Hi, I am Lacey Lamar. And I'm also Lacey Lamar. Just kidding. I'm Amber Revin. What? Okay, everybody, we have exciting news to share. We're back with season two of the Amber and Lacey, Lacey and Amber show on Will Ferrell's Big Money Players Network. This season, we make new friends, deep dive into my steamy DMs, and we'll be right back.
answer your listener questions and more the more is punch each other listen to the amber and lacy lacy and amber show on will ferrell's big money players network on the iheart radio app apple podcasts or wherever you get your podcasts just listen okay or lacy gets it do it
In a world where TikTok didn't exist yet, las películas no tenían color, the comedy of a genio mexicano crossed borders y conquistó the heart of America. Sonoro y Our Hearts, My Cultura Podcast Network present Nace una leyenda. Chespirito. No faltaban con mi hasta.
How did a Mexican writer become a symbol of global television? Listen to Nacional Leyenda, Chespirito, en la aplicación iHeart Radio, Apple Podcasts, or wherever you stream podcasts.
Welcome to the CINO Show. I'm your host, Cino McFarlane. I'm an addiction specialist. I'm a coach, I'm a translator, and I'm God's middleman. My job is to crack hearts and let the light in and help everyone shift the narrative. I want to help you wake up, and I want to help you get free. Most importantly, I don't want you to feel alone. Listen to the CINO Show every Wednesday on iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.
I'm Andrea Gunning, host of the all-new podcast There and Gone. It's a real-life story of two people who left a crowded Philadelphia bar, walked to their truck, and vanished. A truck and two people just don't disappear. The FBI called it murder for hire. But which victim was the intended target and why? Listen to There and Gone South Street on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. ♪
Hey y'all, Dr. Joy here. I invite you to join me every Wednesday on the Therapy for Black Girls podcast, a weekly chat about mental health and personal development, where my expert guests and I discuss the unique challenges and triumphs faced by Black women through the lens of self-care, pop culture, and building the best version of you. So if you're looking for more ways to incorporate wellness into your life, listen to the Therapy for Black Girls podcast on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.
Ring, ring, ring, ring. May I please speak with Zoe? Oh, hello, Lamorne. Let's patch in Hannah. God, I forgot what it was like working with you guys. Welcome to our show. Welcome to our show.
Day one
Day one. And it feels like you haven't left. Well, he was stalking you a little more. And so that was, that was that, that part of his life. Have we addressed that already? I'm sorry for my tardiness. Um, we haven't addressed anything. Oh,
Oh, you haven't? Well, I want to address two things while we got you here. Well, there's an agenda procedure, but all right. I like to jump right to this. I looked on my cameras one day, my security cameras, and this is for the folks at home who don't know love. Love, like most people,
Drops deuces from time to time. And I go, I check my security camera and,
one day. This is a real story and I have photos to prove it. I feel like you need so much more context. No, no. We will memento this. We will go backwards to clean up the story. But I checked my security cameras. There are porta potties outside of my house. And who is standing there? Now, if I were telling this story, I would try to let the audience know that there are porta potties in front of your house. And why? And
and then maybe say like, I have security cameras pointed outside my house and yeah, but that's me. You know, I love Rockets a really good writer. We should probably listen to him. Yeah. Well, he's going to tell the story in a very sitcom way. I was going to tell it in a very HBO way. That's what I'm doing.
I see. Yeah. Yeah. Um, but anyway, is that elevating? Are you elevating? No, it's just dirtier. It's just got some F-bombs. Like the, like the nineties era. I'm going to tell you. Yeah. I'm going to tell you what I know is that Lamorne sometimes has people who maybe rent out their house for productions. Um,
next door to him or across the street, neighbors. Great establishing fact, I would say. Yeah, and that when you have a production, there's lots of trucks and things, equipment that need to be brought in
And one of those kinds of trailer trucks. Yeah, but there's no shock value. There's no shock value. Well, I might get to the shocks. We need to build suspense first. You can still have shock value, Lamar. Well, one of those things is a porta potty. And Love was working on a show. He was there...
um as a writer producer i'm assuming and um you know overseeing you know all the words that people are saying and he had to go to the bathroom we don't know whether it was one or two only love knows that i think probably only lamorne knows that because he has the time stamps of the of the footage but yeah
Love? Yeah. What was it? Number one or number two? You don't even have to tell me. On a production, it also could be a third option where you're just in there hiding from responsibilities. That's true. That's true. Yeah, I mean... Need a break from people. I think you've got to have a pretty bad set if the porta potty is a step up and it's like a refuge from the set. But...
No, but, you know, listen, I do apologize about dropping the bomb first before I established the setting. Yes, they were filming a TV show. Yes. Your crime is against storytelling, not against me. But the folks out there who tuned out immediately...
Left knowing that one fact. You made this bed and now we all have to lie in it a little bit. Yes, yes, yes, yes, yes. I mean, we could do another intro now if you want. We could. I feel like, hello everyone, welcome to our show. Talking to one of the best producer writers in this whole town. At the beginning of our conversation. New girl questions, maybe.
You guys can't see this, but Love is rocking the smoothest mustache that I've seen him rock. It is a very smooth mustache. This is like Bollywood hero level. Thank you. Oh, yeah. You definitely on a Bollywood poster right now. Right now. With one eyebrow up. And you're showing us that you're the romantic lead.
Yeah. You're giving me time, Sally. You're wooing with some dances. I'm just trying to diversify the bets I'm putting out there in Hollywood. You're just throwing it out there for everybody, ain't you? This is a leftover from my Gomez Adams Halloween costume. Oh, it looks great. Gazal was Morticia, and I thought I would just keep it going for a little while. I was enjoying it.
Yeah, you are giving me Raul Julia right now. Raul Julia vibes, yeah. That's what you look like. That's what I was aiming at. Well, you nailed it. Thank you. You nailed it. Thank you. So you were with us from pretty much the very, very beginning. As soon as there were writers hired, I heard your name from our wonderful Liz Merriweather. I remember her saying that she had gotten this
amazing writer um named love rocke who had been on it's always sunny in philadelphia with my brother-in-law david hornsby um and um so i was you know i remember being like who is this love rocke first of all amazing name yeah and um do you remember the first episode that you wrote yeah
Of course. Of course. In fact, I think as a parting gift, I have two, this little painting right here, not painting, framed piece of work, are two pages from that script that Liz, Brett, and Dave gave me. You know, it's a graduation gift. So that episode was Bell's? Oh, fantastic episode. Ensemble Bell.
The episode I got injured on. One of the many. Yeah, I was like, wait, which? Lamorne was always injuring himself in unconventional ways. I was trying to spice things up. That was like one of those kind of like, you know, wear and tear episodes.
yeah from from practicing bells so much his wrist fun fact fun fact uh both my wrists are still dainty still very injured and i would like to say that bells had something to do with it i think you got a case i think you got a case it's time to get paid time to get paid who are you gonna sue
I don't know. Love. It sounds like me. Love. Love. Your birthborn child. You want another kid, Lamorne? Sure. Yeah. If you pay for a kid. He's cute. He's very cute. He's a cute one. Yeah. He was a shark.
Love, take it all the way back. So how did you connect with Liz, Brett, Dave? How did they convince you to be on a completely untested brand new show? Well, I mean, you know, there's just kind of the straightforward answer is, you know, these things are, you know,
by agents and there's like scripts that are like they send, you know, like someone submits you and they read your script and they're like, all right, we like this guy. We like the script. Let's meet the guy. I met, there was like a first meeting with one of our other producers, Pavan Shetty. Oh yeah, Pavan's awesome. Cleared that bar. Got through that guy.
Yeah, he tried, but he failed. He couldn't stump you. He's like, here's a Rubik's Cube. Solve it. You have five minutes. Here's a port-a-potty. What's it going to be? There's a bomb. And then I met with Liz, Brett, and Dave. It didn't take very much convincing because they screened the pilot, which I think...
is just one of the great comedy pilots of the last 20 years, for sure. I mean, it just kind of, it's pretty electrifying still, I think. And I've gone back to watch it every now and then. It's like, this is just really, really good. You kind of get everyone. It's really funny. It's about something. So, you know, it was a one way convincing. We were kind of like,
At the end of that, we're all mutually convinced and just enjoying each other's company. We're like, you're great, you're great, you're great. One of those types of things. And then the ride began.
And then they gave you bells to write. Area of expertise. How experienced were you at playing the bells since we know that it came from experience? Very experienced. From all of my church. The genesis of that episode was that was going to be
That was like our first, like, let's really do a Winsome story. And the kernel of that one was we want to have a Jess thing that she's really into. And she's like, I want to invite Winsome into this because he seems interested in it. But then he starts to dominate it. And initially that was going to be...
much inferior idea. There's going to be like a TV discussion group that Jess was in for a fake version of Downton Abbey called Crandall Lane. Oh my God, I remember this so well. I remember the original version. Yeah. Because I remember, yeah, because everyone was obsessed with Downton Abbey at that time. I know. Which I still call Downtown Abbey. You know what, Downtown Abbey.
I think the moment we knew that Lamorne was going to call it Downtown Abbey, we're like, I think we should do something more visual. Yeah, exactly.
Cause I know a few downtown Abbeys. Let me tell you. She's downtown and her name's Abbey. Like three and four downtown Abbeys. Yeah. I'll show you my phone. I got a whole set. Short for Abigail. Um, but yeah, that was, what was it called? Crandall lane. Crandall lane. There was going to be a theme song to the tune of purple rain. Um, uh,
But yeah, I don't remember where the bell's detail came from. Somebody wanted to injure Lamorne's wrist. Yeah. It was a list of skills. What's a really heavy instrument that you have to swing? Those things look like they're ready to pop. That's kind of like a light kettlebell. Yeah.
You know, when you first start off as an actor and you put your list of skills at the bottom of your resume, maybe you guys saw my first resume. Handbells definitely was on there. Yeah. Handbells, thinking. What's the most humiliating repetitive stress injury we've had? Puzzles.
Yes. And then you did this one that I just, I feel like, I feel like, did you write like a fair number in season one? I feel like you wrote like four or five. Yeah, they were, they were,
They just kind of kept circling back to my plate. And so, yeah, I did. I did a bunch in season one. You do the 23rd. Is that correct? I did not do the 23rd. But you did the you did the Schmidt's birthday party, though, right? Yes. The story of the 50. Story of the 50. Yeah. Yeah. OK. Did that one. Story of the 50. I literally just watched and it's so funny. Yeah.
And I remember it morphed a fair amount because we had a lot of stuff thrown at us, like the fog.
Yes. That day? Yes. We were shooting on a mountaintop. We were supposed to be able to see all of LA. A lushly decorated mountain we could see for miles. And as soon as we like all truck up there with all of our trucks of various kinds, that's been discussed already. And we're like, God, you guys killed it. This is beautiful, beautiful location. And the set deck is stunning. And I think, I believe the theme was Tuscany, right?
Oh, yeah, that's right. Tuscany. Yeah. Yeah. And then some for, you know, just just curated party. Yes. Right. Right. Right. Which is why the charcuterie makes sense when you hear it later, but not when you don't know. I mean, it makes sense. Of course, people serve that at parties, but.
But it was like, it was all themed in because Jess is, you know, but then it couldn't be Tuscany because we had a thick Marine layer that just rolled in. Right as we started to shoot. Like London fog. Yeah. Like you could barely see like three feet in front of you, let alone like the entire city of LA. Yes. It suddenly was like, oh, this is a student film. Yeah.
Was I in this episode? I did not recall this one. You were in the episode. But what I just realized is I was not in Bells and I was not in the story of the 50. And I remember being so excited hearing that there was an Indian writer that had been hired for the show. And I feel like every episode that you wrote. We were kept apart. We were kept apart. There's too many of us. By our families. By your families. Yeah.
Yeah, it's a real Romeo and Juliet story. If it hadn't been for that, you guys might be married at this point, right? And that's what everyone was talking about on set. That was the crazy thing.
They built their diversity quota. If Hannah and Love would meet, they would fall in love and marry. Of course, yeah. But no, sorry, he's on Bells, so it's not going to happen. Can't have her in it. Write her out. Well, maybe after Bells? No, no, then he's going to do Story of the 50s. Another area of expertise for you, writing just douchebag jokes.
nonstop. Yeah. Is that an easy thing for you? You know, I know, you know, writing for certain characters, some of it comes from inside of you experience, whatever the case may be writing for a character like Schmidt in particular, probably TV's favorite douchebag of all time. Is that, is that something that was easy for you? Is that something that comes from people, you know,
Yeah, real easy. You know, I think, I don't know, I guess I'm friends with a lot of douchebags. You know, that was, that's one of those terms, I guess people just kind of say bros now or I don't know. I don't know what they say. That type has certainly been around forever. Yeah.
Yeah, they don't go away. You think they will and then they won't. They're just like a bad penny. They're just like shark teeth. There's just like the old ones fall out and there's just a million new ones right behind them. There's a new social climber with a vocabulary full of like shortened words. I think honestly like a lot of like it's always sunny type of
maybe not specifically the jokes, but like that aggressive point of view will relent itself to Schmidt jokes. Yeah. And there's just like a fun, like id to Schmidt to, you know, and, and then also, you know, Max just like grabbed such a hold of that character. You could, it was just very clear what a Schmidt joke would be. Yeah. Yeah.
It's funny. I remember being there were certain I think it was like season two where I got the feeling that the writers were really tired because sometimes I would get jokes and I'd be like, this is clearly a Schmidt joke. And then I'd go, I remember calling up Liz and being like, um, you meant this for Schmidt, right? And she was like,
I mean, yeah, maybe. And I was like, yeah, that's a Schmidt joke. Like there'd be like, it's so clear what a Schmidt joke is. Yeah. Liz, you're having me mispronounce potpourri. That's a Schmidt joke.
For those out there who don't know what potpourri is, it can sometimes be used as an air freshener in bathrooms, porta-potties, things of that nature. What is this obsession now? We're just calling it back. Well, you know, we were speaking about the... I've never seen anyone put potpourri in a porta-potty, but... Really? Poopery? Have you heard of poopery? Yeah, but that's not potpourri. This episode is brought to you by poopery. More poopery.
It's just incredible. It's not an obsession, love. I think we might have to get them to sponsor the show and just have Lamorne only do that. Yeah, the No Girl podcast sponsored by Glade. Yeah.
But look, there's a reason why I bring that up because, you know, on that episode, the 23rd, I had a car. Oh, the 23rd. Oh, right. The 23rd. Yeah. Yeah. But yeah. But love has nothing to do with that episode. But we're going to bring it back up. I can tell you what memories it stirs in me. Yes. There was a memory that I wanted to ask if you remember. Did you hear about this? Did it travel back to the writer's room? Well, I actually...
The 23rd, I believe, was season two. And I don't think I was on the show. No, the season one. Season one. Christmas episode. The houses. Yeah. Candy Cane Lane. Candy Cane Lane. So on Candy Cane Lane, Lamorne had an incident. A bit of an incident. An accident. An incident. Explosive. An incident. That's why I was wondering. If you had heard it. But I'm glad the writers hadn't gone back. I guess nobody talked. No one went...
no one went back and reported it. It's okay. Love, can you honestly get off the subject, bro? I mean, I'm hearing explosive. I'm hearing some kind of portable room. Lamorne had a food poisoning or something. Zoe, we've been asking you this whole episode to stop talking about porta-potties. Cause of internal injuries.
He had internal injuries. Love, I had to go really, really bad. That's all. I thought me and you were brothers in that. I love how you're asking love was not on set and didn't write the episode of nine years ago you heard the story of when I had to poop bad on set. This is how we're using our time. Oh, hey, I've been dying to ask you. Did you hear about when I...
Love, you got to stop, man. You got to stop. You're making me blush. Moving on. No, I think the confidentiality of the set protected you until now. Thank goodness. Now everyone knows. And that's what I appreciate about New Girl. We spoke to Malmuth and he was saying how
In a world where TikTok didn't exist yet, las películas no tenían color. The comedy of a genio mexicano crossed borders y conquistó the heart of America. Top Top!
And his catchphrases are part of our culture, but...
Sonoro y iHeart's My Cultura Podcast Network present Nace una leyenda. Chesperito. I'm Felipe Esparza y te llevaré de viaje por la obra del super comediante Chesperito. From his television debut hasta la cima del éxito. ¡Síganme los buenos! Listen to Nace una leyenda. Chesperito. As part of My Cultura Podcast Network en la aplicación iHeart Radio, Apple Podcasts, or wherever you stream podcasts.
Meet the real woman behind the tabloid headlines in a personal podcast that delves into the life of the notorious Tori Spelling, as she takes us through the ups and downs of her sometimes glamorous, sometimes chaotic life and marriage. I don't think he knew how big it would be, how big the life I was given and live is.
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Listen to Dream Sequence on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. I'm Angie Martinez. Check out my podcast where I talk to some of the biggest athletes, musicians, actors in the world. We go beyond the headlines and the soundbites to have real conversations about real life, death, love, and everything in between. This life right here, just finding myself, just relaxation, just not feeling stressed, just not feeling pressed.
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Welcome to Cheaters and Backstabbers. I'm Shadi Diaz. And I'm Kate Robards. And we are New York City stand-up comedians and best friends. And we love a good cheating and backstabbing story.
So this is a series where our guests reveal their most shocking cheating stories. Join us as we learn how to avoid getting our hearts broken or our backs slashed. Listen to Cheaters and Backstabbers on the iHeartRadio app, Apple Podcasts, or wherever you listen to podcasts. Or we told him, Zoe, you told him, right? Yeah, I had heard that Malmuth was like, like really,
really like good at um writing jazz lines was there a character that you felt like you were really like that like you're just like that's like super easy for me like i'm really good at writing like you know winston or cc or jess or schmidt or nick was there somebody or did you feel like you were more of like uh all around uh i think i was all around all around her type yeah
Yeah, I enjoyed them all. I mean, I think it's no secret that we didn't really figure out Winston until later. Oh, interesting. So, you know, I think we were kind of like...
At first you were like, he's really good at stuff. And then when you got to know a little more and you're like, I don't think so. The problem with Winston is that he's so good at everything that it's irritating. And then you're like, oh, no, actually he's just a nerd who loves puzzles and cats. Yeah. That's what it took to, you know, sometimes you got to start a couple of fires and see which one goes. Yeah.
And then I became your favorite to write for. That's amazing. Absolutely. Absolutely. Thank you, man. There's so many avenues to pursue. So you were with us from the beginning to the end. Wait, you took a break though, right? You went off and did another show for a second. Yeah. Yeah. I took, I took, I didn't do season four. Um, and then I wasn't a part of the last season either.
And then I guess also at the beginning of season two, I was very intermittent presence. What was going on with you, man? You were on It's So Sunny 2 at the same time, right? Because they were on like a different schedule because they were like a cable show. So you were able to do both. But yeah, we missed you a little bit in there. I was a little in and out. Where did you go season four? Season four, I...
I was, uh, I'm trying to think of the most succinct way to tell the story, but basically, um, I, I know where you went. We, I was, I had created a show with the sunny guys for Tracy Morgan. Oh, yeah. And, um, but, but, you know, that's when his accident happened. Oh my God. So it was, you know, very, very sad. And, um,
Just an awful accident. And then one of the less important outcomes of that was, you know, that that show was kind of put on ice for a little while, but then eventually resurrected under different people or a different network. And it's it's the show The Last O.G., which is still on. I love that show. I love Tracy Morgan. So I get why you left us.
And it's always sunny. People are absolutely amazing. So I understand. But we missed you. I came running back. And you came back. You came back. We were like, and we came, we were like open arms. Yeah.
I noticed that when you left, our ratings kept dropping. Yeah, it was weird. Our ratings dropped and they were like, we need more love. We need this guy who likes to write for all of them. Yeah. This master of all trades. Do you have a standout episode for you that was the most challenging to write? Yeah, I think it was also the best episode. Don't say best. Jess and Julia.
Oh, I love that episode. That one was... I can't wait to talk about that episode. Let's talk about it. I mean, that was...
That was inspired by like real stuff that was going on at the time. Yes. We were kind of, go ahead. Sorry. No, no, you go ahead. You go ahead. Cause I want to hear from your, well, I mean, you know, the, the show was a big breakout hit. Uh, but there were, was like a lot of conversation about like where, what the Jess character meant for feminism, right?
And so, you know, like we usually I think it's best practice to not read too much about like what people are saying about a show. But it was kind of unignorable. And we were like, let's take this head on. Yeah. And we don't I mean, I think.
A lot of the criticism was like ended up kind of being directed at me personally, Zoe, you know, and it was kind of interesting because I think it actually that episode allowed like us as a show to make a very good point, which is something I've kind of like always been saying is like, why do you care what I like? You know, like, why do you care if I like?
you know, to craft or, you know, that I like things that are traditionally associated like with, you know, like I'm not saying that girls should like pink and purple and sparkles, but just because I like something like that means nothing in terms of like, you know,
you know, who I am, you know, as a, you know, that doesn't mean that I can't be a feminist. Why, why I be strong and like those things. Just like, this is the, I like Iraq. I rock a lot of polka dots, right? Yes, exactly. And, and I loved how you guys tackled it because it was, it was, it kind of, cause the Julia character is a great character and she's totally cool and awesome. And then, you know, the fact that Julia kind of misunderstands Jess, um,
And that Jess has the opportunity to, in a very like articulate way, say, you know, her piece. I thought that was just such a great and it was such a great way that it was, you know, done, too. It was just.
Yeah, and if you recall, I mean, that was an episode that I co-wrote with Liz. Yes, and Liz was very fired up about the whole thing, which was fantastic. And honestly, I think what you're talking about is definitely one of the core elements of the episode. But I think the reason that it landed is that it was in this story that
was, it was really like, you know, you always want a show. It's great for, you don't have to have it, but it's great for a show to have some kind of thesis statement of like, here's what I, here's what I see in the world. This is so, you know, Liz's thesis statement with New Girl was always about like, here's how I see modern gender roles.
And I think what was really cool about that episode was that like that conversation about feminism was a part of a story where.
the characters were all kind of posturing and dealing with like the demands of traditional general gender roles and struggling with that. So Julia, who was, you know, a lawyer and kind of thought of herself as a certain kind played brilliantly by Lizzie Kaplan, Lizzie Kaplan, you know, was, was,
In addition to kind of having a judgment about a certain style of clothing or presentation or whatever,
also had a spillover judgment that she hadn't thought about about emotionality. And so she was very guarded. And she was like, Nick says to Jess, yeah, we don't do the labels thing. And Jess, with her emotional intelligence, can see through that. And then turns out to be right, especially when
Anyway, I feel like I'm getting a little... No, no, get in. I want to hear this. No, no, no. It's so good. Yeah, because I don't remember it. Well, you know, Jess and Julia had... If you watch it again, it's like the characters all have... The scope of the episode, I can't believe it was all jammed into one episode. It feels like a movie because... Yeah. Lamorne, that was like your... I believe that was your Shelby episode. Yeah.
I believe that was the beginning of that. Was it really? I think so. Shelby, Callie Hawk. Callie Hawk. Wonderful Callie Hawk. Yeah, this is where this is like, you know, Winston was like, you know, too cocky with her and has to kind of be brought down a peg. But I think that was the same episode, which is kind of like,
That's a lot of story. We said a lot in 21 minutes, 35 seconds. Is that also the ribbon hat episode? Yeah. Yeah. Oh, yeah. Yeah, yeah. Exactly. That was the childhood of having your girls back. Well, that's kind of like, I think what was really like the legs on that episode that, you know, like Julia was like a kind of person who was kind of,
you know, suspicious of a certain way of carrying yourself as a woman, but also had these liabilities and kind of, you know, she didn't have female friendships and maybe had, you know, some suspicion about that. And it was great that Jess, like not only in a, you know, could we could like show her having great female friendships, you know, supportive and,
and kind of really engaging with each other. And that was like enticing and inviting to Julian. Like the best, best moment for me for that episode is after like the big confrontation between Jess and Julia at the courthouse that Julia comes to apologize to Jess and then sees that she's with her girlfriends. It feels like, oh, that might be like hostile behavior.
energy and then just it's like no come in and I was like that was that and that was written by Kim Rosenstock that scene um and it was great yeah yeah Kim Rosenstock great another great writer that we had on on the show um yeah I I I really love that episode what a what a definitely mini movie there there are a lot of episodes on New Girl that I would call like mini movies um
And that is definitely one of them. Well, you know, I also think that like we, I think, you know, in the initial sort of like, ah, what are we doing? We're,
Where I think, you know, we kind of everyone burned themselves out running at that high gear for so long. But you kind of make some unconventional choices that that do that are that expect more of the audience. Like if you talk about like the introduction of the Julia character.
She was introduced in a way that you never would have done in latter seasons. You just kind of drop the audience into the fact that like Nick has been dating someone and has not brought her around. And that's the first that's the first that the audience even hears about her. I thought I'd missed a scene.
Like, I thought I'd missed a scene when I watched that episode. I liked the way it happened. Yeah, because it's kind of like, oh, they have this thing established. And also, I think Jake already knew Lizzie. So they kind of had a rapport that felt familiar anyway. You know, maybe they'd worked together or they, you know, just knew each other. And so, like, I felt like the scene, the first scene you see them together in the story of the 50, they...
They, you know, they feel like they they their people have been on a few dates and they're they have a rapport. And I think what was also great about that drop into was that it made you feel like how Winston and Jess and everybody else must have felt, which is like, wait a minute. I know these people intimately. I watch this show. I know these characters like who's that?
Yeah. Right. And you got to have the same feeling as the other characters when they're just like, why aren't you bringing her around? You embarrassed. It's like, why didn't I know about this? Yeah. And he was like, yeah, I am. Yeah. Yes. Very much. But it's also, I think it's more real for the audience, you know, like, look, like there is a presentational style to TV and especially half hour TV. And you're kind of like, you know, that sort of stuff is rare on network TV.
But, you know, that was such a different era 10 years ago, you know, and I think some of the audience is therefore of like, yeah, we're like willing to be a little more immersed in.
And we appreciate it when the story is like giving me credit and trying to feel real instead of just being like, hey, here's the information you need to understand the episode. Ready? Go. Yeah. Yeah.
I prefer to see, you know, even in a sitcom, you have to like, you know, lay out some exposition. But the more creative you can be in giving the exposition, the better. And also the less, the better. And I definitely think there was a real effort made to kind of avoid like those like very conventional ways of like giving people exposition.
details backstory right like a powerpoint yeah speaking of non-conventional ways to tell stories you're working on a show now uh called dave love dave yeah love dave great show thanks guys that is that is a pretty you guys don't already watch it do yourself a favor run don't walk
don't well I mean you don't have to run you can probably do your couch that can get pretty dangerous you can make it run to you make it run to you I mean it's streaming everywhere back to fingers on the remote yeah
stream it stream it get use those the stream yeah use those nintendo fingers does nintendo still exist can we just talk about this for one second because it was the way you knew you're on a huge sound stage there's so many people so many corners but you always knew if love was on set
because he's got the most easily identifiable laugh you've ever heard. And you would always hear it. And for me, it was always like the best feeling because you're like, oh, that's here. It's a jolly and delightful laugh. Or if the lights are off and you're watching one of those Conjuring type films, it could also be considered a scary laugh.
Yeah. Sorry, Dave. We're talking about Dave. I ruined a lot of takes with that laugh. It cannot be muffled. Yeah. I got to say, like, I loved it when takes were ruined because of laughing because I'm like, this means we got something going on here, you know?
I remember the first season seeing the boom shaking and looking over and our boom operator was laughing so hard they could barely keep the boom still. Well, let's talk about Dave for a second. Yeah, let's talk about Dave. We love this show. I'd love to talk about Dave. How did you find your way to Dave? You know, it's the same old boring story that my agent was like, do you know about Lil Dicky? And I was like...
I know I'm old now. And he's like, let me, let me tell you. And, you know, Dave Bird, AKA Lil Dicky has been kind of making videos, like just these insanely viral, super funny, but like great music. Also videos for several years. And yeah,
And so I was like, wow, yeah, I definitely got to meet this guy. And so, you know, we started making the show. And I think the big surprise on Dave was just like the level of emotionality. I mean, I, you know, you just first season of the show, you just really, you have a pilot, you know, which is.
tells you a lot, but, but then you have a lot to figure out. Um, and you don't always know, like, you know, whenever, I mean, you guys all know this, like, you know, when you like go to pitch a show, you like pretend like you like have the whole thing mapped out. I've got it, but I'm not going to tell you yet. Here's what's going to happen. Yeah. Episode four is going to end on, and then, you know, everyone talks about like when your show actually, if you, you know,
I don't even know if they make pilots these days or it's just straight to series, which seems even more daunting. But then you're like, all right, I have...
to actually do this now. And you don't know, you have to, you have to feel it out. Always straight to series with me. Always straight. Yeah. With Lamorne, it's different than the rest. Well, yeah. Green light, green light Morris. That's what they call him. Go, go, go. Thanks. Thanks for saying that means a lot.
They just have a bank account ready that's just full of money for Lamorne. Should we break it? Yeah. Real gold. Real gold. Yeah, real gold. What is that? It's actually full of... It's not a bank account. It's like...
Scrooge McDuck. Lamorne's holding a... Gold coin swimming pool. Yeah. Oh, yeah. Lamorne is holding an award. I don't know what it is, but it's definitely real gold. What is it? It's the Rose D'Or Award for comedy. Oh, for comedy? Yay!
For unintentional comedy. For woke. Which is also on Hulu with Dave. Now back to you. Get your Hulu subscriptions going. Get it in order, guys. Don't let that lapse. Don't let it lapse. Make sure it's up to date so you can watch all of Woke and all of Dave.
Because there's some people who are talented behind these shows. I have to just share with you, love, because I don't know if we've ever talked about it since it happened. One of my favorite love moments on set. Also goes to show why representation matters on set. But we were shooting the episode where Schmidt has broken his penis. And he's coming to meet my grandmother. Mm-hmm.
And we were just like hanging out at Video Village, kicking it. And we're like, who did you get to play with the grandmother? And they were sort of like, we're still looking. We're still looking. Anyway, and I'll never forget. It was I think it was Liz sitting there with a bunch of people. Do you remember this? And they were like, oh, yeah, we we just found someone. She's super great. She's gonna be great. She's flying out here from New York.
Her name is Mad Matter. And both you and I in unison went, you're not going to say Mother Joffrey, are you? There's no way. You can't have Mother Joffrey. And we both had these meltdowns and had to fully deep dive into what a legend of a woman she is. And I remember being emotional and I could not believe that she was going to come and pull.
Liz, this woman is going to have a masterclass in six years about Indian cooking. You don't understand. She's the queen. She's our Julia Childs. I was like, what is happening? And then it dawned on me, and I remember looking at you as like, I'm going to meet this woman that I have known and loved my whole life from afar, and I have to sit at a table with her and talk about a broken dickhead.
See, that's the thing. That's the thing. There's always a catch. You know what I mean? There's always a catch. It's like a deal with the devil. Yeah, exactly. It's like they're like, we're going to get your hero here. And, you know, yeah, you can ask her questions about, you know, whatever you want. But once the camera's rolling, you're going to have to talk to her about a broken day. Yeah.
And I remember feeling so, you know, when you're like in and out of your body at the same time, like I was in the scene, but I'm also like, here I am sitting with mother Joffrey. This is amazing. I don't believe this. I don't believe it. They're making me do it.
And I remember, I guess that's where Schmidt's character learns that being emotional, like turns him on. And it's very painful because he's in a cast. So we had to make these noises.
of excruciating pain of realizing he was in love. And it's Max. And I'll never forget. I was so in and out of the scene. I'm looking at her and I have this insane wildebeest next to me making these crazy sounds in front of this woman that I'm trying to be respectful within our culture, especially to be like, she's this woman. I just want to, you know, I'm trying to like hold myself to this high regard and
Anyway, it was one of those. I remember laughing so hard because I was so uncomfortable and nervous. And he was so funny that I cried all my makeup off, all my lashes off. I crawled under the table to try to compose myself during the scene. Do you guys want to give a quick bio of Maude there, Joffrey? It's so
so that everybody... Yeah. To enlighten anybody who doesn't know. Her... She's a legend. She's a legend. She's double threat. I'm sure she has many other threats, but she's at like a world-class level with two things. She's an actor, but as Hannah was saying, she's also like the Julia Child of Indian cooking, especially it's like the most recognizable ambassador to the Western world. So, you know, even like in the...
I don't know when she started, but certainly as early as the 80s was kind of like, here's Indian cooking and I want to bring it to the West. And an iconic film star. I mean, she's just absolutely... She's incredible. And her daughter, Sakina Jeffrey, is also this incredible actress. And there wasn't... There's not a lot of us out there that were kind of breaking through. There's a lot of us out there, but...
Just not a lot of us. The breaking through part. The breaking through. But it was a huge moment. And I just remember you and I locking eyes and like you getting it. And then that was just like a really great moment for me. Well, I don't know if you remember, but my parents were there for that scene. They had come to visit. Oh, my gosh. Were they so excited? They were so excited. But broken dick? But this exact same and like the exact same feelings you're talking about. It was like...
you know how I pay my bills? Like this is, let me, let me, let me set the scene for you. What do you need to know in order to understand this scene? Uh,
His dick broke. He broke his dick from violent sex. I mean, you guys are familiar with this, right? This is a thing, right? This is a thing. Everybody knows about this. And he's going to get a huge erection in this scene. Yeah. But don't worry, it's covered by a cast. It's going to be painful. He's going to make a lot of noises. And the noises are going to interrupt a lovely scene. Yeah. Yeah.
So that was where my parents, like as soon as, as soon as they started shooting, they both were like, did their personalities like so perfectly to a T my mom was like,
immediately starts pitching lines and he's like what if like Schmidt said like this and then my dad shushes her and demonstrates like a knowledge of coverage that I had no idea he knew he was like it's not C.C. Stern right it's not Schmidt Stern right now it's C.C. Stern the camera will be on Schmidt later laughing
And then Kim Rosenstock was there who had just started, like, you know, still pretty early in her. And she was like, oh, like, that's coverage. Tell me more. That's amazing. Right or.
Writer, director's in your blood. Yeah. I was typing in Mother Joffrey because I was going to give a profound explanation of who she was. However, I'm... But there's too much. Yeah, well... Biography's too long. Well, yeah, I misspelled her name and then Circe Lannister came up, Mother of Joffrey. And you said...
and then you went down a wikipedia hole while we were all talking i'm big game of thrones fans so you know i'm glad you brought that up mother of joffrey yes oh my goodness
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to our show. Speaking of unruly children, love, since you were there from day one almost to the very end. Uh-oh, who's this about? No, just the evolution of the show. I mean, very few people get to sit on something for, you know, years and years and years and watch this show kind of grow. I don't know. Talk to us a little bit about that. Just a little bit about watching the show, the story, the characters. Yeah. Um...
you always have like a couple of engines in the show that, I mean, that's like a clinical way of talking about it, but like a basic tension, you know? And I think with our show and other kind of friends type shows, like one of them is just like, what, you know, like how, you know, how are, where are these characters going to end up and how are they going to,
kind of transition, how are they going to make the transition from like friend life to family life is kind of like the basic journey. And certainly is the journey that we took our characters on. So that was like really gratifying. I mean, I don't know about you guys, but I think like between us and like the,
I don't know, like Brooklyn Nine-Nine. I don't know if we're going to see any more like 22 episode shows go for that long. Right. So, and I think that there's something that's like very immersive about it. You know, again, I always like,
reach for these like Ted talk type words. And all I mean is that like, you know, the audience has really like loves the characters and feels like they know them and they're, they're real and you have just spent so much time with them. So you can kind of, you just get really invested in that journey. And then you have like a couple of little signposts along the way. Like I thought Max made a really great point when, so, um,
And it was a kind of a last second idea for the Schmidt and Cece wedding that the douchebag jar be broken during the wedding ceremony. And and he was like, in a way that.
I don't, I'm not trying to cast aspersions on Max to be so surprised at such a pointed observation from him. It was just like, it's the strength of the observation. He was just like, well, this is the end of the Schmidt character story.
Like that was like, you know, the douchebag jar is like what you see in the pilot. Like this is this character's issue. He like has a heart of gold, but you know, for whatever reasons and you know, his own journey that he's been on can't control it. And when he finally conquers that, like that's the end of his story. And, you know, I mean, I think that there's still, there was still a little bit more story to be told about,
But that's also true. That was the main journey that that character was on. And when you end that, you end that journey. And you try to come up with other ones. And there have been overlapping ones. And his story with his own family obviously is a source of that as well. But I was just really...
Impressed. And just kind of dumbstruck by that observation. It's really true. So it was great to see. And then with Jess, I would be curious to know how you feel about this, Zoe. Of Jess's career stories. I feel like...
That would be one that I kind of want back a little bit because I think we fell prey to this like very American idea of like, oh, you got to climb the ladder. And somehow that resulted in like just like wanting to be an administrator and was a little bit like.
I thought we kind of like got up a tree on that because it's like, is that that exciting? Like, you know, visually, comedically? I don't know. What do you think about that? That's interesting. I hadn't actually thought of it that way. I mean, I felt it more as a comment on Jess's
still trying to find herself in in a professional setting that like that she's kind of constantly searching she's like like a middle school teacher then she teaches adults and then she's you know administrator and she kind of like switches around a lot um i kind of took it more from that perspective and then i did like the contrast you know um
Because Jess is such a teacher. And then, you know, I did like the contrast of her kind of being a little out of place as a principal. That she's kind of like a kid in a lot of ways. And what happens when you have this character that's kind of a bit...
you know, is very young at heart and then they're having to do a very grown up job. Yeah. That's true. But, you know, I, I, I could see that. But, but from my perspective, I, I didn't, it didn't bother me. I thought it was just like, you know, those, those shifts, you know, where she's looking for a job, like those, those kind of, those kind of moments, you know, or those kind of like arcs were really, um,
And, you know, kind of created a lot of good episodes, too, just like where she's just in between jobs and. Totally, totally. And I think like, you know, the show obviously is tethered to the idea of like is is just going to find happiness, you know. And so that's definitely like, you know, like finding that satisfaction in that part of your life is part of it.
But, you know, that was fun to tell like a sprawling story about, you know, where you just spend so much years with this character and like and, you know, get to that happy ending. And then I think with, you know, like I think I think with I think that was kind of ultimately the
I don't know. That's kind of like ultimately the journey for all the characters and probably for like every character ever, especially like in half hour TV. And it's like something that's like, you know, when you're like, when you try to pitch it, they're like, what's the exciting, crazy thing that it's about? And it's like,
I can kind of do that like song and dance of like, yeah, it's about this. And, and definitely like this show was like through, through Liz's lens. And that's what was like exciting and interesting about it. But ultimately the concept of what the characters are, are pursuing is, I mean, it's universal, but it sounds banal to say, well,
they're pursuing happiness, but you know, like it's, it's in the specifics of the execution and like, are like, you know, you're going to blush, but like our absolutely brilliant cast, like just bringing these characters to life. Um, and in like such specific ways and like, that's what you're going for. And our amazing writers. Well, there were a lot. So, uh, you know, but, uh,
But, you know, it's like when you say it on paper, it sounds so stupid and obvious. But sometimes that's life.
It's interesting, too, I feel like, because we did it for so long. Well said. Thank you, love. Very kind words. There's something, too, I felt at least, was that because we had so much time with the characters. And, you know, all the writers were in the same age group-ish as the cast was and the producers and everything.
Again, we spent too much time together that it was everybody kind of went from like dating and then having families and organically as was happening on the show was also happening in our real lives. And there was that really like those nice moments. And then there was a little bear. Yeah.
Of art imitating life. And that must have felt cool to us, a writer to be like, Oh, I can naturally and authentically write about this. Yeah. And Finklin Barrow, like we've been waiting. Thank you. Somebody have a baby on this show. Wait, I said, the more, do you want to set up our, our last question that we ask? Yes, indeed. I do. So love, um,
This is a little segment of our show, which we call Nick's Box. And this is the part of the show where we crawl into the back of Nick's closet and pull out memories that the cast and crew of New Girl have kept hidden for years. So, love, Rocky. What's your favorite memory from your time there?
working on New Girl. And please do not say the time that I had the bubble guts in the Christmas episode. He doesn't even know about it! I swear he knew about it. I swear he does. I think the thing that I've already said on the record is not even a memory of mine could not be my favorite memory. Man, I mean...
There's just so much, you know, I mean, New Girl is like working on the show was such an all encompassing thing. You know, you like that's, you know, like some of my closest friends are, you know, the writers on that show to this day. So it's like there's like life memories. There's like professional memories and like, you know, like there was like.
And there's like, there's memories of like insane hardship, like the, like the Jess and Julia episode, which I think is like our best episode.
I had to stay at the office from like Monday morning to Wednesday afternoon. I literally did not go home for 48 hours. My God. And at one point, was that the week before, was that after table read and then, or was that dirt while we were shooting it? No, that was, that was the table week. So like it was, you know, the table, the table read was Tuesday and you know, we had to push, uh,
the table to Wednesday, but like, you know, we were like, I remember like Monday night, like, you know, Finkel and Baron Liz had already been habitually sleeping at the office. We had some very hardworking writers who were, who were sleeping in the office because they were too tired to drive home. I know. I mean, especially now with the way that people are talking about, you know, what level of hard work is required to make, um,
TV. It looks a lot different, but you know, it was just like, you have this like sense of mission. And so literally like that Monday night, I was like, well, I like, I don't know. It was the Tuesday where, you know, we'd kind of like finally assembled, like, you know, Liz sent in like her part of the story and we like put the whole thing together. And there was like a little bit of time off, but
But it was like from like 5 p.m. to 8 p.m. And we're at the Fox lot and I like live on the east side. So it's like I can't I would love to go home and take a shower, but I can't. So I guess I will just take a shower at the Fox gym and go to the gap at the Century City Mall and like buy new underwear and socks. Yeah.
And like, as I was heading out... And like, get a burrito and come back?
As I was heading out, I was like, does anyone want anything from the Gap? And Finkel was like, can you get me some jeans? I was like, that was a fake offer. I don't like jeans. I thought maybe some socks, but it's really hard to buy you jeans. All right. What's your size? Yeah. And so I bought Finkel some jeans at the Gap with my time off.
So that was a memory. I just feel like on that break, the errands, the clothes shopping, you could have went home. Could have gone. But then you're just in the car. I would barely make it back on time. You'd go there, have a glass of water, turn back in the car. Yeah. I guess that makes sense. The man needed some fresh undies. I would have done it if I could. I wasn't like...
Let me not like look at that option carefully. I was like, I'm hoping that there's a way that it makes sense. And I was like, it just doesn't. But you know, there were, there were, you know, the table read that I really loved was a parking spot. Oh, that was a good episode. That was really, really fun. And it also was like, you know, when you,
So you have these bullets like the douchebag jar, you have all of this romantic tension between Nick and Jess. And when you, and you want to fire those bullets carefully, but you've got to fire them at some point. So we fired that one. And then you're nervous. Cause you're like, what, like, what do we have when we don't have that tension anymore? So it was like really gratifying that, you know, that that episode was clicking. And that was another one that we kind of like wrote by the seat of our pants and
And then there were other like, you know, when I wasn't there for the last season, I thought I was like, I just love the finale so much. And it was like watching it as like an audience member. And it was so good.
Perfect. I mean, I just I really was like, you know, like to take like the true American motif and like translate that into like all these characters, like having a family life, still all being together. What more do you want?
Oh my God. What a perfect ending to this episode. Look at you. You're a joy and a delight. As are you. We miss you. And a love. And a love. And a dad. Will I be seeing you near my home? Yeah, are you going to hang out in a port-a-potty outside the warm town? Circle it back, Lamorne. Circle it back. That house that we shot in was where we had so many COVID shutdowns this fall. And we had...
So we will never, never go back to that house. It's like a hazmat situation. Oh, yeah. Yeah. That's a shooting in a crack house. Get your budget higher. For the record, Lamorne lives in a very nice home. Yeah, but the house across the street, not so much. Yeah, we weren't shooting on this side.
Lamorne's got a nice amount of curb space so we can park all sorts of stuff. Porta parties. Right in front of his house. In front of his house, yeah. And he has all sorts of cameras to watch you. Yeah.
The bad part about this whole scenario is we can just drop it because you guys keep talking about it. And honestly, it's annoying. It's stupid. But they bring these forms to fill out and say, hey, can we shoot in front of your house? And I'm thinking, OK, have a nice house. Yeah, you guys can use that part if you want to. I'm not asking for any money. Great. And some neighbors ask for money. I said, no, it's just fine. Just shoot your show.
And you put the goddamn porta potties in front of my house. I was so offended and upset. You got to teach people how to treat you, Lamar. I know. I want 25 buckaroo. Yeah. Cash money. Yeah. Cash. Cash money. We love you. Thank you so much for coming and sharing all your incredible memories. That was so fun. So fun. You're the best. Yes.
Yes. You're the best, man. You're the best. Please come back another time. We can talk some more and more specifics about some of the episodes. All right, man. All right. Thanks love. You've been listening to welcome to our show, a new girl recap podcast.
Welcome to Our Show is a production of iHeartRadio, hosted by Zooey Deschanel, Lamorne Morris, and Hannah Simone. Our executive producer is Joelle Monique. Our engineer and editor is Daniel Goodman. The Welcome to Our Show theme song was written by Zooey Deschanel, performed and produced by Zooey Deschanel and Pierre Derrida. Follow us on Instagram at Welcome to Our Show Pod. If you have a question you'd like us to answer, you can email us at Welcome to Our Show Podcast at gmail.com.
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In a world where TikTok didn't exist yet, las películas no tenían color. The comedy of a genio mexicano crossed borders y conquistó the heart of America. Sonoro y Our Hearts, my cultural podcast network present Nace una leyenda. Chespirito. No faltaban con mi hasta.
How did a Mexican writer become a symbol of global television? Listen to Nacional Leyenda, Chespirito, en la aplicación iHeart Radio, Apple Podcasts, or wherever you stream podcasts.
Welcome to the CINO Show. I'm your host, Cino McFarlane. I'm an addiction specialist. I'm a coach. I'm a translator. And I'm God's middleman. My job is to crack hearts and let the light in and help everyone shift the narrative. I want to help you wake up and I want to help you get free. Most importantly, I don't want you to feel alone. Listen to the CINO Show every Wednesday on iHeart Radio app, Apple Podcasts, or wherever you get your podcasts.
I'm Andrea Gunning, host of the all-new podcast There and Gone. It's a real-life story of two people who left a crowded Philadelphia bar, walked to their truck, and vanished. A truck and two people just don't disappear. The FBI called it murder for hire. But which victim was the intended target and why? Listen to There and Gone South Street on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. ♪