Fan Hongye was inspired by his desire to challenge himself as an actor by taking on roles he had never experienced before, such as portraying a visually impaired person. He was motivated by the skepticism he encountered about his ability to authentically portray such roles. Additionally, he wanted to document his personal experience of living as a blind person to better understand and prepare for future acting roles. As he delved deeper into the lives of visually impaired individuals, he realized the broader societal issues they face, which led him to create 'Jie Shi' as a way to raise awareness and advocate for this community.
The actual filming of 'Jie Shi' took 40 days, but the entire process, including planning and preparation, spanned approximately four years. Fan Hongye spent a year getting to know the visually impaired community and living with them to better understand their experiences before starting the filming process.
Fan Hongye faced significant challenges in editing 'Jie Shi' due to the extensive amount of footage he had to work with. The initial version of the documentary was seven hours long, but he had to compress it to three hours to make it more accessible to viewers. He had to make difficult decisions about which scenes to include, prioritizing visually compelling footage and ensuring the narrative remained coherent. Additionally, he had to work with limited resources, as he funded the project himself and couldn't afford professional equipment or a high-quality camera crew.
The title 'Jie Shi' reflects the broader theme of loss that Fan Hongye explores in his documentary series. While the first film focuses on visually impaired individuals, he plans to create additional documentaries addressing other disabilities, such as hearing or speech impairments. The title suggests a universal experience of loss, emphasizing that everyone, at some point, loses something significant in their lives.
Filming 'Jie Shi' profoundly impacted Fan Hongye's approach to acting, particularly when portraying visually impaired characters. He learned to focus on the internal experience of blindness rather than relying on external stereotypes. For example, he now emphasizes slower movements and heightened use of other senses when playing a blind character. He also avoids using techniques like unfocused eyes, which are often used in films to signal blindness, as he found that many visually impaired individuals do not exhibit such traits in real life.
Fan Hongye plans to create a total of five documentaries in the 'Jie Shi' series, each focusing on a different type of disability. While the first film addresses visual impairment, future installments will explore hearing, speech, and other sensory disabilities. He views this series as a long-term project and hopes to continue raising awareness about the challenges faced by individuals with disabilities.
Fan Hongye finds it challenging to balance his roles as an actor, director, and producer, as each requires significant time and energy. He prioritizes projects that align with his personal interests and goals, such as the 'Jie Shi' documentary series. While he enjoys acting, he is currently more focused on directing and producing, as these roles allow him to explore social issues and create meaningful content. However, he acknowledges that he may need to make difficult choices in the future to manage his time effectively.
Fan Hongye finds social interactions draining and prefers to limit them, as he views them as a form of work rather than a source of enjoyment. However, he recognizes the importance of building relationships, especially when working on documentaries that require deep engagement with subjects. He approaches social interactions with a specific purpose in mind, focusing on the information or insights he needs to gather for his projects. This intentional approach allows him to maintain his energy and focus while still achieving his creative goals.
通常来说,人有五种主要感官。我们在这些感官的共同作用下,感知和理解着周围的环境。这五种感官分别是:
这一期的节目,我们邀请到了**《皆失》的导演范弘晔**来和我们一起分享一下他当下的生活。如果对这部纪录片感兴趣,可以关注本期留言框。一旦上线,我们会立刻更新本期介绍和评论信息。
本期录制时间:2024年6月12日
——本期成员——
范弘晔:演员,导演,制片人三位一体
黎子:没有他就没有这一期节目的灵魂C位
Sijia: 希望做好一档声音纪录片
——本期话题——
00:25 妖导(范弘晔)打招呼。小妖这个花名的由来
05:00 为什么会想要做《皆失》这部纪录片呢?
10:23 在后期剪辑《皆失》时,怎么选择成片长短呢?以及为什么会选择《皆失》这个名字?
15:24 目前计划《皆失》的上映平台了吗?在国内一般都有哪些宣发平台?
20:28 时间线往回拉,一开始为什么会想要成为演员呢?
25:43 因为演员这个身份,会在日常待人接物上格外敏感吗?
28:22 黎子同学上线!
29:25 妖导的制片人身份介绍
30:25 为什么会喜欢和比自己年长的人交谈呢?社交上有什么偏好?
37:40 《皆失》这部纪录片大致脉络介绍(有剧透嫌疑,如果不喜欢剧透请直接跳转到下一个话题)
43:31 因为有了《皆失》这部片子的经历,下一次在出演视障人士时会有哪一些不同的表演方式吗?
59:12 友情的故事
1:10:30 对现在的生活满意吗?有什么是相对3年后的自己说的吗?
————————————
❤️我们有小红书账号啦,来这里找我们玩吧:100种生活 (126161715)
最近开通了Youtube,快来订阅点击小铃铛🔔吧:Youtube
我们有网站啦:https://100lifestylepodcast.com
想加入听友群,一起分享你的想法吗?快来加入我们“试运营”的 Telegram听友群吧~(如果已经下载了Telegram,那么点击这个链接 https://t.me/podcast100lifestyle 就可以加入了,等你来玩哦~)
主播:Sijia | 嘉宾:范弘晔,黎子
后期:Xihui
主题曲:Evan- 100Lifestyle
想一起来分享你的生活吗? 来邮件联系我们吧 ~
100.lifestyle.podcast@gmail.com
(还可以在以下平台关注我们,如果喜欢《100种生活》的话,来给我们5星好评吧!谢谢~)