cover of episode Canistrumology (BASKET WEAVING. YES, BASKET WEAVING) with James C. Bamba

Canistrumology (BASKET WEAVING. YES, BASKET WEAVING) with James C. Bamba

2024/11/20
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Ologies with Alie Ward

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James Bamba: 我出生在英国苏格兰,但我的根在关岛(Guahan),我从小就对查莫罗文化产生了浓厚的兴趣。在十几岁的时候,我开始学习传统的查莫罗编织技艺,这门技艺不仅是制作物品的手艺,更是一种文化传承和自我认同的方式。我的叔叔教会了我编织,他的教学方法是典型的查莫罗传统方式——注重观察和实践,而不是直接的指导。这种方式虽然一开始让我感到沮丧,但最终却培养了我敏锐的观察力和精益求精的精神。几十年来,我一直致力于学习和传承查莫罗编织技艺,并通过制作在线教程等方式,将这门技艺分享给更多的人。我使用的主要材料是露兜树叶和椰子叶,这些材料的采集、处理和使用都蕴含着丰富的传统知识和文化内涵。在编织的过程中,我常常会进行深入的思考,这不仅仅是技术层面的思考,更是对文化、历史和自然的思考。我制作的物品种类繁多,从精巧的微型雕塑到实用的生活用品,都体现了查莫罗编织技艺的独特魅力。面对气候变化等挑战,我意识到保护传统植物资源的重要性,并积极参与到相关的保护工作中。 Allie Ward: 作为一名播客主持人,我有幸采访了James Bamba,一位世界知名的查莫罗编织艺术家。通过这次访谈,我深入了解了查莫罗编织技艺的独特之处,以及这门技艺所面临的挑战。James Bamba的经历和观点,让我对传统技艺的传承与发展有了更深刻的认识。他独特的教学方法,以及他对传统技艺的热爱和坚持,都值得我们学习和敬佩。同时,我也意识到,保护传统技艺需要我们共同努力,不仅要传承技艺本身,更要保护相关的植物资源和文化环境。

Deep Dive

Key Insights

Why did James C. Bamba start weaving baskets?

James was introduced to basket weaving by his uncle, who made a coconut leaf basket for his grandmother as a get-well gift. The beauty of the basket intrigued James, leading him to learn the craft from his uncle.

How does James C. Bamba describe the traditional Chamorro teaching method?

James describes traditional Chamorro teaching as hands-off and observational, where the teacher demonstrates without much explanation, expecting the student to figure out the details through observation and practice.

What challenges does James C. Bamba face in his weaving practice?

James faces challenges such as people questioning his techniques, doubting the value of his work, and the decline of natural materials due to climate change.

How does James C. Bamba feel about non-Indigenous people learning traditional weaving techniques?

James believes that if a practitioner accepts a non-Indigenous person as a student, it is their prerogative to teach. He emphasizes the importance of intentions and respect for the craft.

What materials does James C. Bamba primarily use for his weaving?

James primarily uses pandanus leaves (aggek) and coconut leaves, though he has also experimented with bamboo and certain vines.

How does James C. Bamba prepare coconut leaves for weaving?

James selects different parts of the coconut tree for different uses, with younger leaves (bina) being softer and better for finer work and older leaves being stiffer for structural purposes. He also treats the leaves by wilting them in the sun and drying them to achieve the desired pliability.

What is James C. Bamba's favorite part about weaving?

James's favorite part about weaving is seeing his students and apprentices excel and innovate with the techniques they learn from him, as it helps continue the tradition and brings him great pride.

How does James C. Bamba address the issue of underwater basket weaving?

James clarifies that underwater basket weaving is a myth and not a real practice. He finds it frustrating when people joke about it, as it belittles the skill and effort involved in traditional weaving.

What impact does climate change have on James C. Bamba's weaving materials?

Climate change affects the availability of weaving materials like pandanus and coconut leaves, as rising tides are shrinking coastlines and changing the habitats where these plants grow.

How does James C. Bamba make his baskets watertight?

James makes his baskets watertight by sizing the leaves, weaving them tightly at a precise angle, and allowing the leaves to wilt and dry out partially before retightening the weave. The natural swelling of the leaves when wet further seals the gaps.

Chapters
James Bamba recounts his journey of connecting with his Chamorro heritage through weaving, starting with his introduction to the craft by his uncle and the challenging yet rewarding learning process.
  • James was born in Scotland and moved around due to his father's military service.
  • He first learned about weaving from his uncle, who made a basket for his grandmother.
  • Traditional Chamorro teaching methods are hands-off and focus on observation and trial and error.

Shownotes Transcript

 

Thorny leaves! Embarrassing imports! Basket gossip! Making cool stuff from invasive vines! Renowned weaver and teacher, James C. Bamba, connected more deeply with his Mariana Island heritage through weaving and shares how you know when plant fiber is ready, the anatomy of a coconut tree, how to look a gift basket in the mouth, the baskets that he cherishes the most, how to design with your mind, what he thinks about when he’s weaving, basket jokes he hates the most, and when learning another culture’s craft is appropriate or appropriation. 

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A donation went to Sagan Kotturan Chamoru)

More episode sources and links)

Smologies (short, classroom-safe) episodes)

Other episodes you may enjoy: Ethnoecology (ETHNOBOTANY/NATIVE PLANTS)), Dendrology (TREES)), Indigenous Fashionology (NATIVE CLOTHING)), Indigenous Cuisinology (NATIVE COOKING)), Indigenous Pedology (SOIL SCIENCE)), Heliology (THE SUN/ECLIPSES)), Neuroendocrinology (SEX & GENDER)), Ergopathology (BURNOUT)), Corvid Thanatology (CROW FUNERALS))

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