cover of episode 82:北京|纪录片导演的生活

82:北京|纪录片导演的生活

2024/8/4
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100种生活

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范弘晔
黎子
Topics
@范弘晔 :本片从个人表演经验积累出发,逐渐发展为对视障群体的关注和社会议题的探讨。创作过程中,我面临资金有限、技术条件不足等挑战,最终将片长控制在三个小时左右。片名《皆失》象征着多种感官的缺失,也预示着系列作品的创作计划。我更倾向于独立创作,避免外部资金对作品的影响。在表演方面,我注重真实体验,而非单纯模仿,力求打破社会对视障群体的刻板印象。 我与@黎子 在创作过程中存在一些分歧,但我们之间的合作关系依然良好。我个人不太喜欢社交,但为了创作,我愿意投入其中。未来,我将继续关注社会议题,并尝试不同的创作方式。 黎子:作为一名从事播客、环保、证券和新媒体行业的从业者,我对范弘晔的纪录片创作表示支持。在与范弘晔的合作中,我们之间也存在一些摩擦和冲突,但我们最终能够达成共识,并完成节目的录制。我目前生活在长沙,对现状比较满意,并希望未来能够成为一名合格的金融博主。 @Sijia :作为主持人,我引导了本次访谈,并对范弘晔的纪录片创作和生活态度表示赞赏。我对于《皆失》的创作理念和叙事方式印象深刻,认为其具有独特的视角和价值。

Deep Dive

Key Insights

Why did Fan Hongye decide to create the documentary 'Jie Shi'?

Fan Hongye was inspired by his desire to challenge himself as an actor by taking on roles he had never experienced before, such as portraying a visually impaired person. He was motivated by the skepticism he encountered about his ability to authentically portray such roles. Additionally, he wanted to document his personal experience of living as a blind person to better understand and prepare for future acting roles. As he delved deeper into the lives of visually impaired individuals, he realized the broader societal issues they face, which led him to create 'Jie Shi' as a way to raise awareness and advocate for this community.

How long did it take to produce the documentary 'Jie Shi'?

The actual filming of 'Jie Shi' took 40 days, but the entire process, including planning and preparation, spanned approximately four years. Fan Hongye spent a year getting to know the visually impaired community and living with them to better understand their experiences before starting the filming process.

What challenges did Fan Hongye face in editing 'Jie Shi'?

Fan Hongye faced significant challenges in editing 'Jie Shi' due to the extensive amount of footage he had to work with. The initial version of the documentary was seven hours long, but he had to compress it to three hours to make it more accessible to viewers. He had to make difficult decisions about which scenes to include, prioritizing visually compelling footage and ensuring the narrative remained coherent. Additionally, he had to work with limited resources, as he funded the project himself and couldn't afford professional equipment or a high-quality camera crew.

What is the significance of the title 'Jie Shi'?

The title 'Jie Shi' reflects the broader theme of loss that Fan Hongye explores in his documentary series. While the first film focuses on visually impaired individuals, he plans to create additional documentaries addressing other disabilities, such as hearing or speech impairments. The title suggests a universal experience of loss, emphasizing that everyone, at some point, loses something significant in their lives.

How did Fan Hongye's experience filming 'Jie Shi' influence his approach to acting?

Filming 'Jie Shi' profoundly impacted Fan Hongye's approach to acting, particularly when portraying visually impaired characters. He learned to focus on the internal experience of blindness rather than relying on external stereotypes. For example, he now emphasizes slower movements and heightened use of other senses when playing a blind character. He also avoids using techniques like unfocused eyes, which are often used in films to signal blindness, as he found that many visually impaired individuals do not exhibit such traits in real life.

What are Fan Hongye's future plans for his documentary series?

Fan Hongye plans to create a total of five documentaries in the 'Jie Shi' series, each focusing on a different type of disability. While the first film addresses visual impairment, future installments will explore hearing, speech, and other sensory disabilities. He views this series as a long-term project and hopes to continue raising awareness about the challenges faced by individuals with disabilities.

How does Fan Hongye balance his roles as an actor, director, and producer?

Fan Hongye finds it challenging to balance his roles as an actor, director, and producer, as each requires significant time and energy. He prioritizes projects that align with his personal interests and goals, such as the 'Jie Shi' documentary series. While he enjoys acting, he is currently more focused on directing and producing, as these roles allow him to explore social issues and create meaningful content. However, he acknowledges that he may need to make difficult choices in the future to manage his time effectively.

What is Fan Hongye's perspective on social interactions and their impact on his work?

Fan Hongye finds social interactions draining and prefers to limit them, as he views them as a form of work rather than a source of enjoyment. However, he recognizes the importance of building relationships, especially when working on documentaries that require deep engagement with subjects. He approaches social interactions with a specific purpose in mind, focusing on the information or insights he needs to gather for his projects. This intentional approach allows him to maintain his energy and focus while still achieving his creative goals.

Chapters
本期节目邀请到纪录片导演范弘晔,分享他从演员到纪录片导演的经历,以及创作纪录片《皆失》的心路历程。
  • 范弘晔本职工作是演员和制片人
  • 《皆失》是范弘晔的第一部纪录片
  • 拍摄《皆失》的实际拍摄时间是40天,但从策划开始算起大约有四年

Shownotes Transcript

通常来说,人有五种主要感官。我们在这些感官的共同作用下,感知和理解着周围的环境。这五种感官分别是:

  • 视觉:通过眼睛感知光线和颜色,帮助我们看到周围的世界。
  • 听觉:通过耳朵感知声音,帮助我们听到各种声音和语言。
  • 嗅觉:通过鼻子感知气味,帮助我们识别不同的气味和味道。
  • 味觉:通过舌头上的味蕾感知食物的味道,包括甜、酸、苦、咸和鲜。
  • 触觉:通过皮肤和身体的感受器感知触碰、压力、温度和疼痛,帮助我们感知外界的物理特性。

这一期的节目,我们邀请到了**《皆失》的导演范弘晔**来和我们一起分享一下他当下的生活。如果对这部纪录片感兴趣,可以关注本期留言框。一旦上线,我们会立刻更新本期介绍和评论信息。

本期录制时间:2024年6月12日

——本期成员——

范弘晔:演员,导演,制片人三位一体

黎子:没有他就没有这一期节目的灵魂C位

Sijia: 希望做好一档声音纪录片

——本期话题——

00:25 妖导(范弘晔)打招呼。小妖这个花名的由来

05:00 为什么会想要做《皆失》这部纪录片呢?

10:23 在后期剪辑《皆失》时,怎么选择成片长短呢?以及为什么会选择《皆失》这个名字?

15:24 目前计划《皆失》的上映平台了吗?在国内一般都有哪些宣发平台?

20:28 时间线往回拉,一开始为什么会想要成为演员呢?

25:43 因为演员这个身份,会在日常待人接物上格外敏感吗?

28:22 黎子同学上线!

29:25 妖导的制片人身份介绍

30:25 为什么会喜欢和比自己年长的人交谈呢?社交上有什么偏好?

37:40 《皆失》这部纪录片大致脉络介绍(有剧透嫌疑,如果不喜欢剧透请直接跳转到下一个话题)

43:31 因为有了《皆失》这部片子的经历,下一次在出演视障人士时会有哪一些不同的表演方式吗?

59:12 友情的故事

1:10:30 对现在的生活满意吗?有什么是相对3年后的自己说的吗?

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