.

And under him, the Times has rebounded from a period of constant cuts and potential sale to a position of financial stability. It remains, though, an extremely tense time in the news business. Donald Trump's rhetoric about fake news and enemies of the people has had real and lasting traction on much of the country.

People like Barry Weiss, who resigned from The Times a few years ago, characterized the place as being in the thrall of the dread forces of wokeism. At the same time, left-leaning critics argue that The Times has been too cautious, too reluctant to call things as they are in an era of authoritarian demagogues.

It's been really striking to me that the people making the strongest arguments, right, the people who are putting the intellectual muscle behind this conversation about what is the role of journalists, should the role of journalists be to push for a certain cause or party or group or ideology or even a specific outcome on a specific issue, right?

Or should the role of journalists be to independently follow the truth and try to arm the public with the facts and the context and the understanding it needs, you know, for this giant, diverse democracy to come together and self-govern? Which is your view and the traditional view at The Times. That's my view and the traditional view at The Times. And I've been struck that a lot of the intellectual firepower has been making the opposite case. And that the traditionalists in the ranks, I think, have long believed that sort of that...

That long-standing view speaks for itself, that the argument makes itself. And I became increasingly convinced that the argument doesn't make itself. Sulzberger has just published a long essay in the Columbia Journalism Review, and it's called Journalism's Essential Value. What he's arguing there may sound like conventional wisdom to earlier generations of journalists, so I asked him where and how it gets difficult, and why he's chosen to make this argument now.

Let me just give a very specific example. Since the war in Ukraine started, right, we have had at least a dozen journalists on the ground every single day of the conflict. So my guess is that every one of the journalists on the ground wake up every day thinking they are going to tell a story about Russian aggression, Russian atrocities, you know, how Russia is hurting this country that they invaded, right, in an unjust war.

But one day, you know, last year, one of the Times reporters woke up and found a different story. And he found that the Ukrainian government was using cluster munitions. And cluster munitions are internationally banned. And they're internationally banned for a reason, because they disproportionately kill civilians, and particularly children. And on that day...

He told that story, right? And he didn't do that, you know, so that we could balance a ledger and, you know, on one hand, Russia does bad things. On the other hand, so does Ukraine. He did it because it was true.

And, you know, I think all sorts of people may question, like, with everything that Ukraine's been through, right, why would you point to misconduct on the Ukrainian side? And, in fact, the Ukrainian government was angry enough about that reporting that they tried to eject that reporter from the country, right? So why? Because it's the truth? Because these are internationally banned for a reason? Mm-hmm.

Because if independent actors don't track their usage, that international ban is toothless. And ultimately, if the press decides that the good guys can use it, it leads you to two questions. Are we always right about calling who the good guy is? And then two, doesn't that basically validate the bad guys using it too?

Joe Kahn, your choice for executive editor, has said that, quote, you can't be committed to independent journalism and be agnostic about the state of democracy. So what I'd ask is, is The New York Times explicitly pro-democracy? And how does that, you know, align with

With Walter Lippmann, who you quote in your piece, who argued that journalists ought not to be serving a cause no matter how good. Should The Times be serving the cause of liberal democracy, which is now, I think we can all agree, under horrendous threat and not just abroad in corners of place for foreign correspondents to cover, but right here at home? The Times serves the cause of the truth and an informed public.

The challenge always comes not in the top line question, so do you support democracy? It comes in the questions that cascade underneath it. So if you are a Democrat, right, and you believe that Donald Trump represents a threat to democracy, is it then anti-democracy for an organization like yours, David, to

to produce reporting that raises questions about the actions, conduct, or fitness of President Biden, right? You could argue with it. That is anti-democracy, right? Couldn't you? I think there are people that argue sometimes. I don't want to paint caricatures of them, that if you're very critical or you're reporting as hypercritical of Biden, right?

That somehow serves the cause of his defeat and therefore the rise or the re-rise of Donald Trump or the like. Exactly. And that's the type of argument. That's the exact argument that the Ukrainian government made.

But I could point to 10 other examples. I could actually point to 100 other examples, right? We hear that our coverage, you know, maybe independently each piece on Silicon Valley is worthy and defensible. But from inside Silicon Valley, we hear that together it's disproportionate. About 18 years ago, 2004, this is long before you took the reins, the first public editor of The New York Times, Daniel Okren,

published a column headlined, and you quote it in your essay, is the New York Times a liberal newspaper? And the first sentence of that column was, of course it is. Now, the column caused a bit of a storm. Every time I've ever talked, certainly publicly, to a New York Times editor, Dean Becke and others, and asked them, is the New York Times a liberal newspaper? When they're still in office, they always say no. When they're not in office, they say, of course it is.

What do you say? I really will push back on that. But why not come out of the closet and admit to being a liberal newspaper in the broadest sense that's also fact-based, that's also relentless about accuracy and is intellectually honest and independent? Is it impossible to be those two things at the same time?

Again, you know, coming out of the closet suggests that like we're hiding something here. Like it's I think the premise is simply not true. Like like all of the critiques of the independent model. I think there's some truth in there. And I hope in the essay you see me grappling with it. Right. So like, for example, almost everyone who works at The New York Times lives in a big city and graduated college.

That alone makes our staff unrepresentative in many ways. And that alone means that we're going to under-index in gun ownership, under-index in church attendance, right? The posture of independence, the posture of independence –

It's not about being a blank slate. It's not about having no life experience, no personal perspectives. That is an impossible ask. And I think that that is a parody of the long debate over objectivity that, you know, objectivity as was originally formulated wasn't about the person's innate characteristics. It was about the process that helped address the inherent bias that all of us carry in our life, right?

The key isn't, you know, being a blank slate. It's not, you know, that you don't have a theory going into any story. It's a willingness to put the facts above any individual agenda. And just think about this moment and how polarized this country is. How many institutions in American life do you believe are putting –

Like truly putting the facts above any agenda, putting sort of a independent posture, the desire to arm the public with the information the public needs, you know, to reckon with all the giant existential challenges we face. And yet the public distrusts, I'll say us, The New Yorker, The New York Times, The Washington Post, The Wall Street Journal,

At record levels, our ratings are a misery. So I'll say a couple of things on that, right? So I think we've seen a few things drive that. I mean, one, let's be absolutely clear. The former president of the United States, the current leader of one of America's two political parties...

has now spent the better part of seven years telling the public not just to not trust us, but that we were the enemies of the American people, right? Like, that our work was actually fake, right? That it's manufactured, right? So if that's the way that the political atmosphere has, you know, worsened trust in media, right? I think that we can agree that the social platforms have done the same, right? So

In an era when it is easier than ever for like-minded people to gather, you know, to build their own narratives in which the loudest and most extreme voices in those communities tends to rise, and when it's easier for those groups to mobilize and be heard, right? Like, those are the fundamental dynamics of social media. We now see, you know, the dynamic, the sort of zero-sum dynamics around, you know,

tolerance for journalists challenging in-group narratives that we used to only really see with abortion, with Israel-Palestine, and with presidential politics, right? It was like those were really the only giant stories in American life that had all those dynamics and where the sort of rhetoric and the intensity always felt dialed up to 10. Now it's everything. It's everything. It is everything.

So that's the dynamic we're talking about when we talk about echo chambers in social media, right? The third dynamic inside our industry is that journalism, to some extent, has become an echo chamber, right? And what do I mean by that?

It's been a while since I looked at your bio, so I can't say this for a fact, but if you are like many journalists of your generation, and if you're like many journalists of my generation, you probably started a local paper. Did you? Unless you consider the Washington Post a local paper. Okay.

I don't. You could get in a lot of trouble right now. I don't. I got lucky and it was a different era. Well, you might just be more talented than me. Yeah, yeah, yeah. But so, you know, like many journalists of my era and many journalists of your era started at a local paper. That was the path. That was the traditional path. That's the traditional path. And what was the day like in a journalist at that point, right? Yeah.

Every day you were out in the communities you were covering and you were being confronted with the full diversity of this country and of the human experience, right? Like on the same day you would talk to rich and poor. You'd talk to a mother who just had lost a son to murder. Right.

and a mother whose son was just arrested for murder, right? You would just see everything. Are people just sitting in rooms in front of a screen? I don't think that's the case. Of course it's the case. I mean, so that type of work, putting people out in the world, is so expensive. And so as traditional media faded, and particularly local media faded, right? And as digital media, you know, filled that vacuum, right?

We actually saw a full inversion of how days were spent. So the new model is you have to write three to five stories a day. And if you have to write three to five stories a day, there is no time to get out into the world and see it in all its complexity. You're spending your time writing. You're typing. Which means that you are drawing on your own experience and the experience of the people immediately around you. So literally, many journalists in this country have gone from spending their days writing

Out in the field, surrounded by everything else, you know, in the world, in life, to spending their days in an office with people who are in the same profession, working for the same institution, living in the same city, graduating from the same type of university. But you allude to something that's just incredibly painful in American life, and that is the contraction of...

of local journalism all over the country, all the many, many newspapers that have either collapsed or their newsrooms have shrunk to the vanishing point. When Ben Smith started as the media columnist for the New York Times, having come from BuzzFeed, his first column was

was about the potential dangers of the New York Times' immense success, ironically enough. I think, you know, it wasn't too many years ago that I wrote in The New Yorker that there was a moment not too long ago where the biggest question about the New York Times was

was about when the Sulzberger family was going to be forced to sell the Times, and would Carlos Slim or Mark Bloomberg be a better or worse proprietor? That was a very dangerous moment because neither one of them, to be perfectly honest, was anywhere near well enough equipped to head this, I'll say it, essential American institution. Now your success is...

And the distance between you and your competitors and putative competitors has widened. And I don't see that it's going to get any narrower in the near future. That's an enormous responsibility for you. What are the perils of the Times' success? And its singularity, if that's what it is. Yeah.

Well, first of all, thank you for the kind words. I also read The New Yorker and admire it very much. I appreciate that. Eight years ago when I started getting deeply involved in shaping the modern strategy of The New York Times, one of our biggest challenges and our highest aspirations was let's make a market.

Let's make a market for great journalism in this country. And you'll remember that the skeptics thought it was ridiculous to try to make a market, like a paid market for journalism. You know, we were widely ridiculed for launching a paywall, for asking people to subscribe to our digital news report. Same here. Yeah. And not only did we, you know, grow ourselves, right? And we've grown from...

So at the time when we launched the paywall, the consultants who helped us launch it told us that if we did everything exactly right, we might be able to get 650,000 subscribers, right? That was going to be our ceiling. You know, today we're almost at 10 million. But one of the things I'm proudest of is we didn't just make a market for ourselves, right? What's happened? The Washington Post has more subscribers than it's ever had in its history, right? Right.

You know, they don't publicly report their numbers, but I've heard anything from 2.5 to 3 million. Are those slipping lately? Yeah. I mean, 2.5 to 3 million is nothing to sneeze at.

I think The New Yorker has more subscribers than at any time in your history. You probably can't say it because you also don't publicly report your numbers. But I think The Atlantic has more subscribers than at any time in your history. And what do – in their history. The Journal, more subscribers than at any time in their history. What do all those have in common? Those are the institutions that are still investing in

in the really resource-intensive work of original journalism. Of course, I couldn't agree more. There is a problem, though, that comes with that. You've just named The New Yorker. All national media. Something called The Atlantic. I've never heard of it. But The Atlantic, The Times, The Journal. And they're not cheap to get, and they are considered by the general public

you'll forgive me, elite media. Not just, you know, and probably... Can I push you on that? Hang on, hang on, hang on. You can, of course you can, but hang on. And the concern is, and I think Ben Smith reflected it and others have, that while those media not only have their readers, they also influence other media and there's a trickle-down effect of the facts that they uncover and the stories they write or publish or broadcast. Right.

There's a widening gulf. Just as there's an income inequality problem in this country that gets worse and worse, there's an information problem that the map of that information problem has gotten different. I'm not saying that A.G. Sulzberger can be responsible for it and can control it and make it all better with a stroke, but there is that problem. I disagree with the hypothesis. Go ahead. So I think there is an information problem.

But I think it's about the collapse of local news. And I think that that is an American tragedy and I think a very dangerous and insidious force in American life. Do you have any responsibility as an ascendant and increasingly responsible? Let me get to that. But let me push back on the other part, right? So at the peak of COVID, half of Americans were using the New York Times to get essential information about how to navigate the pandemic. Right.

On Election Day, we typically have more than a third of the country using the New York Times. Again, we have fewer than 10 million subscribers, right? Like, those are not all subscribers. The Daily, you know, which is now reaches far more people than our front page and is free. The Morning Newsletter, which lands in 6 million inboxes every morning, is free. Our homepage, free. Why am I saying that?

Because I think there's all...

often, you know, sort of an imaginary person who wants to read quality news but are being boxed at because of the cost. I really don't believe that that is a real population in any significant number, right? Based on my own... I assume the hope, though, is that people who do avail themselves of those freer service will subscribe because you make an appeal at the end of every broadcast of the Daily, hoping you do. Well, so you anticipated the next spot I'm going to go to, which is...

I think it is so interesting that our industry has an obsession

with making the news free, even though the news is so expensive to make. The New York Times was the only newspaper that had a full-time presence in Iraq and Afghanistan every day of the conflict and still has a full-time presence in Iraq and Afghanistan today. And just literally, just think about the implication of that. Had the New York Times not borne the cost of covering this war on behalf of the American public, we would have had a conflict where American troops were on the ground,

but no American journalists to hold them to account, to bring the reality of the conflict back to the American people. So I think there's been this, you know, this hangover from, you know, the honestly terrible conventional wisdom of the early Internet, information wants to be free, right? That I think almost... That was a canard. It almost sunk our industry. Yeah. And instead...

Do you know what an average cup of coffee costs in New York? Sorry, not in New York. In America? I use the same analogy every time I'm talking about a subscription price. Believe me. I know. It's $3.99. I get it. And that's the national price.

For, you know, less than a cup of coffee a week. I think you stole this from me. A week? I just, I don't think the journalists should apologize for that. We don't expect medical care in this country or food or electricity, water. Like, water is not free in this country, right? But yet we think that this essential service should be free. And we know what happens when it is. We've seen what happens, which is...

people can no longer afford to support reporting. I'm speaking with A.G. Sulzberger, publisher of The New York Times. More from our conversation in just a moment. This is The New Yorker Radio Hour. This is The New Yorker Radio Hour. I'm David Remnick.

I'm speaking today with A.G. Sulzberger, the publisher of The New York Times. He's published an essay in the Columbia Journalism Review called Journalism's Essential Value. It's a defense of the traditional independent stance held by generations of reporters at a moment of intense controversies over news coverage. One particularly damaging controversy that erupted under A.G.'s watch was the publication of a guest opinion column by Arkansas Senator Tom Cotton.

In June 2020, during the protests that followed George Floyd's murder by police, the Times op-ed page published Cotton's essay with the headline, Send in the Troops. Cotton argued in that piece that the federal government should order the military to put down what he called an orgy of violence that he said was being led by left-wing nihilists and Antifa. Now, the purpose of an opinion page is to air differing viewpoints, but this column,

Coming at the moment it did caused real outrage, including in the Times newsroom. James Bennett, who oversaw the editorial pages, was forced to resign. And he later said that the Times had, quote, signed up so many new subscribers in the past few years, and the expectation of those subscribers is that the Times will be Mother Jones on steroids. When you look back at that, and you're a person of thoughtful self-criticism and what

How do you evaluate it? What did you do right? What did you do wrong? How do you look at that episode? The thing I took away from it, so a lot of people wanted that episode to basically be proxy for our view on this principle of independence and the very particular way the principle of independence manifests on the op-ed page or in our opinion pages, as we now call them.

The thing the episode underscored more than anything else was, of course, the principle matters. It is, like, the first and most important thing. But process matters, and execution matters. And if you get process wrong, and you get execution wrong, and then you wrap a flawed thing that you produced in that principle, right? So, you know, the thing that you produce is flawed. People can see you as flawed. How is it flawed?

I don't want to go into too much detail because I have so much respect for all the folks who were involved and I don't want to reopen what I'm sure for many is a really difficult episode. But if you go back and read about it, just like the process, if you imagine that – if you had seen that piece –

you would have said, okay, this is going to be one of the most controversial things I'm going to produce all year, right? And if you had decided that it was an important piece and that it met your standards, you would have put it through the ringer to make sure that you got everything just nailed down. You would have thought about the headline, the presentation. You would have made sure that every bit of it was, you know, like, perfectly fact-checked, right? You know, the same way that when

The newsroom counterparts have a giant investigation, say, when we got Trump's taxes, you know, which he had been hiding from the public for years, right? Dean is involved in every single step. Dean Becke, the executive editor at that time. And his closest deputies were involved, right? Like, there are a lot of cooks in that kitchen. And you know that when you do a big, difficult piece—

You put it through a lot of steps. And as was, I think, widely reported at the time, this piece was rushed in and it showed. So my main takeaway, and it's one of the reasons I talk about process so much in this piece, because I think the disciplines of the journalistic process are really essential to supporting journalism.

the underlying principle of independence, right? It's not enough just to have the principle, right, and wave it around. You also have to execute on it well, especially in an era in which that principle is so frontally under attack. One of the arguments was that that piece somehow endangered the lives of Times reporters, particularly Times reporters of color. Do you believe that was true?

You have to remember when that argument was being made and the context in which it was being made, right? Like, that was, I don't know, was it six months into the pandemic, five months into the pandemic? And then we saw the eruption of the single largest social justice, you know, protest movement in this country in a half century, right? Sparked by a hideous murder that was on the front. Exactly. Yeah.

And in that context, I'm sympathetic, you know, to how folks felt. What I will say, right, going back to the principle, is, you know, and some folks wondered, does this mark a retreat from the times from independence or a commitment to having

a wide range or controversial views on our op-ed page. I'd point out to the thing we did, not just like months later, but that very week, which is we ran a series of pieces attacking the New York Times for our handling of that piece, attacking me in times for our handling of that piece in our own pages from the left, right, and center. Some folks pushed back saying we should never have run the piece at all.

And some folks pushed back that we should have stood behind it and defended it every turn. So the broader thought with opinion, you know, I would just say, look, three years after that episode, do you feel that the Times opinion pages, are you regularly seeing pieces from every side of the political spectrum today?

On the abortion debate, right? On economic, political questions, social, political questions. I think you do. I think you do. And I'd argue actually under Katie, you're seeing more of them than ever. Katie Kingsborough, who replaced James Bennett. That's right. And I think you see that she's just hired another conservative columnist, our first evangelical columnist, also a military veteran. David French. David French, you know, who's done extraordinary work for us so far.

And she's worked really hard to broaden the number of voices coming in to the op-ed page. So, you know, I think that that principle— Would you hire a Trumpist for the op-ed page? This is a question I've been getting now for six years, right? And it's a really tricky one. It is harder than you'd think to find the Trumpist who hasn't at some point said the 2020 election was rigged.

Donald Trump won the election. Barack Obama was, you know, it's an open question. I get it. But a huge number, tens of millions of people either tolerate that point of view or believe it. Yeah. So independence is not about both sides. It is not about. So you would not have a Trumpist who had said that at some point on your op-ed page.

We would not have anyone who... But you'd have guest columnists, say. I mean, Tom Cotton certainly doesn't... So we would not have... We certainly would not have a columnist who has a track record of saying things that are demonstrably untrue. So another controversy earlier this year had to do with coverage of trans rights, right? In particular, it focused on Times reporting on medical care for trans minors, coverage that was cited...

in support of some Republican anti-trans legislation. And trans advocacy organizations were involved, and there was a public letter by some of the Times' own contributors. Now, regardless of your objections to the way that the petition was handled, or the way specific reporters were singled out, put that all to the side, if you would. Did you find any of the criticism valid?

Look, we've listened really deeply. Like, I know the standards desk, Joe Kahn and his senior editing team, you know, have met with a bunch of groups, inside groups, outside groups, you know, who have raised concerns about the coverage.

I want to say unequivocally that I think the accusation that the Times coverage has been anti-trans is just demonstrably untrue. And I'd encourage anyone who has the slightest bit of skepticism of that just to type in the phrase transgender issues, New York Times, and go to the landing page that's automatically populated with everything we've written. And you will find hundreds of stories there that

doing the very thing that we've been accused of not doing, right? Which is these are stories that are exploring the groundbreakers, you know, in the trans community who are blazing new trails across a huge range of industries all over the world, right? And gaining new acceptance and recognition for trans people. We're chronicling the dissenters

dismaying rise of prejudice and bigotry and attacks that the trans community is facing and all the efforts at the state level to undermine trans rights. So we've been writing all those stories.

Part of our job is also to write the stories that society is working through, right? You know, the stories that are less cut and dry, right? So we've never written a story that questioned whether trans people exist or should exist, you know, which is an accusation I've heard from many corners. That is just literally factually untrue.

But we have – it's our journalistic responsibility as an independent news organization to reflect, for example, the very real debates happening in the medical community and even among trans people and parents of trans people about –

What type of interventions, medical interventions should happen for minors and when? And when the risk of not acting outweighs the risk of acting? And, you know, these are questions that the medical community is actively working through. There's an active debate there. And, you know, our critics have effectively asked us to pretend that debate is not happening.

And again, this is going back to the same theme for fear that the information could be misused. And that fear is legitimate. There are all sorts of bad faith actors who are trying to undermine trans people and attack trans rights in this country. Right. But on the other side of the ledger. Right. You know,

If that's what we're hearing publicly, what we're hearing privately is we've gotten so many notes from trans people, from doctors who care for trans people, and parents who are making decisions on behalf of trans minors. But you're saying that there's nothing in the critique that you thought, okay, they have a point here or there. You know, for example, on the story I'm citing right now,

I know we did make a correction, right? But overall? No, overall, I think, look, if I was to finish that sentence, what I was building towards is those folks, people within the trans community, people who've dedicated their lives to caring for people within the trans community, have written us notes at times begging us not to stop this reporting. And what they've said is that their greatest fear is

is that we get to a world in which the only information they have is in talking points of various groups, right? The talking points of people who want to crack down on trans people and the talking points of trans advocates who are trying to make the strongest case, you know, for trans rights in this country. And what they've said is these are life and death decisions. These are decisions that involve personal health issues.

We need information we can trust. And if there's a debate happening in the medical community, we don't want that hidden from us. Right. AJ, are you willing to say what your politics are, just broadly speaking? I remember, you know, I worked for Len Downey. Yeah. As he was the executive editor of the Washington Post before that was Ben Bradley. And Len not only wouldn't reveal his politics, although it was pretty plain what they were, he didn't vote.

You, again, you live in New York City. You went to Brown. Everything tells me that you're pulling the Democratic Party lever, if not every single time, then 90-odd percent of the time, that probably people think they can guess what your politics are. Why not say it and then still be committed to this quite in-depth discussion

well thought out and coherent presentation of what independent journalism is. The thing I feel most passionately about in the world...

is that society needs independent actors and independent journalists. I just believe it. And there is nothing I feel more strongly than that. I do not believe that the truth ever resides in just, you know, that any one person will ever have the full truth, right? It's why I keep coming back to the word... But that requires you to not say anything about this? You know, I was really struck as I've learned about the Red Cross, right? Yeah.

Everyone, you know, and particularly, you know, Western nations want the Red Cross to declare an allegiance in this conflict, right? They want the Red Cross to say, Ukraine is right. And the Red Cross is stubbornly asserting that the world needs an independent actor to enforce the laws of war. And that if they say that...

It's going to be harder for them to get access to the prisoners on the Russian side. It's going to be harder for them to push the Russian government, right? And their belief is that society benefits when you actually have independent actors. And I believe that that's the case. I believe that's the case with the judiciary. I believe that's the case with medicine, right? I believe that there are these parts of the world where we want –

We want independent actors. So it must irritate you that some of your reporters go on television or social media and very blatantly declare their politics. I mean, without naming anybody, it's very clear. That must fly in the face of this kind of Red Cross model of at least the appearance of, what would you call it? Look, independence. But it's, you know, again...

I'm aware of how old-fashioned this sounds. But I guess what I would ask you is, in this hyper-politicized, hyper-polarized moment, is society benefiting from every single player getting deeper and deeper and louder and louder about declaring their personal allegiances and loyalties and preferences? Or do you think there's space for some actors who are really committed to

just to serving the public with the full story. Facts fall where they may. A.G. Sulzberger, thank you so much. Oh, it's a real pleasure. Thank you. A.G. Sulzberger became publisher of the New York Times in 2017. You can read more from my conversation with him at newyorker.com.