Robbie Collin argues that since September 11th, war films have been dominated by fantastical characters and narratives where super beings fight super villains, creating an escapist and unrealistic portrayal of war. This trend mirrors the 1980s action films that reimagined the Vietnam War with heroic victories, reaffirming America's global superpower status.
Godzilla Minus One is significant as it reflects Japan's historical reckoning with vulnerability, particularly in the aftermath of World War II and the Tohoku earthquake. The film explores themes of survivor's guilt and national resilience, using Godzilla as a metaphor for war and its psychological aftermath. It also marks a return to a more reflective and harrowing portrayal of Godzilla, contrasting with earlier, more jolly depictions.
Blitz, set during World War II, follows a mixed-race boy named George as he navigates the social fabric of London. The film explores themes of race and identity by showing George's journey of self-discovery and his place in a society undergoing significant change. McQueen uses the backdrop of the Blitz to highlight the evolving role of black Britons in the national narrative, emphasizing the forging of post-Empire Britain from the ashes of war.
Civil War critiques the modern tendency to view politics and culture through the lens of picking sides. The film portrays a dystopian future where the United States is torn apart by internal conflict, without explaining the reasons behind it. Garland challenges the audience to reflect on the destructive nature of partisan thinking and the consequences of a society divided into opposing factions.
Robbie Collin finds Godzilla Minus One moving and powerful due to its exploration of survivor's guilt and national resilience. The film's black and white version, which recreates the visual texture of 1954 cinematography, enhances its emotional impact. The narrative follows a kamikaze pilot grappling with shame and guilt, ultimately channeling these emotions into a collective effort to confront and overcome the metaphorical monster of war.
On this special end of year episode, Roland Oliphant is joined by The Telegraph's Chief Film Critic Robbie Collin to look back at the best war films of the year. Plus: Are we seeing an era of growing conflict reflected on film? And what do the films we make say about our attitudes to these unsettling times? Hosted on Acast. See acast.com/privacy) for more information.