This talk was a key note address for the 2016 Photography.Ontology symposium that took place at the University of Sydney in June 2016.
Professor Smith considers Frederick Douglass’s propositions about the social power of photography. Looking back at Douglass’s lecture “Pictures and Progress” through the lens of contemporary artist Rashid Johnson’s homage to the nineteenth-century orator, the talk examines Douglass’s surprising celebration of photography as an objectifying medium. Douglass saw the persistence of photographs as both a conserving and a conservative force, and Johnson’s self-portrait after Douglass testifies to that doubled dynamic. But Douglass also found progressive power in the technology’s capacity to alienate the self, an unexpected position for the formerly enslaved. The talk explores Douglass’s complicated embrace of photography as a medium of objectification as well as progress, as a link to the past as well as the future.
