cover of episode Alexandra Rose Howland - On Storytelling

Alexandra Rose Howland - On Storytelling

2023/7/3
logo of podcast The Messy Truth - Conversations on Photography

The Messy Truth - Conversations on Photography

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Alexandra Rose Howland
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Jen Fletcher
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Alexandra Rose Howland: 我挑战摄影作为单一作者直接呈现的传统观念,而将其视为一种社会实践,与参与者共同创作故事。我的作品《Leave It and Let Us Go》以及之前的《Mosul Road, 88 kilometers》都体现了这种理念。在《Mosul Road》中,我克服了巨大的后勤和安全挑战,创作了一张88公里长的全景照片,展现了伊拉克战争的复杂性和多层次性。而《Leave and Let Us Go》则通过收集超过35万张来自50多位伊拉克人的照片和视频,展现了这个国家的丰富性和多样性,包括家庭生活、战争创伤、以及人们在社交媒体上的表达方式。这个项目也让我思考了作为一名艺术家和档案保管者的道德责任,以及如何平衡个人视角与参与者的信任。我未来的项目将关注气候变化,并试图创造一种新的视觉语言来表达这一议题,避免使用陈旧的视觉符号,并关注其对人们日常生活的影响。 Jen Fletcher: Alexandra Rose Howland 的作品以其独特的视角和方法,为我们呈现了关于冲突和气候危机叙事的全新理解。她挑战了传统摄影的局限性,通过与参与者的合作,创造了更丰富、更复杂的故事讲述方式。她的作品不仅展现了事件本身,也展现了人们的情感、记忆以及对自我呈现的思考。

Deep Dive

Key Insights

Why did Alexandra Rose Howland transition from painting to photography?

She felt the commercialization of her painting work was too abrupt and wanted to explore a more collaborative and socially engaged practice. Her decision was also influenced by a desire to leave the bubble of Los Angeles and immerse herself in a more international context.

What was the concept behind Alexandra's project 'Mosul Road, 88 Kilometers'?

The project is a single panoramic image spanning 88 kilometers, connecting Erbil to West Mosul, where ISIS declared the caliphate. It aims to challenge the singular narrative of conflict by showing the multiple layers of life during war, avoiding the spectacle of violence.

How did Alexandra's experience with 'Mosul Road, 88 Kilometers' influence her understanding of photography?

It shifted her perspective on the role of the photographer, questioning whether they should be a fly on the wall or if their presence influences the narrative. She embraced the interaction between herself and the subjects, recognizing the importance of multiple perspectives and the photographer's gaze.

What inspired Alexandra to create the project 'Leave and Let Us Go'?

The project was inspired by a conversation with an Iraqi soldier who shared personal images from his phone, including family photos and images of conflict. This interaction highlighted the limited understanding of people's lives in conflict zones and led Alexandra to create a collaborative archive of images from Iraqis across the country.

How did Alexandra handle the ethical challenges of collecting sensitive images for 'Leave and Let Us Go'?

She prioritized the trust of the participants, ensuring they were comfortable with the images being used. She also faced the challenge of deciding whether to include images that could be seen as evidence of war crimes, ultimately focusing on the participants' comfort and the broader narrative of the project.

What role does social media play in Alexandra's project 'Leave and Let Us Go'?

Social media influences the project through the use of emojis, Snapchat filters, and selfies, which are part of the participants' visual language. These elements add layers of meaning, showing how people express themselves in both public and private spaces, often with dark humor or playful anonymity.

How does Alexandra's new project on the climate crisis differ from her previous work?

Her new project aims to document the climate crisis in a way that goes beyond the typical images of fires, floods, and droughts. She is exploring the intersection of gender-based violence and climate change, focusing on the specific impacts of climate change on daily life and communities.

What challenges does Alexandra face in visualizing the climate crisis?

The main challenge is finding a new visual language to represent the climate crisis, as many current images have become tropes and are no longer effective. She aims to ground the issue in specific, relatable impacts, such as water scarcity and its effects on health and gender dynamics.

What does Alexandra believe is the role of photography in addressing the climate crisis?

She believes photography can question and document the broader issues behind climate change, rather than just translating specific events. As an artist, she has the freedom to explore the conceptual aspects of the crisis and its impact on daily life, creating a more nuanced understanding.

What does Alexandra value more in her creative process: the process of making the work or the final photograph?

She values the editing process more, as it allows her to physically manipulate images and create something new. This process engages her painting background and allows her to explore different layers and narratives, making it a crucial part of her work.

Chapters
Alexandra Rose Howland's journey from abstract painting to photography, driven by a combination of factors including the commercialization of art and a desire for a change of scenery. Her initial foray into photojournalism in Turkey, and the unexpected advice that shaped her path.
  • Howland's background in abstract painting and international relations influenced her transition to photography.
  • Her initial experience with the commercial art world prompted her to seek a different path.
  • A spontaneous move to Turkey provided an environment for learning photojournalism from experienced professionals.

Shownotes Transcript

Alexandra Rose Howland's practice is invested in illustrating the difficult complexities of our existence. Through her work, she seeks to generate a more expansive understanding of how issues around conflict and the climate crisis are portrayed. She does this by resisting the historical notion of photography as a mode of direct representation created by a single author. Instead, she embraces image-making as a social practice, co-creating stories with her participants. 

Alexandra has lived in the Middle East over the last decade, creating work that aims to challenge and expand the ways that geopolitical events are communicated. Her background as an abstract painter informs her practice, resulting in multidimensional projects that use images, found objects, interviews and video. She has shown internationally with both solo and group exhibitions including Leave and Let Us Go (solo), FOAM Museum Amsterdam, *Road to Mosul *(solo), London, Textured to Only Us (solo), Los Angeles.  Leave and Let Us Go was published by GOST Books in 2021.

Follow Alexandra @alexandrahowland & Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email [email protected]

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