cover of episode The best war films of 2024

The best war films of 2024

2024/12/30
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Battle Lines

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Robbie Collin
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Roland Oliphant
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Robbie Collin: 2024年的战争电影大多脱离现实,以超级英雄对抗超级反派的模式呈现,缺乏对战争的深刻反思。然而,他推荐的三部电影是例外,它们分别从士兵、平民和记者三个角度展现了战争的残酷和复杂性,并反映了当前地缘政治格局的变化。 第一部电影《哥斯拉大战怪兽之王》以二战后的日本为背景,探讨了幸存者的罪恶感以及将这种民族罪恶感转化为积极力量的可能性。哥斯拉作为一种多变的隐喻,在不同的电影中代表着不同的含义,它既可以代表战争本身,也可以代表日本民族的集体心理创伤。 第二部电影《闪电战》以二战期间伦敦平民的生活为背景,展现了战争对普通民众的影响,以及英国社会在战争中的种族和阶级矛盾。电影中,伦敦被战火吞噬的景象,与乌克兰等地目前的战争景象有着惊人的相似之处。 第三部电影《内战》则以一个分裂的美国为背景,探讨了当代政治和文化中极端的“站队”思维的破坏性影响。电影没有为观众提供明确的立场,而是促使观众反思“站队”本身的破坏性。 Roland Oliphant: 他与Robbie Collin讨论了当前世界冲突增多的背景下,电影如何反映和塑造人们对战争的态度。他们探讨了战争电影中对现实的刻画,以及电影如何反映社会变迁和文化价值观。

Deep Dive

Key Insights

What are the key themes explored in the war films of 2024 according to Robbie Collin?

The key themes in the 2024 war films include the psychological and societal impacts of war, survivor's guilt, the reshaping of national identity, and the mundane, everyday experiences of civilians and soldiers during conflict. Films like 'Godzilla Minus One' explore survivor's guilt and national rebuilding, while 'Blitz' focuses on the civilian experience during the London Blitz, and 'Civil War' examines the breakdown of societal order and the futility of partisan conflict.

How does 'Godzilla Minus One' reflect Japan's post-war identity?

'Godzilla Minus One' reflects Japan's post-war identity by using Godzilla as a metaphor for the nation's trauma and guilt following World War II. The film is set in the aftermath of the war, focusing on a kamikaze pilot who survives due to cowardice, grappling with survivor's guilt. The film also explores Japan's vulnerability and the need for national rebuilding, symbolizing the country's transition from devastation to resilience.

What makes 'Blitz' a unique portrayal of the London Blitz?

'Blitz' is unique in its portrayal of the London Blitz because it focuses on the experiences of a mixed-race child and his single mother, highlighting the social and racial dynamics of wartime Britain. Directed by Steve McQueen, the film captures the full social texture of London during the Blitz, including the struggles of working-class families, racism, and the broader societal shifts as Britain moved from empire to post-empire. It also draws parallels to contemporary conflicts like Ukraine and Gaza, making it relevant to modern audiences.

What is the central message of 'Civil War' and how does it critique modern politics?

The central message of 'Civil War' is a critique of the modern political landscape, particularly the divisive nature of partisan politics and the destructive consequences of picking sides. The film, set in a dystopian near-future America, depicts a nation tearing itself apart without clear ideological reasons. It challenges the audience to reflect on the futility of side-taking and the broader cultural shift towards polarization, suggesting that such dynamics lead to societal collapse.

How do the war films of 2024 differ from earlier war films, particularly post-9/11?

The war films of 2024 differ from earlier post-9/11 war films by moving away from escapist, superpower-centric narratives and instead focusing on the human and societal impacts of conflict. Earlier films often portrayed war as a battle between super beings and villains, reaffirming America's global dominance. In contrast, 2024 films like 'Godzilla Minus One,' 'Blitz,' and 'Civil War' delve into the psychological, cultural, and historical dimensions of war, offering more nuanced and reflective portrayals of conflict.

What role do journalists play in 'Civil War' and how does the film portray their work?

In 'Civil War,' journalists serve as impartial observers navigating the chaos of a dystopian America. The film portrays their work as both dangerous and morally complex, highlighting the difficulty of maintaining objectivity in a polarized world. While the film captures the realism of war reporting, it also critiques the lack of actual reporting shown in many films about journalists, as the characters rarely file stories, focusing instead on the immersive experience of conflict.

Chapters
The podcast opens by discussing the increase in global conflicts and explores whether this is reflected in contemporary war films. The hosts question if the portrayal of war in film has shifted from escapist superhero narratives to a more realistic depiction of current geopolitical instability.
  • Increased global conflict
  • Shift from escapist war films to more realistic portrayals
  • Post-9/11 influence on war film narratives

Shownotes Transcript

On this special end of year episode, Roland Oliphant is joined by The Telegraph's Chief Film Critic Robbie Collin to look back at the best war films of the year. Plus: Are we seeing an era of growing conflict reflected on film? And what do the films we make say about our attitudes to these unsettling times? Hosted on Acast. See acast.com/privacy) for more information.