cover of episode Vol.002自我民族志 | 异性恋霸权的凝视

Vol.002自我民族志 | 异性恋霸权的凝视

2024/10/7
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祛魅研究所

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主讲人: 在观看电影《法老》片段时,感受到的并非简单的男性凝视,而是异性恋霸权的凝视。这种凝视将女性物化,作为性资源和性欲课题,强迫观众参与其中,令人感到恶心、愤怒和冒犯。这种凝视并非只存在于电影中,在日常生活中也无处不在,例如直男之间分享色情图片的行为。 与性少数朋友的讨论中,发现直男朋友将拒绝观看色情图片的行为解读为‘被尬了’或‘不好用了’,反映出一种将性欲勃勃与男性阳刚气质挂钩的文化现象。这种文化将性欲的表达作为男性气概的证明,而拒绝这种表达则被视为缺乏阳刚之气。 我个人认为,理想的男性形象应该是禁欲的,能够克制低级性冲动,而非将性欲勃勃作为阳刚的象征。将性欲勃勃作为男性存在主义的证明,是一种扭曲的价值观,是对女性的不尊重,也是对自身的不尊重。健身房直男的行为,正是这种扭曲价值观的体现,也是一种恐同的表现,体现了霸权的阳刚之气相关的社会压迫。 性少数朋友: 拒绝观看色情图片,并非因为对女性不感兴趣,而是因为觉得这种行为低级,不愿被性欲控制,也不想成为一个被性欲控制的对象。被直男朋友强迫欣赏女性图片,感到恶心和掉价。 当拒绝观看色情图片时,被直男朋友质疑‘被尬了’或‘不好用了’,这是一种对性少数群体的歧视和压迫。

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What is the speaker's critique of the movie 'Pharaoh' and its portrayal of women?

The speaker critiques the movie 'Pharaoh' for its portrayal of women through a heterosexual male gaze. The camera angles focus on the female actor's body, starting from the waist, moving up to the chest, neck, and face, with the actress wearing minimal clothing. This perspective is described as objectifying and reducing women to sexual objects, which the speaker finds offensive and dehumanizing.

How does the speaker describe their reaction to the heterosexual male gaze after identifying as a sexual minority?

After identifying as a sexual minority, the speaker's reaction to the heterosexual male gaze shifted from discomfort to feelings of anger, disgust, and offense. They describe this gaze as a form of 'heterosexual hegemony' that forces all viewers to participate in the objectification of women, which they find deeply violating and disrespectful.

What incident does the speaker share about their friend in the gym and the heterosexual male culture?

The speaker shares an incident where their sexual minority friend, who is uninterested in women, was repeatedly sent pictures of women by heterosexual male gym friends. When the friend asked them to stop, he was questioned about his masculinity and sexual functionality, leading him to block the sender. This incident highlights the pressure within heterosexual male culture to conform to hyper-sexualized behaviors as a proof of masculinity.

What does the speaker believe constitutes an ideal male behavior?

The speaker believes that an ideal male behavior involves self-control and the ability to suppress base sexual impulses. They advocate for a model of masculinity that values restraint, dignity, and respect, contrasting sharply with the hyper-sexualized behavior they criticize in many heterosexual men.

What book does the speaker reference to discuss healthy male behaviors and gender equality?

The speaker references a book titled 'Men's Voices: 16 Gender Critics Tell Stories,' edited by Fang Gang and Zhu Xueqin. They highlight the book's focus on promoting healthy male behaviors and gender equality through storytelling, aiming to end gender violence and social oppression linked to hegemonic masculinity.

Chapters
本章节探讨了电影镜头中体现出的异性恋霸权凝视,以及这种凝视对性少数群体造成的冒犯感。作者以波兰电影《法老》为例,分析了其中镜头语言如何物化女性,并将其与直男分享色情图片的行为进行类比,指出这种凝视强迫观众参与其中,是一种霸权的体现。
  • 波兰电影《法老》中镜头对女性的物化描写
  • 异性恋霸权凝视的冒犯性
  • 将女性作为性资源的审视

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