The speaker critiques the movie 'Pharaoh' for its portrayal of women through a heterosexual male gaze. The camera angles focus on the female actor's body, starting from the waist, moving up to the chest, neck, and face, with the actress wearing minimal clothing. This perspective is described as objectifying and reducing women to sexual objects, which the speaker finds offensive and dehumanizing.
After identifying as a sexual minority, the speaker's reaction to the heterosexual male gaze shifted from discomfort to feelings of anger, disgust, and offense. They describe this gaze as a form of 'heterosexual hegemony' that forces all viewers to participate in the objectification of women, which they find deeply violating and disrespectful.
The speaker shares an incident where their sexual minority friend, who is uninterested in women, was repeatedly sent pictures of women by heterosexual male gym friends. When the friend asked them to stop, he was questioned about his masculinity and sexual functionality, leading him to block the sender. This incident highlights the pressure within heterosexual male culture to conform to hyper-sexualized behaviors as a proof of masculinity.
The speaker believes that an ideal male behavior involves self-control and the ability to suppress base sexual impulses. They advocate for a model of masculinity that values restraint, dignity, and respect, contrasting sharply with the hyper-sexualized behavior they criticize in many heterosexual men.
The speaker references a book titled 'Men's Voices: 16 Gender Critics Tell Stories,' edited by Fang Gang and Zhu Xueqin. They highlight the book's focus on promoting healthy male behaviors and gender equality through storytelling, aiming to end gender violence and social oppression linked to hegemonic masculinity.