The main theme of Chen Chuncheng's 'The Submarine at Night' revolves around the exploration of imagination, memory, and the interplay between reality and fantasy. The stories often delve into the tension between the mundane world and the rich inner lives of characters, highlighting how imagination can be both a source of profound creativity and a means of escape from reality. The collection also reflects on the loss of childhood imagination as one grows older and conforms to societal expectations.
The host recommends reading 'The Submarine at Night' during travel because the short story format is well-suited for fragmented reading time, such as during transit or breaks in a journey. Additionally, the book's imaginative and dreamlike quality complements the sense of wonder and openness often experienced during travel, making it a perfect companion for moments of reflection and exploration.
Chen Chuncheng's writing style is praised for its pure and authentic use of the Chinese language, which resonates deeply with native speakers. Unlike translated literature, which often loses some of its original linguistic charm, Chen's work captures the nuances and cultural context of Chinese life, creating a more intimate and relatable reading experience. His prose is described as both elegant and unpretentious, avoiding overly ornate language while still being deeply evocative.
In the story 'The Submarine at Night,' the submarine symbolizes the protagonist's rich inner world and imagination. As a child, the protagonist, Chen Tuona, creates an elaborate fantasy of a submarine that he uses to explore the depths of his imagination. However, as he grows older and succumbs to societal pressures, he abandons this fantasy, symbolizing the loss of childhood creativity and the constraints of adulthood. The submarine becomes a metaphor for the tension between imagination and reality.
The narrative structure of 'The Submarine at Night' is divided into two parts. The first part follows a wealthy Australian businessman who becomes obsessed with finding a coin that the writer Jorge Luis Borges once threw into the sea. The second part shifts to the story of Chen Tuona, a Chinese boy who imagines a submarine to escape his mundane life. The two narratives are connected by themes of imagination, memory, and the search for meaning, creating a layered and interwoven story.
'The Submarine at Night' explores the theme of imagination versus reality by contrasting the protagonist's vivid inner world with the demands of the external world. As a child, Chen Tuona's imagination allows him to create an entire universe, but as he grows older, societal expectations force him to abandon his fantasies. The story reflects on how imagination, while powerful and transformative, is often stifled by the practicalities of adult life, leading to a sense of loss and nostalgia for the freedom of childhood creativity.
The coin in 'The Submarine at Night' serves as a symbol of the intersection between imagination and reality. It represents the elusive nature of meaning and the human desire to find significance in the mundane. The coin, originally thrown into the sea by Borges, becomes the object of a futile search by a wealthy businessman, while in the second part of the story, it reappears as a metaphor for the protagonist's lost imagination, ultimately being discarded by a child who does not understand its significance.
Chen Chuncheng's work often reflects on the fluidity and subjectivity of time. In stories like 'The Submarine at Night' and 'Zhufeng Temple,' time is portrayed as both linear and cyclical, with characters grappling with the passage of time and the preservation of memory. The narratives frequently explore how moments of imagination or memory can transcend time, creating a sense of timelessness even as the external world changes. This theme is particularly evident in the way characters attempt to hold onto fleeting moments of beauty or meaning in the face of inevitable change.
The story of Zhufeng Temple is significant for its exploration of memory, tradition, and the tension between preservation and progress. The protagonist, who hides a key in the temple, symbolizes the desire to hold onto the past in a rapidly changing world. The temple itself, with its hidden artifacts and legends, becomes a metaphor for the layers of history and culture that are often overlooked or forgotten. The story reflects on the importance of preserving intangible heritage, even as the external world moves forward.
本期活久见电台阅读的是陈春诚的《夜晚的潜水艇》。这是陈春成的第一部短篇小说集,共收录九篇风格独特的短篇小说。
我们在久违的母语阅读中体验到了极大的快乐,这是只有共享共同文化、语言、时代、社会背景时才能体验到的阅读快乐。陈春诚用诚实而细腻的笔触写出了我们内在的感受,他独特的环套结构,也让我们读者和这期节目也成为了小说的另一环。
我们在此也邀请你进入这个世界,乘上这艘夜晚的潜水艇。
【本期主播】
AZ、Never、蜂蜂
【本期涉及到书籍】
《百年孤独》
《博尔赫斯全集》
【本期涉及到的影视作品】
《超体》
下期预告:
《亚瑟王之死》