The world stopped because Notre Dame is a symbol that transcends religious and national boundaries. It has been a central part of Paris and French history for almost 900 years, witnessing significant events and embodying the nation's heritage and identity. Its destruction would have been a loss not just for France but for people around the world who see it as a cultural and historical landmark.
Victor Hugo wrote about Notre Dame to lament its state of disrepair and to highlight its importance to France. He saw the cathedral as a symbol of the nation's heritage and strength, and his book helped inspire a movement to restore it in the 19th century.
The French government decided to restore Notre Dame as it was because of the historical and cultural significance of the building. Prominent French architects and public opinion persuaded them to maintain the cathedral's original form, rather than use the disaster as an opportunity for modernist redesigns.
The restoration was completed on time and on budget due to the military-like organization led by General Georgelin, who ran the project with strict discipline and secrecy. The project also benefited from detailed pre-fire documentation and the dedication of skilled workers who used traditional techniques to ensure faithful reconstruction.
The workers felt a sense of mission and pride because they were working on a project that was larger than themselves and had deep historical and cultural significance. They were part of a collective effort to preserve a national treasure and were able to contribute to a project that would last for generations.
The restoration team used ancient techniques and materials to ensure the most faithful and durable reconstruction. By matching the original medieval methods, they aimed to preserve the historical integrity of the building and ensure its longevity, as the original beams had lasted for 800 years.
Digital mapping was used to create an exact blueprint of the cathedral's structure, ensuring precise reconstruction. Sound reproduction was important because the acoustics of the building are part of its character. By reproducing the sound, the restoration team aimed to bring back the full sensory experience of the cathedral.
The restoration represented a collective effort that brought people together and gave them a sense of community and shared purpose. It was a sign of hope and human progress, showing that we are capable of preserving and reviving significant cultural landmarks, even in times of division and uncertainty.
On Sunday, after a fire that many feared would destroy it, and a swift renovation that defied all predictions, the Cathedral of Notre-Dame reopened to the public.
Michael Kimmelman, the chief architecture critic at The Times, tells the story of the miracle on the Seine.
Guest: Michael Kimmelman), the architecture critic of The New York Times and the founder and editor-at-large of Headway).
Background reading:
For more information on today’s episode, visit nytimes.com/thedaily). Transcripts of each episode will be made available by the next workday.
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts) or on Apple Podcasts and Spotify.